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Description: Raghaviah (K. Vishwanath) and Ram Mohan Rao (Ranganath) are brothers-in-law. But Ram Mohan Rao is at loggerhead with Raghavaiah because of a family feud. Raghavaiah is nearing his 60's and it's time for his Shastipoorti ceremony. It's time for gathering, folks!
Description: The Fresh York Zoo is closed one day out of the year for Christmas. To rejoice the season (and the human-free environment) the animals take over the zoo for Kidsmas; their annual animal celebration finished with decorations, food, bonuses and a visit from Santa. But tradition is neglected actually that Lord Julien and company live at the zoo. Struggling to create things right, the zoosters explore the truth behind Santa’s magic. Episodes include: The All-Nighter Before Christmas, The Lost Treasure Of The Golden Squirrel, The Hoboken Surprise, Miracle On Ice, Wishful Thinking and Operation:Good Deed.
Description: Tomek Milkowski is an comic-books' illustrator. But his chef doesn't like his drawings. He says Tomek to create up something really cool, if the man doesn't wish to loose his job. The illustrator has a guest. It's a bird Tri-Tri from stories about Mr. Kleks. Tomek takes the ebook and decides to illustrate it as a comic book.
Description: Ready to Rescue! The Sodor Find and Rescue Squad is racing to the rescue -- Bertie's stuck on Shake Shake Bridge, Gordon's derailed and Thomas' firebox is on fire! In these exciting episodes, your favourite engines brave the rails to rescue their friends. Explore that being heroic is more than having speed and strength; it's about teamwork and a large heart - which puts each Really Helpful Engine on the right track. Featuring the episodes: Fiery Flynn, James to the Rescue, Edward the Character and Stop That Bus!
Description: As Halloween approaches, the bears of Bearbank start to fear an invasion of creatures from nearby Creature Mountain. As most of the bears prepare to leave the city, one brave tiny bear, Ted E. Bear, sets out to confront fear!
Description: Sandamarutham is an age old storyline of an honest cop and his point vs a deadly villain, the only silver lining here is that Sarath Kumar has played both the villain and hero. Sarveswaran (Sarath Kumar) is a deadly don in Kumbakonam and he runs the underworld chemical bomb business to devastate the whole country. Mean time, we are shown other Sarath Kumar (Suriya) who is an undercover cop and he gets to know the true side through his honest cop mate Thirumalai (Samuthira Kani) who was murdered by the same chemical bomb. On his point Suriya also encounters RR (Radharavi) who is a close mate of Sarveshwaran. The rest of the storyline says how Suriya knocks down Sarveswaran.
Description: Goppinti Alludu is a family based film in which, Murali Manohar(Balakrishna) is son of the industrialist SVR(SPB). He arrives India from Switzerland after finishing his graduation. SVR fixes a woman for him and asks him to marry her. To receive rid of unwanted marriage, Maohar escapes back to Switzerland. Sowmya(Simran) is the grand daughter of Achyuta Ramayya(Satyanarayana). Achyuta Ramayya
Description: A film about the life of Doraemon from birth, before coming to Nobita. The film is sort of a prequel to the whole series, it showed the life of Doraemon before traveling to the 20th century: How he was made, how he was partially broken, how he lost his ears, how he met the Nobi family and decides to return to the past to support Nobita.
Description: Eight-year-old Matthias dreams that he will someday become a pilot and his divorced parents will receive back together. He waits yearningly for his ninth birthday because his father has said him the storyline of Icarus, and promised to take him on a sightseeing flight. When Matthias' father doesn't come home, he is devastated. He runs throughout the city, talks to his mate about the relationships of adults, looks for his father at his desk, and gets himself into conflict with the police. As he sits alone on the roof of a house, he comes to the conclusion that Icarus didn't plummet to the world because he didn't listen to his father, but rather because his father had forgotten him.
Description: Adapted from the storyline by W.W. Jacobs, this is a classic horror tale in which a monkey's paw holds magical powers and grants the bearer three wishes. Unfortunately, you receive what you want for, and unwise or poorly worded wishes can lead to catastrophe as it does in this story.
Description: Three stories are place together as an omnibus: 1) The journeys of a tiny woman called Zorica who tries to search her dog while her mother thinks she's in the kindergarten. 2) The clash between a group of men with the superintendent of a building who doesn't allow them hold a dog in the housing. 3) A group of men enjoy with a stolen revolver.
Description: Gokulathil Seethai is a 1996 Tamil movie directed by Agathiyan. The movie stars Karthik, Suvalakshmi and Karan in the lead roles. The film's score and soundtrack are composed by Deva. The movie was a "super - blockbuster" and displayed a various dimension of the actor. The film was remade into Telugu as Gokulamlo Seetha (1997) starring Pawan Kalyan and Raasi. Agathiyan himself remade the movie in Hindi as Hum Ho Gaye Aapke with Fardeen Khan. Gokulathil Seethai became a success among 1996 Deepavali releases.
Description: A girl hires a Norwegian soccer user to be a male au pair and support her raise her two sons. It deals with private loss and how a soccer ball can change sadness into laughter.
Description: A combination of live action and animation chronicinge the nice adventure of Marco Polo to the mysterious Orient. Much of the storyline centers on Polo's relationship with the strong Kublai Khan.
Description: Isabelle is an inspired dancer, but when her sister and a classmate create her doubt herself, she's motivated by a ballerina to search her own method to shine. Stars Erin Pitt & Grace Davidson.
Description: Celebrate the season with classic vacation stories full of humor and heart! In "The Tiny One," a young man discovers the real spirit of the season when he gives his beloved donkey to a very unique passenger on a very unique night. Then, laughs light up the house when Pluto discovers Chip 'n' Dale living inside "Pluto's Christmas Tree." And in "Mickey's Christmas Carol," everybody's favourite mouse and a host of another Disney characters show their delicious and uplifting adaptation of Dickens' beloved Christmas tale. Your entire family will love each minute of this classic collection of heartwarming vacation stories!
Description: Shi Shen is the top performer in the Tiger Crane Lion Dance Association, but feels restricted by Master He's traditional mindset. He decides to form his own lion dance troupe, which fuses hip hop and rock with lion dance movements. A major Lion Dance Tournament is coming up and Mikey is groomed to be Shi Shen's successor, but he is plagued by a fear of heights. The case worsens when both Mikey and Shi Shen fall for the Tiger Crane master's daughter, Xiaoyu.
Description: Joseph Galloudec seven years, lives in the eighteenth floor of a building in the Paris suburbs, between his mother Julia and her father Jean-Claude, a pc engineer and communist militant. His parents experiencing marital issues and his mother later to give birth, he left for the summer holidays with his grandparents and three uncles, turbulent triplets. He discovers the castles of the Loire, Brittany and England. Upon his return, he met his sister Elisa, but her parents and tear her mother eventually left the home.
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Out of all the Vietnamese movies I saw at the 2017 LA Asian Pacific Movie Festival, the only one stood out was Father and Son (Cha Cong Con). The another three movies were rather tamed in my opinion. Father and Son's familiar tear-jerking storyline mostly appeals to older audience but everyone could check it out for the stunning cinematography and nostalgic elements.As common in Vietnamese films, the easy plot is bleak. Although the actors are adequate, the greatest hero is the setting. The first portion of the movie takes zone in a tranquil mountain region. This is the greatest part of the entire film. It gives us a nice sense of zone and time. Our characters are surrounded by a vast environment of forest, hills, and rivers. Director of photography Ly Thai Dung's keen eyes show nature as nurturing and cruel. On one hand, he shows us pretty shots of innocent kids marveling at sun rays piercing through cloud, a raft floating on the shimmering surface of water, and golden blades of grass waving in the calm breeze during magic hours. On the other, there are allegorical master shots signaling the impending doom associated with the landscape, such as insignificant small human figures walking up a steep foggy slope. Few another visual compositions seem straight out of a Caspar David Friedrich's painting, showing a lonely figure facing a subliminal natural backdrop; a boy sitting on a tiny fishing boat with his back to the viewers contemplating at the indifferent river water in the background.Indeed, mother nature does give and take. Our main characters live off the land by fishing, but during rainy season, their belongings and often family members are swept away by flash floods. The flawed script succeeds in depicting the human inhabitants as resourceful but are still struggling. They are able to slash down trees to build a temporary shelter on higher ground but not having the hindsight to relocate their homes to a various zone where flooding might not occur.The director Luong Dinh Dung pays additional attention to the everyday activities of his characters to give them human values. When the father trades fishes for a sweater as a gift for his beloved son only to realize it's too large to fit. Other stage shows the boy's naive affection toward a baby chick that also serves as a plot device to receive audience invested emotionally considering their eventual grim fates. There are a several another scenes in my opinion that touch on that nostalgic Vietnamese-ness. One is when the father sits by his wife's grave and consults her about the future of his son. A various one shows a group of children hanging off the back of a seemingly giant boy carrying a bicycle uphill. In the daytime, kids playfully dash across grassy fields and roll in mud. At night, they fall asleep peacefully on the laps of their guardian elders who say them magical stories regaling their younger days. These are the scenes that I search most alive in the film.The color palettes compliment the development of the narrative. Forest green and golden hues are used for some of the brighter sequences in the beginning of the film while a bluish-tint permeates across the night punctuated by warm umber gradient from fire pits. Soon when we are in the city, the movie switches to silver tone to bring out that steely and sterile sense of town atmosphere. There are a several outstanding moments approaching magical realism. One is when the father carries the son up the stairs of a high-rise, a swarm of wasps appears to be their obstacle. Other is when kids gawk into the sky at an airplane that is intentionally framed to create it look out of this world. Overall, the movie is a compelling adventure from natural terrain to industrial landscape, from fantasy to reality, and from life to death.The melody appropriately oscillates from joyful carefree melodies to somber moody tunes. I like that the Korean composer Lee Dong June doesn't test any of the cliche traditional Vietnamese musical instruments. Dialogues are sparse. Particular stand-out is of the lead actor - Ngo The Quan. His voice is coarse and subdued. He delivers lines in weak volume with minimal lips movement implying a boy who has lost and sacrificed much. I was said there are several trained actors, and most are locals. Regardless, the kids carry the greatest lines - with a sense of childish wonderment. For example, the son asks his father "when can I grow as large as you?"The film's easy emotional message is quite clear - life is all about the journey, not the destination. It also did a noble job with showing how Vietnam's modern society has alienated certain indigenous groups. However, I just wish to return to asking the question of why folks continue to live in flood zone? I feel this is something the movie could have touched on more although flood is the second major conflict in the film; the first is disease. Is it because of their livelihood, which is fishing in this case? Or is it their ancestral connection to the land? Perhaps, their unwillingness to submit to the whim of nature gives them courage.I'd wished that I should see it in better quality. The screening copy at the movie festival was terrible. It looked like they showed the film from a DVD. This is a movie worth helping if you love Vietnamese cinema. Anyhow, if you're interested in seeing other nice movie from Eastern bloc countries about paternal bondage, I highly suggest Andrey Zvyagintsev's masterpiece, The Return. Also, check out Sokurov's dreamy movie Mother and Son, in which this movie shares a kinship with.
'Father And Son' is a visually stunning film, revolves around the happiness and tragedy of a single-father Moc and his 6-year-old son Ca, who lived near a river- bank, somewhere in Vietnam. This Movie is a directorial debut of Vietnamese filmmaker Luong Dinh Dung, who recently has nominated for prestigious "Remi Award" at 50th Annual Worldfest Houston International Movie Festival this year for this film. Wrote almost 22 years ago by Luong Dung himself, 'Father and son' launch with a remote but picturesque village, where Moc is surviving with his child by selling fishes. The blend of nature and innocent characters take us to the traditional Vietnamese scenario and the stillness of their lives, which are masterfully cinematographic in this film. The storyline moved with the dreams and curiosity of 'ca' and his another tiny mates who are keen towards planes, which they call 'bird from the city' and another nuances of town life. So in the flood season when Moc and Ca, with another community members, transport to uphill, it's the routine of children to listen the storyline of the town from 'uncle Blind' who once worked in that city, building the "Future House' ( biggest skyscraper ). 'Uncle blind' lost his eyes by working in that building only. Going through the pretty imagery of mountains, fog, river, fish and a tragedy of losing a family due to flood, folks returned back to the Riverbank, building their house again from the scratch. Meanwhile, the community members recommended Moc to receive married again, but before Moc think further on this, Ca becomes terribly ill. when the herbs from the forest didn't work, Moc took him to the hospital in the nearest city. Metaphorically, the movie makes a transition from the calm life of Riverbank to the noisy, polluted and hurtled globe of town full of tall buildings and, the "future house of blind man" right, opposite that hospital. This reminds me of Chinese Filmmaker 'Jia Zhangke's movie 'Still Life' which is also based on the related themes of the gap between towns and Riverbank areas. Moc gotta search a method to receive his son proper health-care which of course, is equal of catching 160,000 fishes. when recovered, Ca wants to go on that 'future house of blind'. Metaphorically, the hospital becomes a partition between the reality and the dreams. The movie has superbly crafted soundtrack by Korean composer Lee Dong Jun, the artist behind the sounds of many of that country's famous films like "Miracle in Cell No. 7" and "Taegukgi: The Brotherhood of War". On the hospital bed, Ca dreams about the boat, river, and fish, on the another hand, Moc worries about collecting cash for ca's treatment. Will Moc successfully take Ca to the 'future house of blind man'' where only folks with nice clothes can go? Where these dream and reality intersects? Gursimran Datla twitter.com/ gursimrandatla
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