See Ay, Juancito, película argenti on youtube.
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See "Ay Juancito" Movie on youtube.
See Ay Juancito on youtube.
See Juan y Eva (2011) - Película C on youtube.
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Description: The prototype of the character of the movie - Soviet Ukrainian writer Yaroslav Galan, who devoted the last years of his life to exposing the Greek Catholic Church and the Ukrainian nationalists.
Description: In the future England is ruled by a fascist government, and one day the leaders start the construction of a heavily guarded, mysterious airport. BBC adaptation of Rex Warner's 1941 novel of the same name. A stereotypical village in a somewhat alternative England is taken over wholesale by 'The Air Force.' Living in the village is young Roy, who has just learned he is not who he thought he was. Attempting to forge a fresh sense of identity, he joins the dashing Air Force, seduced by its dynamism and direct and brutal ways.
Description: Evan Tanner's life is spiraling out of control when his live-in niece is arrested for the second time, his boss imposes on him an unacceptable contract, and to top it all he discovers he has a son from a one night affair during the war... When his niece is murdered, and signs mission to Tinsey - his boss' daughter - Evan is confronted with making the toughest decision of his life. Risk everything he's achieved in his life or do the righteous thing! But Tinsey will stop at nothing to hold her secret.
Description: This movie is a rare glimpse into one of the most secret territories of the world, Pyongyang, the capital of North Korea. Slowly, an unexpected natural phenomena devours this strange city. But the city's atmosphere of eternal celebration never changes no matter how obvious the nearing end is. The folks hold absurdly demonstrating the same preset patriotic behaviour.
Description: Set entirely vs a green screen, performance artist Shia LaBeouf recites dialogue submitted by the graduating class of Fine Art BA, with every monologue presented with intense dramatic range in a captivating episodic, artistic format.
Description: A young girl marries a rich boy and starts a fresh life in a tiny city in the Spain of the 20s. Feeling trapped and bored, she starts a relationship with her husband's stepbrother.
Description: A lonely, sticky fingered waitress is looking to leave city while her complacent insurance salesman husband gets taken for a ride by a Southern viper. Romance, murder, golf and freight trains are the themes of a strange trip through the South.
Description: Portrait of legendary warrior John L. Sullivan, aka "The Boston Powerful Boy", and his meteoric rise to become the first gloved Globe Heavyweight Champion. But the famed boxer is no match for the two girls with holds on him, love struck actress Kathy Harkness and the true love of his life, pretty but unyielding Anne Livingstone.
Description: This film challenges ones mind to see racism from other perspective. It forces the trouble of racism not on a black/white side of things, but an African American and Indian proportionally view.
Description: Dubrowsky (Italian: Il vendicatore) is a 1959 Italian- Yugoslav historical period drama movie directed by William Dieterle. It is based on the novel Dubrovsky by Alexander Pushkin.
Description: Chandu lives a normal life with his in laws in Hyderabad. One fine day, he comes across an aspiring actress and supports her in a critical situation. The issues gets large and Chandu lands himself in a large mess. He also takes the blame for a crime committed at the store. While in prison, he learns secrets about his life, but he is hiding a secret and there's other globe where folks fear even the mention of his name. Why is he living in hiding?
Description: The Island of the Dead is a movie about the demise of the Russian Epocha Modern. The symbol of this culture was the legendary Russian movie star Vera Kholodnaya, who evoked a poetic photo of the young urban girl on the silver screen. Her death in 1919, shrouded in tragedy and mystery, place a symbolic end to the pre-Revolutionary period. The Island of the Dead is composed of fragments from numerous movies from this period, juxtaposed with another contemporary artistic expressions such as melody and painting. Kovalov shows convincingly how the fragile beauty of the Russian Epocha Modern had to create method for the pressure of Futurism, Constructivism and another 'progressive trends', and how these '-isms' were then also relegated to the melting pot to be remoulded by totalitarian norms.
Description: Paradise Inn is more than a watering hole, a gambling den cum-brothel frequented by the menfolk. It is a notorious landmark. Ester Paraiso, a retired prostitute, runs the zone with support from her own daughter, Daria, whom she is preparing for the job, and from influential politicos. Her daughter, however, decides to run away but is soon spurned by her suitor and his offer of a respectable life. Even the timely comeback of a two-beat magician, Rey, who hastily proposes marriage, fails to prevent the escalating tension as the mother-daughter conflict takes its worst turn culminating in the characters' fiery destruction.
Description: A girl awaits the comeback of a man. They don’t know one another. The only string between them is the engagement to meet and create test of every other. In an empty house in the woods they are faced with their find for love and their ambivalent sexuality. Bare Romance shows the minimal, raw aesthetic of the waywardly loving body.
Description: Set in the town of Uttar Pradesh and based on real events, the plot revolves around Dr Shrinivas Ramchandra Siras who taught Marathi at Aligarh Muslim University. He was sacked from his position of Reader and Chair of Modern Indian Languages, on charges of homosexuality. A sting operation was conducted by a TV channel which showed him in an embrace with a rickshaw puller, at his house inside the campus.
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I just saw ¡Ay Juancito!. A mate highly suggested it and I found it at a Blockbuster shop here in Buenos Aires. Excellent! The pacing of the film is very smooth, the actors are good, Adrián Navarro as Juan Duarte -the 'Hero' of the movie- Laura Novoa as Evita Perón, Leticia Brédice as Yvonne Pascal (Not the name of the true actress in this real story) and all the others in the cast. An nice achievement of the casting was that of Alejandra Majluf as Niní Marshall, since she looks almost exactly like her! The recreation of the period -about 1950- was very good, even the colors looked like those of the old Technicolor.The wardrobe was designed by Horace Lane, who now designed clothes for Evita, so the precision of the girls dresses is flawless. So were the create up and hair styles. The interiors were recreated quite lavishly and accurately. And we gotta consider that a nice deal of ingenuity gotta have been used, since Argentinian films are made with budgets that will only cover several mins of shooting an American movie!There are a couple of scenes that are intensely moving, one is when Evita is forced to renounce to the vice presidency of the country due to her gender (The excuse given to the folks at the time was another) and to the threat that she represented to the military, the church and the oligarchy of the country. The another stage is (I don't consider the following *A SPOILER* since this film is not fiction and everybody knows contemporary history) the one of her death. Wow! with a minimum fuss this actress accomplished a very delicate and subtle ending of a very painful agony. The more I think about this movie, the more impressed I am with it. I'll check Héctor Olivera's work (The Director) to see the rest of his production.
Gee, I don't know... why do I not like this movie? There are so many reasons, and none of them is nice enough to hate the film but the sum of them is quite disappointing.First of all, the main actor is just awful. I haven't seen him in any another film and, judging by this one, I won't see him again. Why he was chosen, I cannot imagine. Leticia Brédice is not that nice either, but that does not surprise me anymore. Anyway, her hero is not very good. The storyline is not amazing, ends abruptly and has no suspense, which is the largest disappointment, being Juan Duarte's storyline so surrounded by mystery. Furthermore, there are some moments in which it seems just an excuse to create some remarks vs Perón, Eva Perón and their government (I don't know if that's the case, but that's what I felt, even though I'm not a Perón supporter). And most necessary of all: if you haven't spent enough cash in your fake head, if you have a sorry plaster fake head that couldn't look human even among apes, you gotta NOT do a close shot of it!!! (sorry but it's true)Well, actually the nice part, the part that made me give it a 5 and no less: even when I'm not old enough to have lived that times, I got the feeling that the setting was very good. Inés Estévez was absolutely great, a real diva. And Norma Aleandro was nice as always. Alejandra Majluf, whom I never saw acting before, was quite good, I don't think she is an extraordinary actress, but somehow her part suited her perfectly, the resemblance is impressive. Marrale and Novoa had their moments. Their lines (especially her lines) are not nice and their begin is quite shaky, but they're fine. Nevertheless, none of them is nice enough to save the movie.Ay, Olivera, it should have been so much better...
This a film that it's focused in Juan Duarte, the brother of Evita. A boy of the night, private secretary of Juan Domingo Peron, named Lux Soap because one of ten celebrities test it. The plot is nice but there are few flaws with the actors. Jorge Marrale (Peron) and Laura Novoa (Evita) can't recreate the essence of their characters and also happens with the rest of the casting. Adrian Navarro (Juancito) brings a solid, frenetic performance. Maybe the highest achievent of Hector Olivera was to plant the seed of a possible homicide instead of a suicide, the benefit of the doubt. Only a nice film that nails in revamp the accidental life of Juancito.
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