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Caiçara 1950
Description: Caiçara is a 1950 Brazilian drama movie directed by and starring Adolfo Celi. It was nominated for the Grand Prize of the Festival at the 1951 Cannes Movie Festival.
Released: 19 Sep 1952 Director: Adolfo Celi, Tom Payne(co-director), John Waterhouse(co-director) Writers: Alberto Cavalcanti (story), Adolfo Celi (story and screenplay), Ruggero Jacobbi (story), Gustavo Nonnenberg (dialogue), Afonso Schmidt (dialogue) Actors: Eliane Lage, Abilio Pereira de Almeida, Carlos Vergueiro, Mário Sérgio Genres: Drama
Trailers and related videos:

See Caiçara (1950) - FILME COMPLET on youtube.

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Caiçara Reviews:

Marina (Eliana Lage) is a pretty and excellent young woman, daughter of leprous parents, living in an institution. She sees the possibility to leave the zone when the owner of a tiny shipyard in an island proposes to marry her. She accepts, marries him without love and moves to the tiny sea coastal village, where the gossiper dwellers create comments about her. The disgusting partner of her scum husband tries to rape Marina when her husband is traveling. Later, her husband dies in a boat accident, and a young and handsome sailor arrives in the island. Marina feels a nice attraction for him, but is blackmailed by the former partner of her husband about the health issues in her family and her origins."Caiçara" is a melodramatic and romantic storyline that starts very related to "Stromboli", of the same year. The case of a young pretty girl that uses marriage to have a possibility of a fresh life and moves to an island is identical in both movies. But then the plots are fully different, and the IMDb Plot Outline in fully inaccurate. The copy accessible in MAM (Modern Art Museum of Rio de Janeiro) presented serious trouble in the sound, and many dialogs were impossible to be understood in the projection. Anyway, "Caiçara" is a nice film not accessible on VHS or DVD. My vote is eight.Title (Brazil): "Caiçara" (means a easy and humble dweller on the seacoast of Rio de Janeiro and São Paulo states)


As an necessary reference in Brazilian cinema for being the very first detail movie production of the defunct Vera Cruz studio, "Caiçara" deserves a lot of praise for being a tiny artistic movie made by a majority of newcomers in the movie media. It's secure to tell that almost 100% of the cast, directors and team made their movie debuts with this movie and it's difficult to deny that they achieved something significant. However, as much as I tried, I couldn't like the picture neither endorse it completely. Adolfo Celi's film is just erratic, jumped in parts and one of those that leave you bored halfway through. It's not all wrong but there's many issues that affect its totally enjoyment thus becoming a low film.The storyline of Marina (Eliane Lage), a pretty terrible woman whose parents died with leper which she thinks it's an obstacle for her in dealing with anyone around her, and José Amaro (Abilio Pereira de Almeida), a shipyard owner who decides to marry her and take her to Ilhabela, a coastal city in São Paulo. The marriage isn't perfect, since she's very retracted and her husband is dominating figure who vanishes from view to party difficult with another women in other town. Marina's presence disturbs José's business partner Manuel (Carlos Vergueiro), clearly infatuated and lost in lust for this cute woman, everytime trying to create some moves on her. In between this strange love triangle, there's the results of a "witch", her grandson who is possibly Marina's only friend; a third guy who comes in her life soon on; tragedies and revelations."Caiçara" (a term that means "people who live by the sea") was a great picture until its halfway, despite some bumps and quick beginning - it's difficult to understand why José wanted to marry Marina since she was the talk of the city due to her parents death and the entire prejudice involving leper. Then, I just couldn't care because the storyline kept going on and on with almost no purpose and the characters didn't pleased in any way. By the time the movie started to show pretty and lovely moments it just felt wrong. Previous to that, we have a bunch of misogynist men, and that also contains the third male character, a sailor, who not only is poorly introduced in empty earlier sequences and than soon we explore the reason why he's there but also presents himself with related chauvinistic traits as the another guys but somehow, with no explanation given, becomes the ideal boy for Marina. And there's also some logical errors, unexplained cases that affect the film.If the film slightly succeeds is because of its depiction of the coastal folks and their culture, we truly feel immersed in that with their music, festivals and stuff; and also the enigmatic Marina, greatly played by Eliane Lage, aka as the Brazilian Greta Garbo since she made a handful of movies and at the peak of her beauty she vanished from films (which she claims was only made due to insistence of her then husband Tom Payne, co-director of this film). Lage doesn't look like Garbo, it's more like Marlee Matlin, a mesmerizing beauty that doesn't let viewers to take their eyes from her. Her hero was the one that kept me totally invested in everytime trying to figure out why she's so scared of her past and scared of getting folks to know her, believing that her parents illness should affect any possible fresh outcome in her life. The acting, besides Lage, was tremendously nice but they don't save the picture from its clichéd melodrama.I was expecting to play it more, to search some meaning despite some lovely scenes and an now nice ending. It was done before, with better and more quality. Overrated seal for this one. 5/10



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