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Description: When Brazil won the fight vs Paraguay in 1870, they spared the life, but not the reputation of the girl they claimed was the chief villain in the bloodshed. Irish-born Eliza Lynch, lifetime partner of dictator Francisco Solano López, was painted by Brazil as a puppet master, thief and whore, and in 1991 included alongside Lucretia Borgia and Catherine the Nice in a ebook entitled The World’s Wickedest Women. In Paraguay, the country where she lived as a beloved uncrowned queen, she is a national heroine. Fascinated by the contradiction, Irish academics Michael Lillis and Ronan Fanning embarked on 18 years of research to write a biography which forms the basis of Alan Gilsenan’s special and compassionate documentary. Blending interviews with re-enactments of Eliza’s life – wonderfully performed by actress Maria Doyle – Gilsenan thoughtfully breathes humanity into a portrait of a much maligned woman.
Description: ‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a girl in Xiaolu Guo’s recent film, a documentary about the private and physical adventures of the folks of London’s East End. Herself an immigrant to the area, Guo’s sensitive hero studies tip at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting movie is both a penetrating portrait of a frenetic zone that feels deeply authentic, and a strong piece of protest film.
Description: Taşkafa is a true dog and also a legend on the roads of Istanbul. John Berger starts Taşkafa’s story, reading from his novel, King, the storyline of the disappearance of a community said from a dog’s perspective. The area’s ordinary folks – taxi drivers, shopkeepers, road traders – care deeply about the welfare of the city’s road dogs and they say us stories about Taşkafa and their another canine neighbours. The animals are a symbol of community living, where folks (and dogs) look out for every other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the movie is a strong indictment of the impact of global politics and the economic appropriation of public zone but, even more, it is a tribute to both the spirit of resistance and to town life that can accommodate folks and dogs together.
Description: This distinctly private adventure into the artistic chances of independent movie is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many another visionaries and mavericks of the silver screen – as well as a ebook seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it should be and, implicitly, how it has changed over the 18 years in which this movie was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the actually much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their private playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
Description: When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was agreed into Fresh York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With immediately classic hits ‘The Method We Were’ and ‘Nobody Does It Better’ and scores for Hollywood movies such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for movie and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Description: A series foccusing the constructive process of 4 young Brazilian artists: Carlinhos Brown (music), Tunga (painter), Deborah Colker (choreographer)and Alexandre Herchcovitch (fashion designer) through the eyes of director Murilo Salles.
Description: Released on October 4, 1896 in Lyon ( France ) under the game “ Fêtes de l'inauguration du monument de Guillaume Ier à Breslau : II. - Le voile tombe (Lyon républicain, 4 octobre 1896)”. (catalogue-lumiere.com)
Description: What do you do when your greatest mate dies doing something you both love? Paddle To The Ocean is a documentary movie about using a banjo, a kayak and a bike to recover from Post-Traumatic Stress Disorder. In 2011, Zac Crouse (musician, recreation therapist and expedition kayaker) toured his album 'You Plan To Do Nothing' from Ottawa ON to Halifax NS using only a sea kayak and a bicycle. It was a adventure Zac had intended to do with his mate Corey; who sadly passed away while on a kayaking journey with Zac in Nova Scotia. Paddle To The Ocean is a tribute to Zac's friend, but it also examines the stigma associated with mental disease while demonstrating the benefits of physical activity and music.
Description: By following the lives of five Japanese individuals this documentary explores the trouble of depression in Japan and how the marketing of anti-depressant drugs has changed the method the Japanese view depression. Marketing of anti-depressants did not start in Japan until the late 1990s and prior to this, depression was not widely recognized as a trouble by the Japanese public. Since then, test of anti-depressants has sky-rocketed and test of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.
Description: British documentary filmmaker Chloe Ruthven’s grandparents were aid workers in Palestine. Growing up, she had avoided getting too involved in the subject, recalling how mention of the country made all the adults in her life angry. In her forties, after revisiting her grandmother’s ebook on the subject, she begins to research a documentary on the results of foreign aid in the zone and is shocked at the continued reliance on it there. Along the method she meets Lubna, a Palestinian girl who acts as her driver and fixer, and who is fiercely critical of Western aid efforts in her country. What starts as a quest to better understand her family history turns into a deeply emotional acc of two girls trying to understand one another. Ruthven’s determination to focus her movie on deeply subjective analysis effects in a special joining of the acutely private and complexly political. (Source: LFF programme)
Description: Join the team of the Gold Hound as it leaves the dock at Captain Hiram's in Sebastian Florida. For more than 17 years, Greg Bounds has made a living scouring the ocean off the Brevard County shoreline finding trinkets and treasures left by ships that sailed hundreds of years ago. Dozen's of ships bound for Spain with treasures from Mexico and South America sank chests of jewelry, coins, ceramic pottery and cannons remain unaccounted for. Among the riches sought by Captain Greg are 36 boxes of church gold and 64 pounds of emeralds worth $1 billion. In 2007, he found $12.9 million worth of gold chains, pearls, coins, swords and another artifacts from the 400-year-old Santa Margarita website in the Keys. Last year, it was the top-grossing boat in the 1715 fleet.
Description: Documentarian Paul Kelly returns to the festival with his recent collaboration with the band Saint Etienne, following the loose trilogy of London movies Finisterre, What Have You Done Today, Mervyn Day and This Is Tomorrow, all recently published on BFI DVD. In the decade since Finisterre Kelly has built a reputation as a distinctive voice in British cinema, developing a lyrical style that draws on the psychogeography and folks of the town and its culture. How We Used To Live is effectively a prequel to Finisterre, a meditation on London life today and a glance back at a receding Britain. Using colour footage from the 1950s to the 1980s, taken from the BFI National Archive, the movie covers the ‘New Elizabethan’ age from the optimism of the post-war era to the dawn of Thatcherism. Soundtracked by Saint Etienne’s Pete Wiggs and scripted by the band’s Bob Stanley with Travis Elborough, the movie is for anyone who has ever tried to understand their city. (Source: LFF programme)
Description: This is the last movie produced by the Lumiere Brothers, a variation on the Butterfly Dance recorded by few companies, released in hand-colored or stenciled versions, some as early as 1894 and Lubin's Argentine ver coming out a couple of years earlier.
Description: Off The Beaten Track is the documentary that says the wonderful storyline of four unlikely musicians over the past year, as they travel to Luanda, Caracas, Paris, India, London and the Lisbon suburb of Amadora to present how these cities, as well as their sounds, people, colours and movement helped make the phenomenon that is Buraka Som Sistema. With the full help of Red Bull Melody Academy and the talented illustration work of artist Kate Moross, join Lisbon’ most unusual band on a trip around the globe and back to the studio. Directed by João Pedro Moreira, Off The Beaten Track brings together all of the elements that create Buraka’s storyline so special and blends them with exclusive international, never-before-seen footage for an incredible, wild ride that offers an insiders view of life in one of the most colorful and innovative bands around. (Source: LFF programme)
Description: A battalion, preceded by three riders and a military marching band, parades in front of the crowd. A boy is manoeuvring a handcart bearing the inscription "Sunlight Soap" in the foreground.
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