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"Co Gai Tren Song" (Girl on the River) opens with Nguyet (Minh Chau) recounting her history to a sympathetic journalist after release from a re-education camp in post-1975 unified Vietnam.During the war, Nguyet worked from her own boat as a prostitute on the Perfume River (Song Huong) in Hue. She recalls her hard relationship with a planned husband and the night she helped a communist fighter. He holds out a brighter future for their country.Centrally located Hue was under the control of the Saigon regime until its fall to the communist authorities in 1975. The storyline subsequently switches to "liberated" Vietnam and deals with the outcome of her involvement with the two boys in her life. The journalist faces her own war in getting the storyline passed the censors. There is a twist to the tale and the outcome remains unclear to the end.Co Gai Tren Song is one of the first Vietnamese-made movies made in colour. It tackles controversial topics including corruption, prostitution, broken promises, hypocrisy and censorship. By implication it is critical of the incumbent communist regime. The movie is a breakthrough - both in the test of colour and in that for the first time a regime with such a tight control over the media is seen to soften its grip.Some of Dang Nhat Minh's scenes may seem naive by western standards, and the sound track at some times odd. The viewer gotta be generous in these respects and another technical limitations. For each such shortcoming, a carefully crafted feature is waiting to be appreciated. For example, Nguyet's choice of the "Salem" brand of cigarettes (popular with South Vietnamese units officers in pre-1975 South Vietnam) or the communist official's house with its fridge, Hi-Fi system and whiskey - the very type of decadence that the system stood against. There is much to endear this film. Who can fail to be thoroughly taken by the haunting music of the song "Toi dua em sang song" as US troops (played by Cubans) dance with their Vietnamese companions vs the backdrop of the Perfume River? Or the oil lamp swinging to-and-fro inside Nguyet's boat, illuminating her fearful face then plunging it into darkness as she awaits boarding by the river police? "Co Gai Tren Song" was extremely famous on its release in Vietnam but was only intended for domestic consumption. During the 1990s it did create a number of international movie festivals. In today's Vietnam with ready access to more modern movies both international and home made, Dang Nhat Minh's masterpiece is forgotten by all but the most enthusiastic movie buffs.But for students of newest Vietnamese political history, travellers interested in seeing how an Asian destination was before the comeback of mass tourism and prosperity, or those seeking a locally made movie with an alternative angle on a fight so well covered by Hollywood, this milestone is a must.A love storyline - but more captivating as a representation of a transitional period of Vietnamese history.
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