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Darkest Night 2012
Description: A family gathers for a satisfied reunion and marriage announcement on Christmas Day at an isolated mansion in the Philippine mountains only to encounter a series of bizarre, demonic, and tragic events.
Released: 01 Jul 2013 Director: Noel Tan Writers: Russ Williams Actors: DJ Perry, Anne Gauthier, Issa Litton, Nic Campos Genres: Drama, Horror, Thriller
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Darkest Night Reviews:

I don't know what the another reviewers are drinking or smoking, but this film was bad, bad, bad. Don't waste your $ and your time. This is my first review and I signed up on IMDb just to warn you.It was terrible directing, terrible acting, terrible conception, absolutely the worst found footage flic I have yet seen and, as you know, there are a lot of terrible ones out there.If I were in a position to do so, I'd can this movie to prevent anyone else from wasting cash to see it. I cannot for the life of me understand why the another reviewers thought it was so nice unless they are similar to the director.


Nothing to say... Sorry, waste of time and for me it's not possible to give a vote even if it was possible to give -10 it's still to much. minimum length for review is 10 lines... :-/Acting very bad, after every slay 2 mins cry and back to the coffee table as if nothing happened.Special effect? Where were they and if they where there I think in the 70's they were a lot better!Interacting with every other... Sometimes it looks like each "actor" was talking to a green screen if each scene, per person, was made separately.Acting:- Music:- script:- camera:-


I was fortunate enough to see this movie (the final, 97-min. version) at a personal screening in KL, Malaysia. Because of the topics matter, it will be impossible to present this movie commercially in Malaysia. I'll explain more about this trouble later. For now, allow me talk about the film itself.The premise of the movie is that a Filipino news reporter discovers a videotape at what's left of an old house. The family that owned the zone disappeared mysteriously on Dec. 25, 2003, leaving their house in ruins. However, in 2010 the reporter gets the video and edits it, transforming it into "Darkest Night" as a "documentary." The movie purports to say the storyline of the family's final night.First off, allow me tell that this movie delivers the scares enough to create it a satisfying "horror" film. The synopsis on IMDb cute much tells it all. A family gets together in an isolated part of the Philippine mountains, at the home of a wealthy relative, for a Christmas family reunion. Then, everything goes horribly and demonicly wrong. The movie includes many things you normally see in a horror movie (set in an isolated place, folks getting killed one by one, etc.). On the surface it appears to be standard stuff, with a several interesting twists and turns.What really impressed me was the depth of the film, given its "found video" premise. Most of the characters and family cases are so true as to be disturbing in themselves. There were moments of intense, gut-wrenching family drama, as well as terror, and some perfect commentary on a world-consuming culture where a loving family can disintegrate before the invasion of materialism, technology and TELEVISION. My second point, as a Malaysian Chinese person, is what the movie meant to me personally. Through friends, I heard (and this database is posted on the film's website) that the storyline is based on a Malaysian "urban legend." According to the storyline (which cannot be verified because of government censorship), a wealthy Chinese family disappeared mysteriously in the Cameron Highlands during a Fresh Year family celebration on Feb. 1, 2003. The original American producer tried to create the film in Malaysia based on this story, and he was forced out of the country by government resistance. Was there a cover-up? Nobody in Malaysia knows for sure. Certainly, the Chinese minority in my country are not allowed to know.Determined to create his film, the producer traveled to the Philippines where there was no such censorship or government sensitivity. So the movie was done with a Filipino family on Christmas in the mountains of Luzon, instead of the original Chinese in my country. The film-makers create no claim that the movie is "based on a real story." That will probably never be proved one method or another. Still, I'm happy, as a Chinese Malaysian, that at least the storyline can be told, even with Filipino stand-ins. Is it real or just a myth? At least folks know the storyline and can decide for themselves.OK, for the review part. Unfortunately, the technical elements (sound, lighting, camera work, etc.) of the movie leave much to be desired. I suppose the background "music" can be justified by the fact that this is now a "documentary." Still, this film is "light years" better than such crap as "Apollo 18," but often I felt the director was just letting the actors go, avoiding lighting and forgetting decent camera work instead of really directing. I assume this was all done in the name of "found video" realism. To me, it was often found video bothersome. Still, I saw "Paranormal 3" and felt the opposite, like there was an whole team and host of specialists behind the too-nicely constructed scenes, instead of just a "found video." I found it method too over- produced to be believable. So I guess folks can create arguments either method depending on private tastes.The acting and writing in "Darkest Night" are superb. What I found most riveting were the actors and the story. Nic Campos was simply nice as a tragic family member trapped in a hell mostly of his own making. The "star," DJ Perry did well enough, testing the "American anchor" of the movie (probably to ensure North American distribution). Anne Gauthier did a hauntingly pretty job of acting (she's superb and sexy in her own right) as a classic Gothic protagonist, trapped in a dark situation, trying to escape as everything appears to be coming apart around her. Some of the minor characters seemed a bit wooden at times, but ALL the major actors were top-rate.So, in spite of all the film's obvious short-comings, if anything, it shows how a nice storyline and perfect actors can trump almost any type of "technical" short-comings. Folks from everywhere will play this film, including Filipinos and Americans of course. But I urge all Malaysian Chinese or non-Chinese folks to see it any method you can. You may be getting in on inexplicable happenings our government simply does not wish us to know.



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