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Description: Long ago in the Iron Age a shadow loomed over a lonely village. For generations the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the Minotaur, that dwells beneath a nice palace. Theo, haunted by the loss of his love in an earlier sacrifice is convinced that the beast isn't true and that his woman still lives as a slave within the palace. His father Cyrnan, the village leader, tries to reason with Theo not to go but Theo is driven by blind rage. He devises a plan and is taken with the another youths who are dragged screaming from their families.
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Wow! just wow. Two mismatched Brighton couples travel into the deepest darkest depths of the South Downs in find of their Nazi fight criminal pasts and meet the locals, who have long memories. Yes, you did read that correctly. If they had a dog this should have been the Popular Five novel that Enid Blyton everytime wanted to write but never did. Throw in a perpetual quest to search the village pub and ale, references to the War of Britain, Spitfire fly pasts and "strange" locals and you have a truly weird and unbelievable mix. I found myself now laughing out loud at some points which I'm sure were unintentionally funny. I defy anybody to watch the tractor and tent stage and not chuckle. The best mystery to me is how Julian Glover, a veteran of the Royal Shakespeare Company and an actor, got roped into this. Julian plays his part very well, as you would expect, but only adds to the issues of the movie by acting, underlining the fact that he is the only one of the cast who can. I couldn't support thinking that he was probably more annoyed at the another cast members than anything the Nazi invaders might have done but it no doubt helped him receive into character. As one of the characters memorably tells "There's no mission in pretending this isn't happening." Regretfully, I can but agree. For the unintentional but genuine pleasure it brought me my score 4/10.
The topics of this movie should have been interesting, but the production leaves a lot to be desired.It is certainly not the worst movie I have ever seen (keeping in mind I am talking about few oh-so-long decades) but it is not a movie I would watch twice.The main trouble with it seems to be the editing. Few scenes linger far too long without relaying anything to the viewer - they just hang there wasting time. One gets the feeling they were left this long just to fill up the time available.Also in the edit, scenes which seemed about to lead to something interesting just lead to nothing much at all. One is left wondering what the implied drama was all about. A bit like waiting for a large rocket on firework night only to be treated to someone lighting their fag.Continuity is other large problem. Someone (or some people) were not paying detailed attention! If you watch it you will see. Inexcusable in the modern age when a easy android smartphone is capable of recording features of a stage which can be used to set up the next scene.As for the acting, well it is what it is. The cast seemed to stutter along like planks in a fence. A shame, because I am sure there is talent there - it either wasn't brought out because of the lack of director's skill (and editing again) or they didn't have the freedom to interpret their characters.Overall I wouldn't bother with this movie unless you have nothing better to do or are distracted by eating a very great takeaway.
The storyline is a complex narrative that his hero driven. The drama is an intertwined melodrama of deception, suspense and the clashing of worlds by means of occult practices. "Backtrack" has a well written, very smart component that permeates the dialog, demands a belief in the supernatural, and explores past lives possibilities. On that lvl the movie is excellent, a mature exploration of the ideals. There are elements that start to wear down the suspense a bit. Dialog heavy, "Backtrack" demands a lvl of acting that the cast-although all give quality performances- cannot manage in order to hold the energy going from begin to finish. The middle part gets a bit boring. The cinematography and direction that Sands brings is a strong, atmospheric present of his talent. Although I longed for a darker, more intense lvl of storytelling that would have really had me on edge. Unfortunately this movie maintains a more PG-13 tone both visually and in dialog. The true excitement shows up in the final act of the movie when the stories collide with some visceral, gritty horror driven moments. There isn't really any gore or massive torture, but the attitude and feel of the final scenes tip to it. Overall "Backtrack" is a "soft" paranormal thriller, that is more closer to movies like "The Innkeepers" as far as horror is concerned. On drama and storyline it is intelligent, contemporary, and yet whispers aspects of classic 60's British metaphysics/ occult thrillers.
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