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Description: Solidarity with the border people. Equal rights for the sexual deviants. Kristoffer Lohman is a young solicitor who collects stories and knowledge of various perversions. This has affected and changed his own sexual life. Sara, a young well-behaved and adorned woman, becomes interested in Kristoffer's activity.
Description: The two brothers Van der Laan, of strict religion, have been running Holland's most successful tool company for 10 years when suddenly their financial manager leaves the firm. The lives of the brothers and their families receive turned upside down when they hire a young hot shot financial specialist, in order to pursue their target to bring the company to the NASDAQ.
Description: A Los Angeles fashion model falls in love with a female art director during a image shoot which puts their newfound romance at odds with the model's photographer boyfriend.
Description: A popular singer and actor is at the peak of his career but fatigue, stress and harassment of the media makes feel unbalanced. His star began to fall rapidly and so goes into a clinic to cure his pain. Coming out, away from his audience, will spend some time at a house that is in the North, to the seashore. There he feels haunted by the storyline of characters who have lived in a nearby house, in one of which identifies his former secretary.
Description: The movie says of Thomas (Facundo Luengo) a Jewish grown boy who lives with his grandmother in the industrial section of a huge Argentine city. His life isn't going exactly as planned. Though he has impregnated his girlfriend Ana, he finds himself avoiding her because he has fallen in love with Alma, so he ignores Ana. When he needs to create some money, he hooks up with a drug dealer, and this makes matters worse.
Description: Julie Wagner has everything today's young girl thinks she wants: a successful husband who adores her, a baby on the way, a close circle of family and friends, and a career as a photographer that is about to take off. So why is she alone in Montauk in the middle of December? During the cold, stark days, Julie throws herself into capturing her artistic vision for an upcoming solo show, yielding works of deep passion and instinct; at night, she restlessly taps away at her computer, plagued by uncertainty about the impending trajectories of her life. When a prickly but brilliant composer-musician knocks on her door with an odd request, Julie ushers in a series of happenings that will bring her in contact with her buried hopes and fears, and force her to create choices she couldn't have fathomed. At once shocking and wise, In Montauk is a now-familiar storyline turned inside-out by a main character...
Description: Karol is a newcomer to the class and immediately named "sissy". He tries to create mates with class bully named Balon, and eventually succeeds. The group uses him to steal lollipops and soon for an assault on a tiny child. The victim's mother seeks out the responsible and Karol is identified. He eventually confesses to his mother and names his accomplices. Branded actually as a "squealer" he is avoided by his former friends.
Description: In the back roads of a tourist city in present-day Southeast Asia, we search a filthy cinder block room; a bed with soiled sheets; a tiny woman waits for the next man. Alex (Dermot Mulroney), a human trafficking investigator, plays the role of her next customer as he negotiates with the pimp for the test of the child. Claire (Mira Sorvino), Alex's wife, is caught up in the flow of her fresh life in Southeast Asia and her role as a volunteer in an aftercare shelter for rescued women where lives of local neighborhood girl's freedoms and dignity are threatened. Parallel storyline lines intertwine and unfold twists vs the backdrop of the risky human trafficking world, in a storyline of struggle, life, hope and redemption in the "TRADE of INNOCENTS."
Description: Abraham, an old man, has a fruit garden in Jerusalem that is threatened by a number of folks who wish to purchase him out or chase him off. One day, the old boy finds a mute young girl (Melanie Griffith), confused after being attacked by thugs, wandering in his garden and he thinks she is now an angel.
Description: Stinging from the recent of few romantic break-ups, Pandora Isaacs (Tanna Frederick) retreats to the security of her parents’ ramshackle upstate country house — just 45 mins from Broadway— where her non-theatrical sister (Julie Davis) and her sister's fiance, a real- estate executive, (Judd Nelson) are also arriving for the weekend and the family's yearly Passover Seder. Family secrets, sibling rivalries, theatrical hysterics and the chance of real love as rare as a blue bullfrog all emerge.
Description: Dax Ryan Locke, born to Julie and Austin Locke on June 26, 2007, was diagnosed with AML M7, a rare form of leukemia, when he was 13 months old. The Heart of Christmas is set in Washington, Illinois and at St. Jude Children's Research Hospital, one of the world's premier centers for the research and treatment of pediatric cancer and another deadly diseases in children. Said in flashback from the perspective of Megan (Candace Cameron Bure), a successful businesswoman, wife and mother of two, the story unfolds when her commitment to faith and family is renewed after reading the blog of Julie Locke, (http://www.caringbridge.org/visit/daxlocke), the online journal that Julie kept after Dax was diagnosed with Acute Myeloid Leukemia (AML) (http://theheartofchristmasmovie.com/story.php).
Description: Here, the steel worker works on a continuous cycle, twenty-four hours a day and never stops. There, by the sea, on the island of Elba there is a paradise and the unreachable dream of satisfied families. In the middle, on the shores their secret beach, neither here nor there, Anna and Francesca, tiny but big, "thirteen years old almost fourteen", who are living their last summer of innocence before high school. The movie is based on the ebook by Silvia Avallone.
Description: Rebecca Swain is a beautiful, intellectual young woman. Life is nice to her. Her fresh boyfriend Matt's family is rich and socially prominent. The concept of a romantic weekend with him at his parents' palatial estate sounds inviting. The visit to paradise brings her face to face with Matt's family for the first time. His father, Jeremy, is dashingly handsome like his son. His mother Iris, on the another hand, looks at first glance to be a slightly unbalanced alcoholic. Rebecca immediately impresses Jeremy who is smitten with her charm and grace. As the weekend progresses, she finds herself seduced into a deadly love triangle. All is not as it seems between father, mother, and son. As Rebecca peels away the family's hidden realities, she finds herself embroiled in their secrets, and the unwilling victim of the family's most deranged member. She will need all her resources to uncover the ultimate horrible truth and stay alive.
Description: Adapted from a scene enjoy by Christopher Shinn, the debut detail from Joshua Sanchez is a provocative rumination on race and sexuality set on a sweltering 4th of July evening.
Description: In a bucolic Polish hamlet, the tense relationship between a father and son reaches a boiling mission when the boys lose their hearts to the same girl and vie for her affections. Based on Wladyslaw Reymont's Nobel Prize-winning ebook and helmed by Jan Rybkowski, this theatrical release (starring Krzystof Chamiec, Wladyslaw Hancza and Emilia Krakowska) was culled from a 13-episode miniseries that aired on Polish tv in 1972.
Description: Year 2020. The globe is fragmented after the war, and families, mates and even opponents are divided. Huge towns ceased to exist. And later echoes of fight will come to our tiny town.
Description: Joshua, a freshman, goes to school everyday, because he has to. Daily he gets picked on, beat up, and bullied. His teachers aren't aware, safety can only react to what they see and his only friend, Stephen, is too scared to step to his defense. Rage has a method of hiding itself until it's too late, and in Joshua rage is buried deep. There are signs that his rage is trying to escape, but no one sees them. He indulges his anger in the minigames that he plays, the lists that he keeps, and the films that he watches. Until one day he gets pushed too far.
Description: Carne de Perro deals with a complex period in the life of Alejandro (55), a solitary, fragile and unpredictable boy who is crushed by the hostility of his mysterious past.
Description: Daddy is the storyline of a divorced father fighting for the right to raise his 7-year-old daughter. When his marriage falls apart, he decides to kidnap his daughter rather than allow the court award custody to his mentally ill wife, whom he deems unfit to raise their child. But as he quickly finds out, it's easier to be a true boy than it is to be a true father.
Description: Elzbieta (Ewa Kasprzyk) desperately wishes for her daughter, Maria (Maria Goralczyk), to become popular so she can live vicariously through her. Feeling she was deprived of her shot at fame, Elzbieta sets up auditions for Maria, even though Maria isn't interested. During the shooting of a tv commercial, Maria walks out, leaving her mother and her mother's actor boyfriend hanging. Will Elzbieta's dreams for Maria come true?
Description: Hamburg man Leo Vandenbroek is not amused when his mother, ER surgeon Pia, drags him to a godforsaken Bavarian village for her 'long overdue relaxing holiday'. In fact she rented from local doctor Peter Huber because he's married to Maria, who she learned in her recently deceased father's testament to be her illegitimate half-sister. Leo, who misses his daddy since Pia's career crashed her marriage, immediately bonds with Peter, and ultimately even becomes the glue to reconcile him with his father Karl, who is embittered since his wife's fatal disease.
Description: Abandoned by her mother when she was a child, Shell has stayed to take care of her dying father but actually feels trapped within the pretty but desolate landscape that surrounds her. With only her routine of running the decaying petrol station, taking care of her father, and spending afternoons in her bedroom with a local mechanic, life is passing Shell by with each passing truck that rattles her walls. One day a salesman stops to re-fuel and offers Shell a taste of the outside globe that takes her closer than ever to the edge of the street and her desire to escape.
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While I like "The Brood" quite a bit, Dead Ringers gets my vote as Cronenberg's greatest work. Follow along as the twin brothers spiral out of control when they unsuccessfully test to break gratis from every other. One's more confident, the another more timid. But they depend on every other, and at middle age neither has the psychological strength to be their own person; they still don't have a sense of self. Among many favourite moments, I love the stage where Elliott, the more confident twin, tries to kiss Claire. It's his method of trying to synchronize himself with his brother Beverly, whom Claire has a real connection with. "I'm sorry but I can't", she intones. Elliott turns to the mirror, disturbed. "Am I really that various from my brother?". He absolutely does not know who he is. Although it's not without some humor, Dead Ringers is very bleak. It has an emotional intensity that most films can't touch. It is sad AND beautiful.The film itself *looks* great. Nice script, and AWESOME performances from both Irons and Bujold. As other reviewer suggested, watch it twice if you don't like it the first time- it might grow on you. This is my all-time favourite movie.
Growing up together as social outcasts with only every another for company, twins Elliot and Beverly Mantle become very close. This closeness becomes more like them both sharing one self in two bodies as they study in the same zone and eventually become experts in the field of gynaecology. They share everything and several can say them apart; an arrangement that works well until Beverly falls for a patient (Claire Niveau) and finds that there are things he doesn't wish to share with Elliot. As Bev confronts the concept of them being separate for the first time ever, he begins to fall apart mentally and, when Elliot tries to reach out and support him he too is drawn into confusion over identity and an inability to search where one of them stops and the another starts.Being a Cronenberg movie I knew to expect body horror and, shall I say, an 'unusual' theme and in many methods the movie delivered in spades but in a much more cerebral fashion. The plot is not simple to explain but it is a fully convincing breakdown of both Elliot and Beverly as they lose contact with the lines between them (if the lines ever really existed). Of course it is rather extreme but it is relentlessly interesting in terms of the script and the characters. The gynaecological part of the movie allows Cronenberg to discover his more usual body horror items but this all came second to the much more interesting material that exists in the script. Cronenberg appears to be as fascinated as me by the characters and he directs with a cold eye, letting the creepy atmosphere come from not only the storyline but each shot, each set and each performance; not only this but this is one of his more available movies without losing much of what makes Cronenberg Cronenberg.Of course a heavy part of the movie working is two excellent performances from Jeremy Irons, who I have not seen better in any another films. Using unique results as well as the old 'over the shoulder' technique, Irons is able to convincingly be on screen in two characters at the same time, but it is not the shot framing that makes it convincingly two characters, it is Irons' performance that does that. His Beverly is so feeble and has a convincing breakdown; while his Elliot appears much more together but suffers in a various method from the same struggle. Obviously being identical, it is due to Irons that the two characters come across so very various but yet seem just like the same person. In each tiny stage he manages to stay in hero no matter what it's difficult for me to describe, you need to really see it for yourself. Bujold is nice in help early on but, as the twins' storyline gets more complex, her characters feels a bit intrusive and uninteresting, but generally she is good. However, to talk about anyone beyond this is to recommend there is room for them in the movie there isn't. Instead the movie is cute much dominated by two folks and they are both Jeremy Irons, producing two nice performances that were vital for the movie to work.Overall this may be a tiny too weird for some viewers but many more will search it to be one of their favorite Cronenberg movies on the basis that it has the qualities that makes him him but is also a lot more available as well. The body horror is there in the background but it is the psychological scarring and confusion that is of much more interest; the script is nice even if the plot goes to the usual Cronenberg excesses but it is two excellent performances by Irons that makes it all come together in a compelling and interesting film.
Identical twin brothers Beverly and Elly Mantle are successful gynaecologists in Toronto. Their relationship is intense and very close - perhaps too close. The Mantles experiment with sex, drugs and private identity, to the detriment of their practice, and ultimately of their psychological health.This is a David Cronenberg film, so we are in the familiar realm of horror, mind minigames and perverted science. The director/producer/writer appears in the credits above the game and even ahead of his stars, Irons and Bujold. Essentially, the 'dead ringers' of the game are the brothers, who regard their mental and emotional oneness as being something more. They see themselves as siamese twins, bound by their flesh, and fated to share each experience, even unto death.Irons does wonders to enjoy two complex characters in one movie. A fresh technique named 'motion control' allows the actor to appear as two folks in the same frame, but there is also plenty of the old 'body double' method, filming over a shoulder, then reversing the angle.As teenage boys, the Mantle twins are clearly very bright, and display a precocious interest in surgery and women's reproductive apparatus. They are also creepy geeks. By the late 1980's they are handsome forty-somethings, and hailed as brilliant gynaecologists by everyone in the medical profession.The screen actress Claire Niveau becomes Elliot's patient, and the brothers are later sharing her. They frequently swap territories without her knowledge. She has a special uterus, and as Beverly (or is it Elliot?) explores this detail with his fingers, it is hard to say whether he is examining her or masturbating her. Before long, both brothers are doing both to Claire.Elliot is a several mins older than Beverly, microscopically taller and a nuance darker in colouring, but by nature he and 'baby brother' are utterly different. While Beverly is shy and diffident, Elliot is a callous, manipulative smoothie. When Claire, still unaware that she is sleeping with two men, expresses an interest in mild masochism, Beverly recoils but Elly enthusiastically obliges. He uses surgical tubes and clamps to tie Claire down for sex, and as he releases her after orgasm, we sense that for him the experience has been 'surgical' - almost a dispassionate experiment.If Beverly is Jeckyll and Elliot is Hyde, we are everytime conscious that both personalities inhabit one awareness. "You haven't had any experience until I've had it too," Elliot says Beverly, and the twins certainly seem to share everything, treating every other's patients (without saying the patients, of course) and working in tandem on research papers. The twins have a twin obsession in common - work and sex. Beverly sums it up with, "We do girls - that's our speciality."Identity is at the core of this film, and the dualities and ambiguities of personality recur with brain-teasing frequency. The twins are interested in female genitalia, both professionally and recreationally. Claire attracts them because of her dualities - she is a large personality who adopts another personas for her work: a powerful girl who is turned on by being submissive: a gynaecological 'star' who happens to be infertile: and the French Canadian 'twin' to the English Canadian brothers. Elliot sleeps with two call-girls who are twin sisters, and identifies them by getting every to call him either 'Bev' or 'Elly'. The movie has layer upon layer of these dualities. Genevieve Bujold is a French Canadian actress testing a French Canadian actress. We see her being made up for a movie, but when we see her left side, the make-up is of cuts and bruises. The Mantles prescribe drugs to every other, and every to himself, criss-crossing the doctor/patient demarcation lines. They take pills to cure their addiction to pills. Cary is having a relationship with Elliot, but when she gets both brothers at once, she is deeply aroused. The film, like the brothers, oscillates between oneness and separation. "I wish to see you two together," tells Claire, confused by their duality. So do we.
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