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Description: Editors at take-off GewerbePark, Neuhausen ob Eck, Germany Sugar A Ton of Love Munich Bones Two Hearted Spider An End Has a Start Formaldehyde Eat Raw Meat = Blood Drool Smokers Outside the Hospital Doors The Racing Rats Papillon Honesty
Description: Featuring Don Costa and his Orchestra, this final installment of Frank Sinatra's annual televised specials showcases highlights from his storied career and an early rendition of "My Way," which would go on to become Sinatra's signature song.
Description: Legendary rock bands Chicago and REO Speedwagon’s summer tour proved to be a heavy hit all across the country including this phenomenal present at Red Rocks Amphitheatre in Colorado. The bands had the time of their lives, testing a truly “raucous” encore – a two band, hit-fuelled, epic jam. The reviews have been phenomenal, with media raving about the encore: “Chicago and REO Speedwagon’s combined supergroup encore was the items of classic-rock legend.” Viewers will be sure to sing along with “Riding The Storm Out,” “Free,” “Roll With The Changes,” “Does Anybody Really Know What Time It Is,” “Keep on Loving You,” and “25 or 6 to 4.”
Description: Willie Nelson appeared at the US Festival on June 4, 1983. It was billed as Country Day, with Willie performing alongside such artists as Waylon Jennings, Alabama, Hank Williams, Jr., and Emmylou Harris. The US Festival was held over two weekends in 1982 and 1983. Steve Wozniak, cofounder of Apple Computer, funded the concerts and accompanying technology exposition, as well as the construction of a brand-new outdoor venue in Glen Helen Regional Park in San Bernadino, CA. Nearly each musical category was represented by bands as diverse as U2, Fleetwood Mac, David Bowie, Ozzy Osbourne, Van Halen, The Police and The Clash. Over the combined seven days of the festival, more than one million folks passed through the entrance gates.
Description: Waylon Jennings appeared at the US Festival on June 4, 1983. It was billed as Country Day, with Waylon performing alongside such artists as Willie Nelson, Alabama, Hank Williams, Jr., and Emmylou Harris. Waylon's performance was one of the day's many highlights, and he is joined onstage by wife Jessi Colter for a particularly memorable rendition of 'Storms Never Last.' The US Festival was held over two weekends in 1982 and 1983. Steve Wozniak, cofounder of Apple Computer, funded the concerts and accompanying technology exposition, as well as the construction of a brand-new outdoor venue in Glen Helen Regional Park in San Bernadino, CA. Nearly each musical category was represented by bands as diverse as U2, Fleetwood Mac, David Bowie, Ozzy Osbourne, Willie Nelson, Van Halen, The Police and The Clash. Over the combined seven days of the festival, more than one million folks passed through the entrance gates.
Description: Legendary director Hans Neuenfels once again proves his nice skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly fresh view of one of the most frequently played operas worldwide. Unique highlight: Neuenfels territories an actor at each singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and another characters of the piece. In newest decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with new interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and clever way.
Description: Directed by Yanie Dupont-Hébert, this present witnesses an happening reuniting the Orchestre symphonique de Montréal (OSM) and pop-punk band Easy Plan together on the same stage, aiming at raising funds in aid of Easy Plan Foundation and the OSM’s educational activities.
Description: A woman group testing beautifully written pop at the end of the seventies, Dolly Mixture were almost ignored when the Slits' more angular approach was in vogue, yet became an inspiration to the Riot Grrl stage of the nineties.
Description: If necessity is the mother of invention, then Tijuana is where she gave birth and raised her kid. A town that rejects entropy, Tijuana constructs its own rules. Its denizens negotiate the chaos with fierce independence, ingenuity and a gift for improvisation. Frontier Life is a feature-length documentary that explores beyond Tijuana's Sin Town heritage, beyond the aura of menace cultivated by the mainstream media, and searches for the heart and identity of a town that is much more than a cantina-strewn throwback to the Old West. This movie does not set out to valorize or condemn what it finds. It approaches Tijuana on its own terms, looking at the town not so much in relationship to the U.S., the border, or even another regions in Mexico, but rather from the inside, within its own context.
Description: This 1991 production by the Lyon National Opera presents a welcome occasion to revel in a uniquely Gallic confection rarely seen outside France. It's also a possibility to play one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the greatest tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's support to receive them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly nice voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the helping cast. It's a long piece, but hugely enjoyable.
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