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Blue Car 2002
Description: Gifted 18-year-old Meg has been abandoned by her father and neglected by her hardworking mother. Left to care for her emotionally disturbed younger sister, her globe starts to unravel. She finds an outlet in writing poetry and help from her English teacher, Mr. Auster. But what started out as a mentoring relationship starts to receive a bit more complex.
Released: 02 May 2003 Director: Karen Moncrieff Writers: Karen Moncrieff Actors: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher Genres: Drama
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Blue Car Reviews:

Blue Vehicle is a dramatic storyline about a young teenager (Agnes Bruckner) that is over taken by the terrible hand she was dealt in life. Trying to juggle school with a harsh family situation, she has become a product of her misfortunes making her that cliché isolated, depressed, quiet girl. With an absent father, disturbed mother, and a suicidal sister, she seems close to the breakdown point. However, a hopeful teacher (David Strathairn) comes a long and opens up a globe to zone her troubles upon... a globe of poetry. The storyline follows her journey of dealing with home issues while attempting to be prominent in a huge poetry contest. Meg finds herself basking in a deep metaphorical state of catharsis as she seeks to search answers in a poem she writes about her father, titled Blue Car. Finally, a coming of age/ school movie that strays from the normal school formula of a John Hughes's film. The film's dramatic unexpected twists and turns will entice you to be emotionally involved with the characters on a seemingly depressed, yet interesting level. Wonderful movie making squads up with even better acting to portray a movie that is not only intriguing but important. This movies proves that a budget can carry a movie so far, and the rest lie with the actors and artistic view of the movie makers involved. Director Karen Moncrief carefully movies this story, exploiting her points through various movie techniques. The storyline almost reads as a poem itself... the storyline is slow but moved gently and rings real to all who can relate. Actors Agnes Bruckner, and David Strathairn are two forces not to be reckoned with. The characters portrayed by the actors truly carry this film... making it an emotional adventure for all who watch. If you appreciate magnificent acting and movie making that pays more attention to realism and truth, you will play Blue Car.


I've visited IMDb frequently in the past and have voted on over 250 films, but the previous comments regarding this movie compel me to write my first review. "Blue Car" is, like most films, not without its flaws, but its strengths create it, in my opinion, one of the greatest American indie movies I've seen for quite some time."Blue Car" is a film that lacks clear villains; its characters are imperfect folks who sometimes create the wrong decisions. I read a flattering review before seeing the movie, which I soon regretted... The review gave away just enough to create me anticipate the film's climax and resolution, a reason why I have decided to remain conspicuously vague here.The movie is about Meg Denning (sp?), a troubled high school student whose poetry impresses her AP English teacher. Meg is still struggling to overcome the emotional abandonment she experienced after her father left. Her sister is likewise depressed and refuses to eat. Her mother is preoccupied with her job and night school. I realize these problems have been dealt with so thoroughly by Disney and Hollywood cheats that they have almost become cliche. Nevertheless, the fact that these cases are relatively commonplace create the storyline more plausible. The dialogue never degenerates into the pathetic sentimentalism one expects from Spielberg... The dialogue is robust -- the film's characters are dealt with fairly and realistically. At the recommendation of her English teacher, Meg enters a poetry contest... As Meg's family issues are compounded by subsequent events, she starts to rely increasingly on her AP English teacher for encouragement, emotional support, and self-affirmation...And then, being as vague as possible, complex cases emerge... :o)Every hero in the movie has sympathetic qualities. You might not accept with the decisions they make, and some of their actions might even disturb you...But in this age of simpleminded, dualistic rhetoric, when politicians talk about Nice and Evil as though life were an episode of "He-Man," "Blue Car" is a refreshing movie filled with characters who occupy the grey void lurking between black and white.The movie is not perfect. Certain happenings occur involving Meg's sister Lily, which are pivotal to the movie. I'm not that fond of how the movie deals with Lily's emotional troubles, and facts surrounding the culmination of Lily's troubles are, in my mind, highly questionable. (Sorry. I can't be more specific without crashing the movie. If you see it, you'll probably know what I'm talking about.) These minor flaws are well worth overlooking.Unfortunately, movie as an industry is as white-male dominated as the field of theoretical physics -- perhaps even more so. It is sad indeed that the best living female director is probably Leni Riefenstahl, the despicable opportunist whose masterpieces contain "Triumph of the Will." That being the case, Karen Moncrieff's debut comes as a relief. She has proven herself to be a talented, insightful, up-and-coming director whose career will be worth keeping an eye on. Overall, I give the movie a 9.


It's everytime great to come across a tiny gem of a movie like this one is. The characters are crafted so well that there is nary a false note in the whole piece. The dynamics between the daughter (Meg) and her mother, Meg and her sister, and Meg and her teacher all ring true; at times painfully so. As things so often occur in true life, this was no neat tiny pack of happenings and resolutions but characters stumbling through cases making nice and terrible decisions and coming out on the another side having learned something from their experiences.Why can't everyone write like this! Kudos to Karen Moncrief for showing such nice respect for her audience. I hope you have many more occasions to add to your writing and directing resume. I've seen variety of movies and very several of them are standouts. This is one of them.



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