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Cheers of the Crowd 1935
Description: To draw attention to a famous show, a publicity expert hires a former carnival character, not knowing that the boy is on the run from the law.
Released: 05 Aug 1935 Director: Vin Moore Writers: George Waggner (screenplay), George Waggner (story) Actors: Russell Hopton, Irene Ware, Harry Holman, Bradley Page Genres: Drama
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Cheers of the Crowd Reviews:

SYNOPSIS: To prop up a dying Broadway show, a publicity boy concocts a hero named "Honest John" who returns to the theatre a wad of $10,000 money which he "finds" in a bag on the sidewalk of a busy road in Manhattan.COMMENT: Included as an additional on Alpha's "Cheating Blondes" DVD, this film came as a very pleasant surprise. I looked up the credits in "The Motion Picture Guide" and was amazed to search not only that the movie received a "zero" rating, but the plot described as "a cheerless venture" in which "a public relations expert and a newspaper sob sister unravel a mystery surrounding some chain letter murders." Creators Jay Robert Nash and Stanley Ralph Ross were obviously looking at or thinking of an entirely various movie. This one is now about a Broadway present that is dying on its feet. So the public relations boy (Hopton) concocts a hazardous scheme – and just how hazardous is delightfully pictured when fumbling Fatso Holman drops the bag in the gutter and it is swept along down the road – involving an honest boy "finding" a lost satchel and returning it unopened to the theatre. Actually everyone knows that finding an honest boy in Fresh York is front page news. Naturally, the theatre enters the fray by employing this "honest man" as a commissionaire so that curious patrons can admire this saint of saints. Screenwriter George Waggner keeps the plot running at full steam for a delicious 62 minutes. Holman has his greatest role ever and it's nice to see Betty Blythe (the notorious "She" of She) in one of her sound movies. All in all, director Vin Moore deserves a rousing cheer!


While Russell Hopton and Irene Ware are the top-billed stars of this Monogram comedy, the true star is Harry Holman, a minor hero actor who, as Honest John, steals each stage he is in. This gregarious fat boy (think Sydney Greenstreet of Poverty Row) takes over this movie from the moment he pops up, testing an obvious con-man who is too dimwitted and bombastic to really be successful at being a con. He is hired for a con by Hopton to pick up a bag to turn into the police, humorously wearing an advert for a restaurant that went out of business six months before. Holman is hysterical wearing this awkward billboard sign trying to pick up the bag containing a lot of money, dropping it into an overly abundant stream of water going down a roadside curb, and attracting an audience (who do not go out of their method to support him!) as he tries to pick the bag up with his umbrella. "Honest John" becomes a celebrity thanks to his turning in of the loot-filled bag and when the press reveals that he is the head usher of a failing Broadway show, it is obvious that all this was a publicity gag in order to save the present from failure.The plot ain't much, but when Holman comes on, the movie exposes a large heart underneath all its attempts to con the public. Holman is sort of a fairy godfather for the romantic intrigue surrounding him, and while threats of him being exposed as a fake are obvious, you know that everything is going to turn out all right. That stereotypical 30's movie villain, Bradley Page, provides the film's conflict for the huge number of characters, but he is more of a sleazy nuisance rather than a trouble-making scoundrel. Even as the third billed character, however, it is Hopton who wins the raves here, testing the kind of hero that Guy Kibbee had mastered at Warner Brothers in a string of quick moving programmers.



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