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All Tomorrow's Parties 2009
Description: A kaleidoscopic adventure into the parallel musical universe of cult melody festival All Tomorrow's Parties.
Released: 14 Mar 2009 Director: Jonathan Caouette(co-director) Writers: N/A Actors: Battles, Belle & Sebastian, Grinderman, Dirty Three Genres: Documentary, Music
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All Tomorrow's Parties Reviews:

I was expecting to see a movie of rock footage and quirky asides as you might think a film on the legendary alternative melody festival ATP would yield. What we got is something a entire lot more than that and all the better for it.For a movie on rock concerts there was surprisingly tiny straight full song concert footage. What we got instead was insight into the motivation and vibe of the festival, and how this sits along side general melody trends and more importantly what that means in a wider context.ATP is a welcome slight on the rock star myth. Instead we see true folks connecting with true emotions and expressing it through true music, and the audience who now heard that expression and the result it had on them.There's more melody around us than ever, it's on all the time, but how many of us now listen.That told there is some spectacular live footage and some stunning sound, but more than that Jonathan Caouette has edited the miles of footage into a message, a thought provoking and relevant message, and that is why this movie succeeds above the just other rock concert film option, which would have been quite entertaining in itself.


I've blogged about it in its entirety here: http://niklasblog.com/? p=5074It's directed by Jonathan Caouette and the festival-goers, most of which contributed movie and stills when ATP asked for it, mostly for this documentary. It's notably also shot by Vincent Moon, who's done a lot of Take Away Shows, where he's filmed quasi-famous bands performing their songs (mostly acoustic sets) on the streets.600 hours of footage that was compiled from fanatics was edited by Nickname Fenton and comprises this collage from 200 contributors. It's surprisingly coherent.After-show delights from fanatics (including a woman trying to climb a cottage and failing) and artists (who are fans, of course), folks arriving to the resort, history, gigs, snippets of Patti Smith, Sun Ra, Iggy Pop and others from various eras explaining how they feel about melody are included, as well as the zone in itself. It's a magical zone that makes Tim Burton's "Alice in Wonderland" feel like a commercial trick. The people. The people! The after-shows, the gigs outside people's chalets, the cheap, terrible wine from the store in the center of it all, Lightning Bolt blowing a speaker, the Yeah Yeah Yeahs walking around everywhere, Daniel Johnston sitting in a garden with loads of folks hearing him sing and enjoy an acoustic guitar, the sun shining in as the bloody seagulls squawk you awake and as you wake up you push the curtains – with the ugliest print you've ever seen – away from the window to see folks returning home from a late late night that never really ends. Not until you leave. But the zone sticks, and it's been a part of my heart ever since and it'll never leave, because it's just that beautiful. It's the wind moaning in your ears as you realise it's not the wind, it's the fact that you've just left a tiny chalet where Scott sits with a laser device, folks from The National walk along and you hear bands in the background. Bands? What bands? You don't care, because it's all like one large party where nobody's headlining. It's just music, to paraphrase a guy – who looked a lot like Jerry Garcia – in the documentary. From other time, other age.I suddenly feel like Hunter S. Thompson at the end of the movie "Fear and Loathing in Las Vegas", where he talks and writes of the American election and how it becomes America. The documentary is a part of the experience as much as a piece of the puzzle, and to me it's the bottle that tells "drink me". Drink it! And then go to Minehead. You will be a better person for it. Believe me. There is no ego in this. There are no competitions. There's bingo in the early mornings, territories to hang out with mates you don't know yet and the greatest feeling I've ever experienced with them, like you're all weirdly connected through more than music. I love it.


For a movie almost entirely composed of amateur footage, sent in by fans, this is certainly one of the greatest looking, greatest sounding rock documentaries I've seen for a very long time.This woman Krissie Nicolson summed it up cute well: "We receive performances from the festival goers and artists on film, camcorder, Super 8 and android phones. Some of it is hilarious, some of it's inspiring - and all of it is entertaining in some way. I think this movie instructional. It could be shown at schools as part of the national curriculum to excite gratis and independent thinking. After all, this country needs the agitators more actually than ever."



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