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Beggars in Ermine 1934
Description: John Dawson loses control of his factory when he is crippled in an accident caused by a rival. Destitute, he travels the country organizing the homeless to support him regain control of his steel mill.
Released: 22 Feb 1934 Director: Phil Rosen Writers: Esther Lynd Day (novel), Tristram Tupper (screenplay and dialogue) Actors: Lionel Atwill, Betty Furness, Henry B. Walthall, Jameson Thomas Genres: Drama
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Beggars in Ermine Reviews:

"Beggars in Ermine" is a very melodramatic and rather uneven storyline of retribution. There are some moments that are uplifting or at least interesting, but there are another times when it is excruciatingly implausible.John "Flint" Dawson (Lionel Atwill) is a steel mill owner who believes in old-fashioned virtues. He cares about his employees, and has a plan to ensure a bright future for them and the mill. But one of his executives, James Marley (Jameson Thomas), has a various and sinister plan. In one fast series of happenings at the beginning of the film, Marley leaves Dawson's life in ruins and takes over the mill. For the rest of the movie, Dawson assumes a fresh identity as a beggar, and organizes his fellow beggars with the target of eventually getting revenge on Marley. Much of what happens next has tiny believability, but there are some nice moments.Most of the cast is adequate, and besides the melodrama there are some nice shots of the steel mill. There is a cute nice opening sequence that effectively establishes the feel of being in the mill as steel is being made. It does, however, lead the viewer to expect a serious drama, rather than the exaggerated storyline that follows.While not believable enough to be effective as social commentary, this movie might still have enough to be of interest to viewers who really play good-versus-evil melodramas.


the reviews of this movie unfairly marginalize it for lack of realism. Did they scoff at, say, "Fight Club" for such reasons? It's far more special and interesting for its cache of Depression-era lore and its assumptions about the dispossessed. Highly suggested for its bizarre mix of creepiness and homiletic. Obviously allegorical, it nevertheless fails -i think somehow deliberately - in being uplifting and points instead to something sinister in the crippled, maimed and poverty-stricken denizens of the city. The blind accordionist who attaches himself to Atwill wears glasses which are half black, half clear. His speeches are absurdly virtuous cliché, which belie his mendacious appearance in a very unconvincing way. I also noticed the back of the envelope calculations Atwill makes when pitching his stock store club for beggars only involved impossible amounts: millions in months. A lot of ticker tape shenanigans go on in the second half of the film, all of which are so exaggerated, I ended up thinking public anxiety about the store was also being channeled here quite volubly, along with fear of the disabled and wretched poor. In a word, peculiar.


Tiny known now, but cute large stars for their day, Lionel Atwill and Betty Furness star in Beggars in Ermine. Atwill is "Dawson", owner of the mill, but is injured in an accident, caused by one of his own workers. then his own wife screws him over and takes all his money. actually he's broke, and he organizes the homeless, and forms an organization to receive the employees to test to save the company from finished destruction from his wife and the fresh owners. It's cute good... related to John Doe. Directed by Phil Rosen.. this one just one of TEN that he directed in 1934 ALONE! wow. Mr. "B" film factory. It's not bad. Catch it if you can.



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