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It left me wanting more, but not in the sense that i'm addicted. Krackoon: Bloodmarsh is a marginally enjoyable micro budget schlock-fest that fails to deliver many chills or laughs (though it fares much better in the latter department). It's well shot and has terrific craft for a film of its means, but terrible writing and acting allow it down. The film begins with a prologue, a series of snippets from the previous movie giving us a recap of the happenings of the first installment of the series. Then we're dropped into a storyline that seems to have three or four subplots but no main through-line. And although a couple of the subplots do tie together at the end, it isn't in a satisfying way. It seems like the main characters, the focus of the movie, were meant to be a young child and the elder Krackoon he named Red Eye, who we would come to search out was on the hunt for her babies (who were in the care of a unsuspecting young girl). These two subplots were largely dull, and uneventful, until late in the storyline when Red Eye found her babies. The reunion, and all that came after it, was done in an uninspiring way. The more entertaining screen-time involved the films adult players, whose plot-lines all just seemed to either revolve around Red Eye, or be superfluous. The adult characters in the picture ranged from respectable to horrid. The lead actor turned in a solid performance, and the films most enjoyable scenes involved the darkly comic exploits of its two sets of goons, all of whom had enjoyable scenes and memorable lines. So despite the movie being well made, by folks who obviously had fun with it and gave a damn; there just weren't enough nice characters and performances, either funny, or scary scenes, to compensate for the films undercooked script filled with loose ends and hammy performances.
A vicious crack-addicted mutant raccoon named Red Eye and her offspring terrorize the Bronx neighborhood of Locust Point. Boy, does this hilariously horrendous hunk of junk possess all the right wrong items to qualify as a true four-star stinkeroonie: We've got ham-fisted (mis)direction by Jerry Landi (who also wrote the disjointed foulmouthed script), laughably lousy acting from a rank amateur no-name cast, shoddy (far from) unique effects, cheesy over-the-top gore, a meandering narrative that unfolds at a plodding pace, fumbled crazed assassin animal attack set pieces, uproariously obvious hand puppet monsters, a goofy folksy theme song, a colourful and amusing of obnoxious low-rent scuzzoid characters, tin-eared profanity-ridden dialogue, and a groan-inducing "it ain't over yet!" sequel set-up ending. A true schlocky hoot.
New York, NY 10013
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