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Delicious 1981
Description: A boy with a cold wife and a husband who can't hold his hands off the maid.
Released: N/A Director: Bill Milling Writers: Anthony Vincent (screenplay) Actors: Veronica Hart, Desiree Cousteau, Candida Royalle, Nicole Scent Genres: Adult, Comedy, Fantasy
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Delicious Reviews:

Harold (Stuart) is a typical older married boy with a hot looking but almost frigid wife (Royalle). Her only kind of sex is letting Harold enjoy with her t**s. So, oversexed Harold eventually succeeds, with the support of the butler Maurice (R. Bolla), in having sex with every maid. When his wife catches them, she fires the girl. Enter Divina (Hart), the fresh maid. She beautiful, sexy, friendly, caring and knows what everyone wants or needs, especially sexual needs, before they ask. She uses her strange powers to support the family, becoming a type of sexual Mary Poppins. Only, Mary never helped a family the method Divina does.This is a nice couples movie. The sex is hot but not really raunchy. Play it with someone special.


I am surprised that the previous commentator felt the sex wasn't raunchy... He gotta be getting a bit jaded.The stage at the end where Veronica takes on Bolla and Jeremy and other guy is very hot. Watching her suck one guy, handstroke another, while Jeremy's enormous member slides in and out between her cheeks is difficult to beat.I really like the fact that girls didn't shave their pussies in this era.And the earlier stage where she seduces the son and his girlfriend is cute nice too.


Bill Milling's follow-up - in his "Philip Drexler" incarnation - to his widely admired A SCENT OF HEATHER, a naughty rendition of Disney's MARY POPPINS (and, yes, to all you purists out there, I am aware that P.L. Travers wrote the source novel but cute much everyone else associates the hero with cute Julie Andrews rather than the sour spinster as the creator described her), may borrow few of his previous film's resources – star Veronica Hart, same mansion – but should hardly be more various in style and tone. In all its unforced playfulness, not to mention a generous supporting of Hart hardcore her fanatics won't wish to miss out on, it remains one of the most purely enjoyable early '80s adult comedies.Wealthy Mr Harold (engagingly portrayed by Aaron Stuart, an pretty actor in the early stages of middle age far removed from the stereotypical "porn stud" image) and Lady Caroline (future Femme founder Candida Royalle in her finest performance) seem to have a spot of bother trying to hold a maid, mostly because Harold can't hold his hands of them and his spouse has the annoying habit of walking in on them in flagrante. Matters are no various with their recent servant, superstar Desirée Cousteau of Alex De Renzy's PRETTY PEACHES fame, who's instantly sent packing. To give the Master his due, it's not really his fault. Cold fish Caroline abstains from carnality during the day and refuses her husband any frivolous favors another than letting him fondle her bountiful breasts ! Mere moments after she has contacted the agency for Desirée's successor, Divina (Hart) magically appears and is hired on the spot. Butler Maurice (Robert Kerman a/k/a "R. Bolla" on fine form) informs her that all hired support has to place out for him sexually to assure smooth sailing. When he's casually rebuffed, he plots revenge along with the randy gardener (Ron Jeremy, amazingly slender at this early scene of a later to be three decade career) and Caroline's scheming brother James, beautifully played by the monumentally undervalued Michael Gaunt, an openly bisexual actor (he co-starred in the John Amero & Michael Findlay (a/k/a "Francis Ellie" on such joint ventures) gay porn classic KISS TODAY GOODBYE) who would live his finest hour in Roger Watkins' challenging American BABYLON. The remainder of the family certainly can't search any fault with Divina. She soothes Harold's pent-up passions while his wife's right there in the room, though the maid magically assures she can't see what's going on. The couple's horny offspring, Henry (an early appearance by the ever perfect Jerry Butler), tires of trying to create out with his feisty fiancée Harriet (Nicole Scent) while her parents (George Payne & Jane Kelton) are out, so Divina arranges a threesome with herself as an added bonus. Even Caroline succumbs to the domestic's charms, leading into an all time lesbo liaison with both ladies reduced to miniature size for a bout of sizzling lovemaking on a Brillo pad surrounded by large pencils and boxes of crayons ! Even occasional Golden Age browsers could recognize most of the cast here, presumably with the exception of Scent and Kelton, a pair of blonde Milling discoveries who both turned up in his highly entertaining BLONDE GODDESS. Thin, small-breasted and husky-voiced Nicole had played a frisky maid (wearing the same outfit as Hart does here perhaps ?) in Drexler's HEATHER. The decidedly fuller-figured Jane briefly popped up as one of the original ALL American GIRLS. The sex may not seem overly adventurous to a show day porn audience, though there's a peculiar proliferation of "cowgirl" (i.e. girl on top, straddling her flat on his back mate), but that is more than made up for by its heartfelt nature. Veronica, then still a natural brunette (she would go blonde and redhead at different stages in her career), takes the lion's share of the lusty duties at hand and was clearly destined for imminent super-stardom both in the thespian and sexual sweepstakes. Her grand finale with Kerman, Gaunt and Jeremy deserves unique mention as it's the single stage to fleetingly detail rear end insertion, albeit post-coitally and just before a fade.The director does a unbelievable job keeping up the pace by testing the material as a French bed-hopping farce with all the performers perfectly capable of hitting all the right notes. First-rate production matches their efforts each step of the way. Milling was not exactly renowned for his stinginess after all, rarely reticent to board a plane with a bunch of cute people, whisking them off to whatever exotic zone he fancied for items that usually wound up in later, more loosely plotted endeavors like HOT STUFF or IN THE PINK. Greatest investment he made here may be acquiring the services of camera boy Mike Stryker, whose trademark brightly-colored, close-up studded style (the breathtaking credits sequence he shot for Ed De Priest's SKINTIGHT could serve as his calling card) truly complements the whimsical fantasy theme, making DELICIOUS a rare, successful adult exploration of such cinematic zone generally – and not altogether unjustly - deemed beyond the industry's grasp.



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