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Blood Slaughter Massacre 2013
Description: 10 years ago, Officer James Fincher narrowly escaped being killed at the hands of a masked maniac. Actually a Detective, a fresh string of murders has begun in Havenwood. Has the Ripper returned?
Released: 19 May 2013 Director: Manny Serrano Writers: Louie Cortes, Manny Serrano Actors: Matt W. Cody, Mike Roche, Byron M. Howard, Carmela Hayslett Genres: Horror, Thriller
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Blood Slaughter Massacre Reviews:

Indie horror is powerful and thriving today, thanks in part to the efforts and creativity of weak budget Indie directors and the entire horror community, who embrace it. This is very evident in the indie slasher "Blood Slaughter Massacre" by Mass Grave Pictures. The movie is a total tribute and celebration of all that was nice about late 70's and early 80's slasher flicks that still dominate the horror fanatics psyche to this day. Directed by Manny Serrano, the movie pays homage to those iconic moments within the classic horrors of "Halloween", "Friday The 13th", "Madman" and others, while creating a fully individual cabal of rising evil. In "Blood Slaughter Massacre", Officers Fincher and Cobb are named out to investigate a noise complaint, and what they search is far worse; twenty-four people, murdered in cold blood. The murderer escapes, and the Havenwood Police Department cover it up, inventing a storyline about an out-of-control fire. Ten years soon –now detectives- Fincher and Cobbs, while investigating a women murder, it looks as though the assassin has returned to Havenwood. And this time he has a fresh diatribe guiding is malicious nature. "Blood Slaughter Massacre" is a bit of a dichotomy in that it does make an elaborate plot which is supported by heavily built characters, and yet a lot of the storyline unfortunately unravels as the storyline grows. The robust, affirmative hero relations, to the over all plots intent, flows more like a really terrible cardiogram than a healthy pulse- pounding saga. That is really the only thing that hinders the movie from being the heavy indie slasher that is could be. Sometimes when writing a storyline – less is more. Especially with dialog relationship to the characters. Some moments, when explaining the 'whys and hows' of the connection to the enveloping plot, the lines seem over-indulgent and start to wear on the storyline lines continuity. Now, that is the bad.The nice things about "Blood Slaughter Massacre"- is the finished tributary nature of the movie to classic horror movies. The tiny nods and moments that highlight a certain film's influence on the writer and director's love of this genre. The total 'I love the 80's' vibe allows for a bit of fun in the movies visual appeal. This film, unlike a lot of homage-throwback horrors takes a more serious approach to the slasher category and I respect that. It gives related atmosphere to the cult classic days of horror film making. The soundtrack is thrilling and builds those same chillingly eerie, emotional connections between the storyline and the viewer. There is blood, blood, and more blood splattered all through this film, which eases the frustrations I had with the psychological aspect of the storyline that rested on the characters. The assassin was a menacing, unstoppable killing machine with a plain. I loved that, that fact that he uses the dark arts as a justification for selecting his victims, hits a sweet spot for me in horror. I love movies that utilize black magic in the plot-even slasher films.Even though it sounds like I may not have enjoyed "Blood Slaughter Massacre" – I did. It is a cool low-budget flick, with a serious approach to the genre. It offers a creepy killer, and even though the plot seemed to be more than important it still offered a special spin while still paying tribute to classic horror. The blood, gore and unique results where above standard for this lvl of Indie production. Most of the slay scenes allowed a face view graphic slaughter-and the pay off was a great reward for the stage and the viewer. This movie is a cool tiny indie flick that fanatics of the slasher category will truly enjoy. As far as over all feeling of the movie I am split. I loved everything about this film except the current hero building storyline lines and their relationships to one another. Each thing else was top shelf-low budget- indie horror enjoyment.


I attended the globe premiere of BSM in Manhattan's Lower East Side on May 19th, 2013. I was thoroughly impressed with the attention to feature to create this movie look authentically 80's. Being an avid fanatic of the horror genre, specifically from that time period, I have to tell everything about this movie gave me the warm and fuzzies. BSM has everything a top notch 80's slasher could have including an interesting background storyline which keeps you enthralled in the narrative, a soon-to-be iconic antagonist, "The Ripper Killer", 80's style score and soundtrack, and most importantly variety of gratuitous nudity and violence. The actors all bring their "A" Minigame with notable performances by Matt W. Cody, Melissa Roth and Carmela Hayslett. Bottom line: If you are a fanatic of 80's Slasher Flicks than SEE THIS FILM!!!


A vicious masked maniac known as the Ripper butchers teenagers in the tranquil tiny city of Havenwood ten years after the hamlet was plagued by a spate of unsolved killings.Director Manny Serrano, who also co-wrote the intricate and absorbing script with Louie Cortes, grounds the compelling premise in a believable daily reality, maintains a dark serious tone throughout, offers a powerful depiction of a sleepy suburbanite community atmosphere, pulls out the nasty stops for few brutal murder set pieces, and even delivers a satisfying smattering of tasty bare distaff skin. Moreover, the filmmakers warrant additional praise for the refreshing and laudable test of funky old school practical gore make-up f/x. Matt W. Cody as harried alcoholic detective James Fincher makes for a sympathetic flawed protagonist. Byron M. Howard likewise impresses as Fincher's hard-nosed partner Walter Cobb. Moreover, the adolescent characters in particular are quite well drawn, with especially sound work from Carmela Hayslett-Grillo as the carefree Carla and Danielle Lenore as sensitive goody goody two shoes Danielle. The competent cinematography makes neat test of the widescreen format. The shivery synthesizer score does the skin-crawling trick. Although slightly marred by occasional slack pacing and a bloated 113 minute running time, it's overall still worth a watch for slice'n'dice fans.



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