See Bienvenue chez les Roze 2003 on youtube.
See At Home with the Rozes / Bienv on youtube.
See Bienvenue chez les Rozes on youtube.
See Top 10 Carole Bouquet Movies on youtube.
See At home with the Rozes - Trail on youtube.
See Unforgivable (2011) - André Du on youtube.
See LA NUIT DU RISQUE - Sergio Gob on youtube.
See ROAD REVEILLON on youtube.
See 7 Ans de Séduction - Bande Ann on youtube.
See Je ne suis pas un homme facile on youtube.
Description: It had all the makings of a large tv success: a white-hot comic at the helm, a coveted primetime slot, and a pantheon of future comedy legends in the cast and crew. So why did The Dana Carvey Show—with a writers room and cast including then unknowns Steve Carell, Stephen Colbert, Louis C.K., Robert Smigel, Charlie Kaufman, and more— ruin and burn so spectacularly? TOO FUNNY TO FAIL says the hilarious real storyline of a team of genius misfits who set out to create comedy history… and succeeded in a method they never intended.
Description: The Chanters is a comedy-drama movie about Sarah Mae, a 12 year old school girl, the grand-daughter of the last chanter of the Panay Bukidnon tribe. She obsesses with pop culture and readies herself for the visit of a sensational TV star to her school. As she perfects her dance, her grandfather, Lolo Ramon suffers the onset of dementia. As her Lolo begins losing his precious memories, Sarah Mae is tasked to support him finished the last of the remaining 12 epics, their tribe’s vanishing tradition.
Description: A heartbroken writer tries to receive back with an ex through his romantic comedy hugot script but fails and instead finds himself magically living-out the scenes he has written. He’s forced to follow everything verbatim—or else face being stuck in an existential loop of scenes that repeat over and over again.
Description: Charles, an engineering student with an eye for beauty, just returned from school to a dormitory owned by Aling Linda, a strict, lonesome widow. Another occupants of the dorm contain Max–now on his 7th year in college, Sheen–his reluctant partner, Steven–a social entrepreneur, Ramon–his cop lover, Alex–a call center agent, and Jenny–his careful girlfriend. They all spend the evening tucked away in solitary rooms, talking about collective experiences, sharing a related fate. And rent is due.
Description: Tammy likes her older brother who grew up together since childhood. However, he thinks Tammy as a brother rather than a woman. One day drunk Tammy asks her brother to take her home and calls her brother Hyukjin. Lee Jin – jin brings a vehicle to take Tammy home and a vehicle to Tammy ‘s house. Tammy puts all kinds of diplomacy in order to take up the revolution, but the revolution does not go over. Tammy is giving her greatest mate a greatest friend, but she is hiding her friend’s relationship with the secret, a secret. Then Lee Jin-jin will see Tammy’s actions and love Tammy and end this relationship with her mate …
Description: Usually it is us who select the dog, but sometimes the dog chooses us. By selecting one dog, Aleksandra, Jovana and Marija come into conflict with a criminal gang led by Sergej, a ruthless dealer. Aleksandra's American ID and her fiancee's FBI pass lead the criminals to mistake this for an international operation, and since the local cops are corrupt, the three women are left with no choice but to take matters in their own hands.
Description: Major Starr is an ambitious newspaper reporter who has taken undercover employment as chauffeur to Lady Susan Loman in the hope of witnessing high-society goings-on which he can test in a detail article he is planning.
Description: Forty-year-old Sandro (Marcello Mastroianni) is married to Claude (Virna Lisi). Sandro has one strange obsession: he is a self confessed voyeur. He movies his wife in all walks of life on his wobbly hand held camcorder. But everything changes when Tag (Timothy Dalton) enters their life. Written by Steven Dixon
Description: The inventor Svensson invents all type of things and one of his recent inventions is a machine whicn can control an airplane from the ground through radio waves. He is mates with the nice Swedish/American aviator Smith, who may be interested in playing Fridolf's machine if he can receive Smith discharged from the military service, because he wants to spend more time with his fiancé. But instead Svensson is mistaken for being Smith, and suddenly he is in the military where he gets in all kinds of problem with his superiors and also falls in loves with his sergeant major's girlfriend.
Description: In order to face the payment of the landlord, Antonio works in the most varied snags, while his daughter reads novels. A watchman job gives him fame as a tough boy and earns everyone respect.
Description: Mrs Todd is aggrieved at finding that the country house she has purchased is evidently haunted. Sir Hector Benbow and his nephew, on behalf of the previous owner, set out to demonstrate that there is no ghost.
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Imagine a movie in which the plot turns ever more twisted with every circumstance. As if "Le diner de cons" meet "Pulp Fiction". Murphy's Law tangles each well laid plan into a unexpected and ever deepening mesh of disastrous consequences, in which each hero willingly and cathartically expose themselves to be exactly the opposite of who they are portrayed to be shockingly so in fact. "Bienvenue chez les Rozes" is like a ebook that you can't place down. The hard and delicate elements that create dark humor work are held in excellent balance by Palluau's direction, screenplay and gifted cast in this perfect and inspired film. Dramatic, sexy, gory, comedic, shocking and smart, from its star studded cast to the "four randonneurs" who cue the quirky haunting musical theme just in time to remind us that this is a comedy, "Bienvenue chez les Rozes" is at the top of my favourite French Movie list, and I suggest it highly to American viewers as well. Bravo!
...would still be a nice Black comedy. Francis Veber has a lot to respond for and he is actually gaining disciples, which may be fitting for Veber himself is a French Billy Wilder (albeit one who lives in Hollywood) in all but name. It's hard to comment on this movie without going into spoiler mode, to tell 'dysfunctional family' is to insult the Borgias. Suffice it to tell that any film with the wonderful Carole Bouquet is not to be missed and when Bouquet, the personfication of elegance gets blood on her hands she fails miserably her Lady Macbeth audition. If you like films that start innocuously and spiral progressively out of control only to be resolved like a chord by Schoenberg then this one has your name on it.
In his first long-feature movie, "Sitcom" (1998) the nasty piece of work François Ozon exploded a middle-class household with the intrusion of a rat that set the libido of the family free. In this flick directed by Francis Palluau, we will also watch a middle-class breaking into pieces. But the disruptive element isn't a rat but a duo of escaped prisoners (later in the movie we will learn how they should escape in, let's tell preposterous circumstances which cement a tiny more the hare-brained climate in which the film bathes). So, these two ex-convicts, MG (Jean Dujardin) and Gilbert (Lorànt Deutsch)find refuge in a charming middle-class house whose couple is about to celebrate its 20-year old marriage. Our duo has no another solution than to take this whole brood in hostage. But, contrary to all expectations, they are warmly greeted by the occupants who don't think twice before supporting them, they are even ready to place their guests off, even to slay them if necessary...Palluau takes the spectator by surprise and takes him where he doesn't expect to go. Where he expects to encounter panicked hostages, he discovers strangely quiet and unscrupulous occupants. The Roze couple seems to be disconnected from the true globe and from the gravity of the situation. By sheltering MG and Gilbert, they constitute themselves accomplices. One has to tell that MG and Gilbert, in spite of their guns aren't bigmouths. So, the film is constructed in its major part with a constantly eccentric tone which is out of step in relation to the action. The consequences are the following ones: to enjoy down the importance of the murder sequences and sometimes it's nearly a dialog of the deaf between certain characters. To increase this gap between tone and action, Palluau even wrapped every shot of the house or the garden with a shimmering photography and shiny lighting effects. This doll's house seems to be virtually slash of the globe although it belongs to a pretty urban zone (where apparently nothing happens...).The starting mission (the hostage-taking incident made by two gangsters to save their skins is 1000 miles from originality but the treatment is drastically various and as the film unfolds before our eyes, we can guess the director's intentions: to shatter this soft middle-class household but also to allow the failings present through. Palluau couldn't resist (it was almost inevitable) the craving for exploding the Roze family and removing the masks of its members. Throughout the movie, we will explore their mindless even fatuous behavior and their hidden vices. I think that Palluau's intentions have a tiny family likeness with Chabrol's cinema, notably in the malicious humor. Besides, nods to one of the 5 greatest masters of suspense are well show either it is in gastronomy (the delightful plain macaroons or the exquisite oenology session) and the cast contains an actor who acted in films which constitute Chabrol's constructive peak in the end of the sixties and the early seventies: Michel Duchaussoy (the Beast Gotta Die, 1969, the Breaking Off, 1970).And while we linger on the possible references, the tandem formed by Dujardin and Deutsch isn't very far from the ones Francis Veber made popular. That said, Dujardin's performance is more subdued than Depardieu's. Beside him, Deutsch as the awkward and timid Gilbert can match Richard.For the rest, there may be irregularities of rhythm: decent in the beginning and at the end of the movie but slow-paces even sluggish in the middle but it's in these moments that the film reveals what it has greatest in store. In the last half-hour, the plot really evolutes and comes to life. Moreover if the reversal of case is contemplated but not fully finished, it's to drown a tiny more the Roze couple in ridiculous and bring out their idiocy. Then, elsewhere Palluau scattered his work with sarcastic humorist features which fit the intentions of the movie closely.In the end of the road, Palluau was within an ace of targeting the excellent black comedy. Just a tiny more effort and the work will be done. At last, this cue pronounced by Carole Bouquet: "how great it is to be a lovely b****!" is worth the trip.
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