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Corrado 2009
Description: A ruthless mafia hit boy is transformed when he rescues a girl who takes the fall for one of his hits.
Released: 28 Sep 2010 Director: Adamo P. Cultraro Writers: Adamo P. Cultraro Actors: Tom Sizemore, Tony Curran, Johnny Messner, Joseph R. Gannascoli Genres: Action, Crime, Drama
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Corrado Reviews:

As I've told before, I can't give movies like this just one star, mainly because the movie is competently lit and you can hear the dialogue. A lot of indie movies don't meet these criteria. Oh, yeah...and it has a storyline of sorts, with a beginning, middle and end.Unfortunately, that's about all it has. I like Johnny Messner and he certainly outshines everyone else in the cast, but that's not telling much. Sizemore and everyone else just sort of slides along, either chewing scenery or phoning in their performances.But I have to single out Candace Elaine, who it seems is an in-law of the director, as being the champion of "The Godfather III Award for Incompetency in Acting by a Relative of the Director and/or Producer." She is absolutely poor in each single scene. It's beyond my ability to describe how terrible she is and how she destroys each stage with any potential. My first guess was that this was her first acting job, but that turns out to be wrong. My second guess was that she was sleeping with the producer, but I won't discover that avenue. My third guess was now correct (see above). As an added (admittedly sexist) observation, her face is shiny and her hair looks poor throughout the film as well. At least she hit her marks.This movie isn't worth your time, unless you are a large Messner fan.By the way, I'm getting really POed about this site trying to say me that I spell "dialogue" incorrectly. One of the editors/moderators could consult a dictionary. "Dialog" may be an alternate spelling, but "dialogue" is preferred in both British and American English.


One of the easiest things to do today is to create a film that looks and sounds professional. The advances in filmmaking equipment and the wealth of notification about the industry actually easy accessible enable almost anyone with enough ambition to achieve production values that would have made Roger Corman green with envy. None of which makes it easier to create a nice motion picture. It merely allows even the most talentless boob to create motion pictures that look good.All of which makes me wonder from what primordial soup of suck did the ancestors of writer/director Adamo Paolo Cultraro crawl? What parallel evolution occurred in the stupidest crevices on World to produce someone capable of creating a 2009 movie that looks and sounds as appalling as Terrible Ass? Beyond the atrocious writing, the camera work that gets to be laugh out loud horrible, a cast largely made up of doofuses apparently yanked out of line at the DMV and Tom Sizemore vamping his method through a performance that if he wasn't high during it, he got high afterwards in order to forget it, this thing is a brutal example of technical incompetence. I've honestly seen films worse than this. I don't think I've ever encountered a flick more poorly made.Corrado (Johnny Messner) is a hit-man/collection agent/douchebag with horrible tattoos who is hired to slay an aging mobster (Ken Kercheval. That's right. Ken Kercheval) and create it look like natural causes. The mobster's nurse (Candace Elaine) interrupts him in the act, Corrado just shoots the guy and then he and the nurse spend the rest of the film trying to receive away from the thugs sent after them by the mobster's tweaky son (Tom Sizemore). There's a cavalcade of cruddy sets, fraudulent locations, horrible line readings, even more horrible improv, awkwardly incapable war scenes and a difficult faced lead actress who looks about 25 years too old for her part. Then the entire thing just flies apart at the end like a defective roller coaster.The wretched storytelling, however, doesn't even come close to equaling the visual and audio stench that assaults you from the astonishingly terrible filmmaking. The sound quality here would have been notably deficient in some dirt cheap piece of 1960s exploitation cinema. For a film to sound this terrible in 2009 almost defies explanation. You can hear the sound lvl and background noise change as shots switch from one hero to another, when you can even create out what anyone is telling at all. There's a stage where the camera is focused on one hero and begins to pan over to another, then hastily jerks back to the first guy because the cameraman forgot the actor still had other thing to do in the scene. That wasn't some deleted moment stage thrown onto the DVD in the "special features" menu. They left it in the film. There's other stage where a guy is holding a gun to someone's head and the camera is shooting him from such an angle that his outstretched arm fully covers the lower half of his face. And that shot isn't a momentary lapse. It does on like that for like a minute or so with the guy talking and the audience unable to see his mouth move.And Tom Sizemore…oh, Tom Sizemore. He's clearly improving at least 95% of his dialog and gives each impression that he's doing it in some altered mental state. There's at least a half dozen points in Terrible Ass where you can see the another actors have no concept where Sizemore is going or how they're supposed to react to him. There's also a moment where is sure seems the director just threw his hands in the air, set the camera on a wide shot and allow Sizemore do whatever he wanted, resulting in what looks like an outtake from Dr. Drew's Celebrity Rehab.I can only hope Adamo Paolo Cultraro was some 41 year old video shop clerk who still lived in his parent's basement while fruitlessly fantasizing about being the next Quentin Tarantino and his mom and dad cashed in their retirement savings so he should create this movie and it would serve as sort of an intervention. There's no method anyone with a functioning brain stem should makes something like this, see it on the screen and still think they had a possibility in hell of ever making films for a living. For his sake, that crushing realization could have sent Adamo Paolo Cultraro fleeing from Hollywood and into some career he might prosper in, like cleaning the drains at public pools or sterilizing the equipment at liposuction clinics.


Corrado is one of those movies that come along each so often that leaves you torn as to whether you truly loved or despised it. On both a technical and plot standpoint this movie is mediocre at best. Perhaps my largest gripe with the technical side of this movie is the editing. Time & time again I see this type of editing event with low-budget independent details where scenes are slash into then slash out of very abruptly. What I mean by this is, most of the scenes in this movie start & end with a fade-in/out result which I admit is not technically "wrong" but what does happen is it becomes a device for disjointing or unbalancing particular scenes within the context of the plot. There are some quality action scenes in Corrado where the tension is building to a climatic mission only to be crashed by a fade out effect. The funniest thing that makes this all fit into perspective with what I am telling is; the credits for this movie started rolling at the 73 minute mark! The editors didn't need to cheat this movie to all hell; in fact wouldn't they have served better preserving as much footage as possible in order to create this more than just a barely detail length film?Anyway as for the plot, lets just tell the concept is as low as a stack of cards...we have this dime-a-dozen macho hit boy called Corrado (Johnny Messner) who is sent an assignment to hit a high profile 85 year old crime boss who already has one foot in the grave. Even though the hit quite obviously poses a high risk to his own health, Corrado's overzealous attitude leads him to trust that he is capable of pulling it off so he can claim the $500,000 prize. However this is not what makes the plot weak, no, it is what now happens when this cold-blooded, calculating assassin bumps into the nurse (Candice Elaine) caring for the old man. Instead of doing his job & popping both of them, Corrado suddenly develops a conscience & decides to rescue her from the clutches of the mobster's psychotic son, Paolo (Tom Sizemore) who is hell-bent on blaming her for the murder regardless. So as they receive chased around LA County by Paolo's goons, Corrado starts to launch up more of his humanity towards the nurse (for reasons unknown) as he unveils the horrific past happening that shaped his life. With all that said, Corrado (the film) is not a piece a crap, trust me, I've had my fair share of that don't you worry! The positives in this movie can be noted through the standard of acting, script-writing & plot themes that constantly hold this movie edgy & non-stagnant. I as one commend Tom Sizemore for allowing his own acting status to be place to one side by investing his time in a tiny low-budget detail like this where he can 'let go' as an actor & become the full embodiment of his psychotic, alcoholic, womanising hero (in real way fashion). Other one of my commendations goes to the game hero himself, Johnny Messner. This guy has the physical attributes/presence, the accent/language & persona that makes him a plausible tough guy hit man. Johnny Messner is an actor that is going from strength to strength & while the plot in this movie didn't utilize his most natural "bad ass" talents, I can tell that his own characterisation of 'Corrado' was spot on!Now as I told earlier, the script is now one of the positive factors in this film. From the very outset you should say that the writer of this movie was trying to create an impression on his viewers. The beginning narration paints Corrado as a no nonsense guy who compares peoples' "unfulfilled promises" as the "bounced cheques of my World". Writer-Director Adamo P. Cultraro obviously knows his method around this type of crime-styled action category with his witty off-the-cuff dialogue & his fearless attitude towards using profanity laced tirades (something which most writers fear being discredited for).The last mission I wish to create (in an already long review-sorry) is the plot theme that really saved this movie from total disaster in the final act. Instead of this movie going for a sentimental/happy ending, what the director has cleverly tried to do is tie in an all-important yet mostly overlooked theme, that being; does violence vs. violence really solve any problems? In all honesty, I probably would have trashed this movie had it not been; for lack of a better term, 'brave' enough to throw out the male bravado crap in the finale & now aim for something that the audience can meaningfully take away from their viewing experience.So do I suggest this film? Yes but on one condition. Don't watch it expecting the highest calibre of acting, storyline saying or production value. If you love weak budget actioners that have less-than-likable characters, crazy plot twists & a social message thrown in at the end...this is the movie for you!2/5



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