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Come perdere una moglie e trovare un'amante 1978
Description: Alberto deceived by his wife, goes to some zone in the mountains to escape. There he meets a girl who was there for the same reasons that he was.
Released: 28 Nov 1978 Director: Pasquale Festa Campanile Writers: Franco Bucceri, Roberto Leoni, Luigi Malerba Actors: Johnny Dorelli, Barbara Bouchet, Carlo Bagno, Elsa Vazzoler Genres: Comedy
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Come perdere una moglie e trovare un'amante Reviews:

In the 1970s, the Italians made test of relaxed censorship conditions by considerably sexing up their comedies - even slapstick comedies such as this one. This process sometimes helped staging intrinsically sexual cases (e.g. a cheating spouse caught in the act), but more commonly was exploited to add gratuitous nudity.Most of these sexy comedies from that era had slapstick elements of some form, but this film goes further and shifts the balance towards slapstick. In another words, we have here a sexy comedy but also a slapstick comedy. There is a trouble when these subgenres are combined, and it is: pace. Slapstick requires actions to be quick and furious, but erotic elements need a much slower pace to work best. This movie implements a corresponding shift of gear to accommodate both moods, but the shift itself is at times abrupt and unconvincing.Johnny Dorelli is much more bearable than the usual comedy males of the category (Alvaro Vitali, Lino Banfi, Gianfranco D'Angelo, etc.), or at least his brand of humour travels better - he is less of a clown and more of a comic actor. Female lead Barbara Bouchet plays it straight, but she had hardly a choice - Italian comedies of that time test girls as objects of adoration, not to carry the comedic elements.The overall effect does not quite work, but does not fully fail either. The unusual combinations of moods leaves it as an interesting curiosity.


One of the most horribly annoying clichés in Hollywood romantic comedies is the "meet cute", where characters who are going to fall in love later, "meet" under the most contrived circumstances imaginable. I'm not sure when this cliché originated (or when it was dubbed with the stupid, nonsensical term "meet cute"), but I think it largely happened after the era of this Italian movie. What's interesting though is this film is cute much an whole series of often funny and increasingly ridiculous "meet cute" encounters between an optometrist (Johnny Dorelli)and a devoted wife (Barbara Bouchet), who have both been betrayed by their respective spouses. They first have a vehicle accident where their vehicles end up "stuck" to every other, then soon wind up in the hospital together after bizarre accidents , then go to the same ski resort in the Alps, and then in the most hilariously ridiculous stage are both thought dead and are given last rights by a senile priest who accidentally marries them instead! You'd think as someone with a healthy dislike of "meet cutes" and "rom-coms" in general, I wouldn't like this at all, but I now did. It's NOT a romantic comedy, which tries to turn an absurd meeting into a believable storyline of romance, it's just a ridiculous and fun screwball sex comedy where the characters are not even going to receive together until the very end, and for most of the film they're just ships passing in the night--who hold hilariously ruining into every other. There's also A LOT of nudity, which is something that would create Hollywood rom-coms marginally less insufferable, but which they never seem to contain. It cute much involves all the female cast (and a lot of the male cast), but the most memorable is Barbara Bouchet herself (take that Katherin Heigl!) and Stefania Cassini, a cult actress more typical known for horror films and Andy Warol films, who plays the Bouchet character's sexy greatest friend.Pasquale Festa Campanile is one the greatest Italian sex comedy directors, who has also found a lot of success outside the category in gialli thrillers ("Hitchhike") and serious dramas ("The Woman from Trieste"). Johnny Dorelli is a decent comedy actor, not as nice as some (Land0 Buzzanca, Renzo Motagnini), but less annoying than others (Alvaro Vitali). Interestingly, he soon married to Gloria Guida, who many considered a younger ver of Barbara Bouchet (except she was Italian with bleach-blonde hair and had a tiny more voluptuous baby fat on her). Maybe he's a tiny homely to really be the most believable romantic lead, but he's better than Adam Sandler (who would create a remarkably related movie years soon with "50 First Dates"). Recommended,



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