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Andrea Bocelli: Concerto - One Night in Central Park 2011
Description: Celebrated tenor vocalist and classical-pop crossover Andrea Bocelli toplines this live concert from 2011. Mounted in Fresh York City's Central Park, it details appearances by frequent Bocelli collaborators Celine Dion and David Foster. Selections include: "My Prayer," "Ave Maria," "Amarcord," Home On the Range," and many more.
Released: N/A Director: N/A Writers: N/A Actors: Tony Bennett, Andrea Bocelli, Céline Dion Genres: Music
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See Andrea Bocelli - Concerto.One on youtube.

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See Andrea Bocelli: Concerto - One on youtube.

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See Andrea Bocelli - Concerto.One on youtube.

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See Andrea Bocelli - Concerto.One on youtube.

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See Andrea Bocelli - Concerto.One on youtube.

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See Andrea Bocelli - Concerto.One on youtube.

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See Andrea Bocelli - Concerto.One on youtube.

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Andrea Bocelli: Concerto - One Night in Central Park Reviews:

Although Andrea Bocelli still sound nice in concert, those televised shows are NOW becoming somewhat boring. Not everyone approves of opera's crossover with pop, especially when we do receive to hear not the greatest juxtapositions. After a career of nearly 20 years (he has turned 54 last September), Mr. Bocelli still has not worked out some of the technical kinks in his singing, which are both masked and revealed by the amplification he routinely employs. His voice quavers on sustained notes; his tone is often thin and shaky. And for all the innate expressivity of his voice, his singing is sometimes curiously bland. His rhythmic delivery can be all over the place. The album is a thoroughly conventional, formulaic offering from the Italian tenor, who sports the regulation white suit on the CD sleeve and dutifully delivers an simple listening mix of orchestrated operatic items and standards with the odd flourish of Italian and English. He divides his time between soft pop standards and poppified classical, both reaching the same slickly bombastic yet never overwhelming middle ground. No fresh converts will be made but no fanatics will be alienated either. While Bocelli ticks all the predictable boxes, there are also a number of usual suspects. His guests - Celine Dion, Tony Bennett and Davis Foster - are boring to death: they are over-exposed and folks starting asking WHY they are everywhere. Skip this one and go for something more inspiring and less boring.


I wish to begin by telling that I like Andrea Bocelli. He is not one of my all-time favorite singers, though while some of the criticisms vs him are valid(his vocal size for one) I can search that especially on YouTube-like when a nice singer past prime is criticised(Sherrill Milnes singing Morrir Tremenda Cosa...Urna Fatale in 1983 is a prime example) Bocelli for example is brought up in a negative method in the singer in question's defence- that he is judged unfairly(ie. his voice is too tiny for opera so he's poor or he is no Pavarotti or when folks begin comparing him to singers who have been singing for 30+ years).Why do I like him? Well, I do think that for what he lacks in vocal size(in comparison to another singers) is made up for pretty and very distinctive tone. I also search that he is very passionate about each word he sings and that you can say that he loves music, both of which are necessary for performing, and this supports for the arias/songs that are more sensitive to be moved by him. His concerts and CDs do present a fair deal of versatility, I can't think of many folks who nowadays can sing sacred songs, opera, musical theatre, Italian song and Pop as well as Bocelli. He is at his greatest during The Prayer, O Sole Mio and O Soave Fanciulla(it's interesting though to see which of him and Bennett upstages the other), though Nessun Dorma is absolutely thrilling, La Donna E Android has the vigour it needs and he copes better than most at the rather taxing end of Di Quella Pira(holding a high C for over ten seconds or so without breathing). And this is a truly enchanting concert, beautifully shot with a lovely venue in Central Park(if not quite as striking as Tuscany). What stood out also was the atmosphere, often warm and thrilling. Usually I do prefer to be in my own personal company at home watching opera and concerts, but Concerto: A Night in Central Park now made me wish to be there. As to expect, Bocelli's guests are a starry line-up and on top form, with Tony Bennett still looking and sounding nice at 85 in Fresh York, Fresh York, Celine Dion as resplendent as ever in the unbelievable The Prayer, Nicola Benedotti giving a blazing Concierto De Aranjuez and Bryn Terfel in firm, authoritative voice.The melody is simply glorious. It is very hard to pick favourites here. I'll everytime have a soft spot for the operatic music, and there's a fair several here including La Donna E Mobile, Di Quella Pira, O Soave Fanciulla, Brindisi, Nessun Dorma and Libiamo Ne' Lieti Calici. But stuff like Concierto De Aranjuez, Fresh York Fresh York, The Prayer, Time to Tell Goodbye(good here but I did just prefer Sarah Brightman in A Night in Tuscany) More and the love theme of Sergio Leone's masterpiece Once Upon a Time in the West are enough to create your heart soar. The arrangements are thrilling and not overly-sugary.Overall, an enchanting concert. Bocelli enthusiasts will love it, and I was more than satisfied, and just for the record this is coming from someone who has listened to singing dating from the likes of Caruso to actually just in situation one of the detractors feels the need to tell otherwise. 10/10 Bethany Cox



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