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Comme une image 2004
Description: This is the storyline of human beings who know exactly what they'd do if they were somebody else, but can't handle being themselves very well, who are very simply struggling to search out who they are.
Released: 20 May 2005 Director: Agnès Jaoui Writers: Agnès Jaoui (scenario), Jean-Pierre Bacri (scenario) Actors: Marilou Berry, Agnès Jaoui, Jean-Pierre Bacri, Laurent Grévill Genres: Comedy, Drama, Music
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See Look at Me a.k.a. Comme une im on youtube.

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See Comme une image by Agnes Jaoui on youtube.

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See Comme une Image / Look at Me / on youtube.

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See Comme une image FULL MOVIE 200 on youtube.

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See Jaoui and Bacri interaction on on youtube.

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See Download or Streaming Comme un on youtube.

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See Schau Mich An - Comme une imag on youtube.

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See Comme une image !! on youtube.

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See Théâtre : "Sage comme une on youtube.

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Comme une image Reviews:

The breath of new air - refined, funny, ironic, in the greatest traditions of Chekhov's plays, this film is a triple triumph for its writer/director/star Agnes Jaoui. "Look at me" is the storyline of 20 years old Lolita (rarely a name mismatches a woman so much. Lolita is a pudgy young girl with a very weak self-esteem even though she's got a pretty voice and passion for singing) who desperately craves her father's attention. Ironically, her father, one of the most popular writers in France, known for his deep, observant and subtle novels is an arrogant, self-centered, and self-involved boy who hardly acknowledges Lolita - just to criticize her. He never finds time to listen to the tape Lolita made especially for him in hope to receive his interest and approval. The beauty of the script and the film is that Agnes Jaoui does not test only black or white colors to paint her characters. They turn with their various facets to the viewers and the movie itself is a precious gem. The acting is magnificent by everyone. As a premium treat, we will hear some of the most pretty melody each written, including the pieces by Monteverdi and Handel.9/10


20 year-old Lolita (Marilou Berry) aspires to be a singer.More than this, she desperately wants attention - any attention - from her father Étienne (Jean-Pierre Bacri), a self-absorbed novelist whose neglect of his daughter and rudeness to those around him borders on the cruel.Overweight and lacking in self-confidence, Marilou isn't helped by her assumption that those who befriend her view her only as a route to her popular and successful father. This certainly seems real of Lolita's singing teacher Sylvia (Agnès Jaoui), whose husband Pierre (Laurent Grévill) is an aspiring writer himself.And although Sébastien (Keine Bouhiza), whom Lolita meets by chance, seems genuine in his intentions, Lolita's fragile self-esteem and obsession with her father seem destined to thwart any future they might have.Emotionally damaged, self-serving or merely flawed, this ensemble of eminently believable characters is superbly played under Agnès Jaoui's fluid direction. Add in an clever and witty screenplay (co-written by Jaoui and Jean-Pierre Bacri) and you have a poignant yet subtly comical movie that goes to the heart of the trouble of fame and the affect on those in and around its spotlight. If this were Hollywood, you might expect a sugar-coated resolution to the relationship difficulties portrayed. Here, the characters remain real to themselves and the integrity of the film.© Copyright Diana Betts / Film247.net 2004


Comme une photo (2004) was co-scripted and directed by Agnès Jaoui. (The movie is known as Look at Me in the U.S. It's a reasonable title--just not the game the Director gave it.)The plot concerns a group of educated and successful Parisians whose lives intersect in both Paris and Burgundy. The protagonist is Lolita Cassard, played by Marilou Berry. Lolita is a dedicated vocal student, whose most serious trouble is that her father--played by Jean-Pierre Bacri--is too self-absorbed to pay much attention to her. Étienne Cassard is a noted creator and publisher, who cares about his work, his position of power, and, to some extent, his pretty trophy wife and their young daughter (Lolita's half-sister). Lolita's life is more problem to him than he cares to accept, so he chooses to ignore her or belittle her.Lolita is overweight, and acutely conscious of this because she is surrounded by elegant girls of all ages who are slender. Lolita blames her issues on her weight and--reasonably enough--she can't bring herself to agree her father's lack of interest, allow alone his lack of compassion.Into this equation comes Sylvia Millet, Lolita's vocal coach. Incredibly, director/screenwriter Jaoui also stars in this pivotal role. (It's difficult to trust that Jaoui can be both an outstanding director and an experienced star. It's even harder to trust that she can direct herself in such a nuanced and clever performance. She gotta be Wonder Woman!)Sylvia has real compassion and affection for Lolita, but she's not a saint, and is not above using her influence with Lolita to advance her husband's writing career.To my mind, Agnès Jaoui represents the excellent French movie star. She looks talented, intelligent, and strong, and she's also very pretty in a non-conventional way.One reviewer wrote, "Look at Me is about nothing and everything simultaneously." I disagree. It's not about everything, but it is about love, friendship, ambition, hurtfulness, and betrayal.Classical melody is played and sung throughout the film, and it's outstanding. Be prepared to hear songs and arias by Verdi, Offenbach, Monteverdi, and Mozart. Jaoui (with her costar Bacri) won the Greatest Screenplay award at Cannes. With nice acting, direction, melody and script, this film is not to be missed!



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