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Devendra (Sanjeev Kumar) is a writer who's girls characters are moral-less, character-less, untruthful, betraying, etc, reflecting his opinion about girls (after he being betrayed by a girl in true life). Incidentally, he comes across a nameless girl (Anamika played by Jaya Bahaduri) who has lost her memory and believes that Devendra is her husband. The entrance of Anamika into Devendra's life slowly changes his hatred for girl and gets attracted towards Anamika. Just when Devendra falls in love again, he discovers various things about Anamika's past; Anamika being a prostitute Kanchan, being wife Archana of other person, being daughter of a social worker.Superb acting of Sanjeev Kumar and Jaya Bahaduri makes the film watchable multiple times. The chemistry between them really works. Just watch the part when Devendra confronts Anamika for the first time in his bedroom. Their acting compliments every another as Devendra and Anamika go through various phases of emotion. A. K. Hangal, Helen, Asrani, Iftekhar, and Rajesh Behel have provided nice support. Asrani's hero Hanuman Singh is merely there to deliever humor nothing else.R. D. Burman has composed great melody for songs. "Meri Bheegi Bheegi Si" well sung by Kishore; "Bahaon Mein Chale Aa" by Lata;"Logon Na Maro Ise" and "Aaj Ki Raat" both sung by Asha Bhonsle are evergreen songs. The background melody is not very impressive; at times RD shows his brilliance such as when Devendra discovers for the first time that Anamika is married to other person.Ragunath Jhallani's nice direction makes sure that there is no usual Bollywood clichés. He has handled the plot well, does not rushes through scenes and gives sufficient time for every hero to develop. Interesting to see that the character is not villain bashing, he is as human as the villain and overcomes the villain through his wit. The storyline at no mission diverges from the main plot. Thus, the run time length of the film is 2hr2mins (well below average length of Bollywood movies).Now, is Anamika like the girls characters of Devendra's novels? Will Devendra receive betrayed again by a woman? What is the real identity and past of Anamika? To search answers to all these questions watch the unbelievable film Anamika.
After watching this Sanjeev Kumar and Jaya Bhaduri starrer from the early 70s, I was really surprised why this film is not talked about more often. It is a light-hearted suspense drama, with some crackling romantic moments between the lead pair and some unbelievable songs. Actually this may sound like one of those films that attempt a mishmash of all categories in the garb of producing an entertaining product, but this one has a core powerful storyline too that holds everything together. And if I may add, it is one of the most entertaining films I have seen from the 1970s.Devendra (Sanjeev Kumar in a role far off from what he was more renowned for) plays a popular writer, who incidentally is a misogynist, and an unabashed one at that. He lives with his uncle (AK Hangal), his niece, and a secretary Hanuman (Asrani in a typical comic role). One night, while they all are returning from a press conference, they spot a girl (Jaya Bhaduri) being thrown off from a vehicle on a deserted street near their home. They rush forward to help, and explore that the girl had gone unconscious. On the insistence of his Uncle, Devendra takes her to their place. The next morning, when the girl gains consciousness, she begins behaving oddly and to everyone's utter surprise, claims to be Devendra's wife. The family doctor is named for and he says them that the girl has sustained some internal injuries and needs to be taken care of for quick recovery. Vs his will, and again on his Uncle's insistence, Devendra agrees to allow her stay at their home, on the condition that he would not play-act to be her husband. But things start to change when he begins falling in love with the simplicity, charm, and devotedness of this girl (who they begin referring to as Anamika). What happens next and how Devendra gets embroiled in a potentially risky turn of happenings that threaten to enjoy with life and his composure, is what the film is all about.The film has many elements that are associated with most commercial films of that time. It has a clichéd comic track featuring Asrani, but the guy makes it work by his sheer capacity to embrace buffoonery. It has a seduction number (which is far from seduction and is now a very pretty romantic song), a Helen dance number (a signatory RD Burman offering), an evil villain lusting after the lead heroine, and a quintessential AK Hangal performance. The film even gives Sanjeev Kumar the occasion to do some action and beat up some goons (the only time the boy looks awkward on screen). But despite all this, it is a highly entertaining enterprise that is lent solidarity by the sincerity and calm presence of its lead actors. They are aided in their endeavor by some fine dialogues and some crisp writing, not to mention the tight pace maintained by the director (Raghunath Jalani) over the sequence of events. The one thing he should have changed (or rather done away fully with), are the last five mins of the film. But despite that 'Anamika' has a runtime of just over 120 minutes.This film is an example of how two fine actors can take a nice storyline to a various lvl altogether. The brilliance of Sanjeev Kumar gets reflected in many scenes, which he handles with the dexterity and command that very several actors of time should have managed without appearing theatrical. The sequences when he falls in love with Anamika are a sheer delight to watch. Jaya Bhaduri gets a meaty role and does full justice to it. Again very several actresses from that time should have done what she has done in this film convincingly (in fact no one in my opinion). The film is embellished with some pretty melody by RD Burman, which is given full justice by making the songs a seamless part of the narrative and not mere add-ons (except the Helen number, and understandably so). The songs "Bahon mein Chale aao' and 'Meri Bheegi Bheegi si' deserve unique mention.Parting Note: The film is a highly enjoyable watch, and I guess can be categorized as 'intelligent-popcorn cinema' (if folks don't search it an 'Oxymoron'ish phrasing).
Anamika means a female without a name. The film I am reviewing was released in 1973 and I saw it for the first time after a several years only upon its telecast on the Doordarshan. I watched it again when I grew up and since then I am never tired of watching it any number of times. It is a mystery film with the suspense revolving around the female lead only, appropriately named Anamika. However it has not been made like the regular suspense-thrillers. The director has taken proper care to show it like a social drama or a Rom-Com in the lingo used now-a-days (not used in that period of the seventies). Hence this film is an perfect timepass not just for the mystery fanatics but also for the young audience fond of romance, comedy and social drama.The storyline begins with a famous novelist Sanjeev Kumar who hates girls because of the infidelity of a woman whom he loved. When he is returning home from the ceremony held for the release of his fresh novel, he finds an injured woman lying unconscious in the middle of the road. He brings her home where he lives with his uncle, A.K. Hangal and his secretary Asrani. The girl, Jaya Bhaduri, comes to her senses and from her talks, it appears that she is under an illusion to consider herself as Sanjeev Kumar's wife. Sanjeev gets irritated by her wifely behaviour and romantic advances towards him. However with the passage of time, he begins loving her. However the method she had suddenly entered his life, the same way, she suddenly disappears too, leaving him sad and lonely again. But he keeps on searching her, only to gain startling and shocking data about her identity and her character. Finally he meets her again, comes to know her true identity and the mystery behind her behaviour and relevant happenings that have taken place. The lovers receive re-united after a spine-chilling climax involving the villain.In my review of Uljhan, I had discussed director Raghunath Jhalani's skill of presenting a mystery in the form of an engrossing social drama. In Anamika, he has done the same job. The film is a mystery but its presentation is that of a family drama or tell a Rom-Com. The interactions between Jaya Bhaduri and Sanjeev Kumar are rib-tickling as well as touching the romantic chord in the audience's hearts. This makes the film a thoroughly enjoyable one even for those who don't like suspense or mystery. But the curiosity regarding the true identity of Jaya Bhaduri gives it the flair of a mystery too. However it is not a regular suspense-thriller. It is a nice mix of family drama, mystery, romance and comedy. Despite the romance and the comedy, the narrative moves swiftly and the film heads towards its desired ending without unnecessary digressions.Jaya Bhaduri in the game role is the heart and soul of this movie. She has delivered a hilarious performance and entertains the viewers with her (seemingly) innocent mannerisms and advances towards Sanjeev deeming him as her husband. Though her role has been given a profound look when the film reaches near the climax, it is her naughty romantic ver that makes the narrative lively and engrossing. Sanjeev Kumar is natural as he everytime is. Asrani's comedy provides extra laughters. A.K. Hangal, Iftekhar (as the doctor) and Baby Pinky deliever nice help to the family drama taking zone inside the house of Sanjeev Kumar. I am not able to identify the villain (as to who that actor is) but he has done well.The climax of the film is scary. The final ten mins are certainly spine-chilling. However after it is over and the film ends with the unison of the lovers, the viewer gets a feeling of satisfaction. The narrative is crisp. No undue dragging. The finished length of the film is hardly two hours.Music is other highlight of Anamika. Pancham Da (R.D. Burman) has composed ear-soothing songs (penned by Majrooh) for the movie. It includes Kishore Da's memorable song - Meri Bheegi-Bheegi Si Palkon Pe Reh Gaye Jaise Mere Sapne Bikhar Ke on one hand and Lata's heart-warming romantic song - Baahon Mein Chale Aao on the other. Asha Bhonsle's songs - Logon Na Maaro Isse and Aaj Ki Raat Koi Aane Ko Hai are also very good.On the flip side, the story-teller does not respond all the questions perfectly in the end. Some loose ends have been left untied. The characters of A.K. Hangal and Iftekhar have been developed by taking bollywood style cinematic liberties. However the interesting flow of the film compels the viewers to ignore such things.Technically and production value wise also, the film is all right. Appropriate costumes have been chosen for the characters suiting the various cases created in the story.Anamika is a very nice watch. I suggest it to all. Whether you are fond of comedy or of romance or of family drama or of mystery, this film is just for you. Despite being a suspense movie, it has repeat value. Watch it once and you would like to watch it again.
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