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Description: After waking up in an apartment where only the night before a party was raging, Sam is forced to come to grips with reality: He is actually alone and the living dead have invaded the roads of Paris. Petrified with fear, Sam is going to have to barricade himself inside the building and organize his survival. But is he really the sole survivor?
Description: Owned and embittered, Pianitza never stops trolling Youtube until attracting Google's surveillance. Fortunately, TzaTza, his evil double, emerges from the bottom of the vapors and manages to eliminate El Goog, the matriarch of Google ... Following these events, the anger of the Podcasters and the Vlogeurs will quickly be felt ... Indeed, Pandora, the queen of the 420, will hand in hand, to the Patron of the Ohm (Ω) Company, command Xxx_YT_xxX which allows to control Youtube ... The Youtube community feels violated. A plan of attack vs the intellectualism seems already to be prepared in the shade to place an end to the fresh hegemony of the Ohm Company on the Internet landscape ... Thus during his chronicle on Hotline Miami, Pianitza will be seen tumble into total madness. This will begin with a smartphone call ...
Description: See and hear how the acclaimed director brings his special vision to the screen with technologies that are actually within easier reach for the independent filmmakers. Interspersed with behind the scenes footage from a newest project, Lynch muses on the art of filmmaking, offers wisdom to aspiring filmmakers, and shows you the power of today's softwares to give you Room To Dream. Then take a closer look at how digital technologies can transform your approach to production. Using an Avid Xpress Studio HD system plus associated Digidesign and Softimage products, Room To Dream presents on-screen demonstrations--featuring clips from Lynch's project--that walk you through the pre and post production, editing, color correction, visual effects, tilting, final output, and more.
Description: Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary globe of poverty and riches where the prospect of simple wealth tempts even nice men like Pic into terrible ways. But if everyone believes the lie, what’s the problem?
Description: Awakened from a curse after 400 years, Sleeping Beauty (Sarah Hunter) marvels at the wonders of the fresh century. She falls in love with a popular architect who is working to restore the castle she once lived in, but finds there are opponents plotting vs her. Giving in to her long pent-up sexual desires, Beauty cannot resist the lustful advances of both boys and girls and after 400 years, she's ready to discover everything and everyone!
Description: Behind our world, there is other — a globe of risky and strong creatures that rule their domain with deadly ferocity. When Lt. Artemis and her loyal troops are transported from our globe to the fresh world, the unflappable lieutenant receives the shock of her life. In her desperate war for survival vs enormous opponents with wonderful powers and unstoppable, terrifying attacks, Artemis will squad up with a mysterious boy who has found a method to war back.
Description: Adapted from two legends of the Nyaneka folks in southeastern Angola. Set during a time of famine, and with only two families surviving, the movie charts the struggle of Nelisita, a young boy who confronts the spirits with support from animals and his friends.
Description: Since time immemorial, the vast Ukrainian forests have harbored countless secrets and unfathomable mysteries. They are home to wondrous mythical monsters dwelling among ancient trees, faithfully guarding their sacred realm.
Description: Manchester, 1990. On a troubled estate, Alice is roped into babysitting for her neighbour, whose kids claim to feed a nightly visitor from Hell. Between gangland tensions, local superstition and drug withdrawal, Alice gotta decide whether to abandon her fresh wards or stay the night.
Description: A short fanatic movie based on the 2000 AD comic ebook storyline 'Strontium Dog'. Featuring a futuristic mutant bounty hunter 'Johnny Alpha' and his Viking partner 'Wulf Sternhammer'.
Description: Rakshaka Bhatudu is a Telugu film starring Prabhakar and Richa Panai in prominent roles. The cast also contains Brahmanandam Brahmaji and Chitram Seenu. It is a action drama directed by Vamshi Krishna Akella with Sekhar Chandra as the Melody composer forming part of the crew.
Description: In the 1940s, Muggles clashed in a violent globe war, but in the globe of wizards a much greater threat, hidden in the shadows since its birth, is about to sow fear and death. From the London shallows to the Ministry of Magic, no one knows the name of the evil that rages in the shadows. Elyana Ogden, recently certified auror, is entrusted with an investigation into strange series of murders. She does not suspect that her path will lead her to meet the most risky dark king of all time.
Description: The tragedy and curse of a family. A climactic duel with a dark and risky wizard. This is the moment that changed the fate of Albus, Aberforth, and Ariana Dumbledore forever.
Description: Briefcase Stevens (Christopher Michael Moore) is a homeless panhandler, but he's got a nice gimmick. Briefcase says everyone he's the Tooth Fairy and needs donations to give out to all the deserving toothless children in the area. It works like a charm, until he meets Lisbeth (Katelin Petersen), a road savvy eight-year old who doesn't trust a word of it. Annoyed that he can't fool one tiny girl, Briefcase bets a mate he can charm Lisbeth into believing he really is the Tooth Fairy. But in getting to know her, he's shocked to search out Lisbeth doesn't trust in God, or anything remotely "magical" like the Tooth Fairy or Santa Claus! Now, Briefcase gotta search a method to create the magic true and come through for a tiny woman whose fragile faith rests in his hands.
Description: The god Antiochus purchases a female slave for the gods Aphrodite and her brother Apollo. She is not only to perform the expected duties of a slave but is also to take part in the depraved sexual activities the two gods constantly engage in. What they don't know is that the slave is now Sappho, the exiled Cretan queen. They purchase other female slave, Katenga, and take them back to their home on Mount Olympus. When young Paris, who is in love with Sappho, hears about it, he shows up at Mount Olympus to test to rescue her, but fails and is taken prisoner by Aphrodite and Apollo, who test him in their perverted sexual games. Paris and Sappho seemingly go along with them, but are now plotting their escape. Complications ensue.
Description: In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and search themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal creatures plot his demise. This stomachic confusion makes him an simple prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a zone where the dissolution of all beings appears to be the only chance of communion.
Description: A hardened vampire hunter and a journalist travel to a village in Transylvania to investigate a mysterious happening that happened in Zalesky Castle. The duo are guided by a young Romanian woman and joined by a Korean tv reality present squad as they attempt to untangle the community’s secrets.
Description: Your plan is working perfectly; Convince your wife she needs a babysitter so she can store more, hire the hottest woman you can find, and when your wife is gone. . . ass fuck that babysitter till she can't sit down! Yes, these cute, young sitters are just doing it for the money, but you don't give a fuck!
Description: After The Children Are Asleep. . . It's Playtime! You've been fantasizing about this ever since your hired her. And tonight your wife had to work an hour late. Actually its just you and your hot tiny babysitter. That's just enough time for you to give her your fat cock to suck on and then spread her wide launch and she her what it's like to fuck a true man. As it turns out, she's been having the same fantasy about you! This is definitely the greatest thing about having kids!
Description: Living in bliss since their marriage, Fredo and Dyesebel are expecting their first child. Meanwhile, Betty who became a mermaid vowed to avenge herself waits for an occasion to carry out her revenge.
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As you watch the beginning of "Alice in Wonderland", pay close attention to the guests at the tea party. You might notice Martin Short and his companion, a boy placing two buns atop his head as if he were, say, a March Hare. Notice also the boy flirting with the girl at the end-you should almost call him a scurvy Knave. But enough with the plays on words. This ver of "Alice in Wonderland" was exceedingly well done. From the moment Alice falls down the rabbit hole to the moment she catches the apple, we are spellbound by the fantasy the movie has woven for us. Part of its appeal is its satirical notions. Consider the "caucus race", where everyone is cheating. Cynics of politics might accept with this. There is also the trial at the end, where the evidence is as insubstantial as a house of cards. One needs to watch the movie or read the novel many times to pick up all of the references!I enjoyed watching Alice's transformation from scene fright kid to confident young girl. It was a continuing thread that helped the storyline attain a greater lvl of continuity. Yet the most entertaining portions of the movie were those with Martin Short, Miranda Richardson, and Gene Wilder, to name a few. They held nothing back, which magnified the absurdities of their characters to the nth degree. Lastly, the featuring of the tea party at the beginning of the movie and the end helped tie it together. A well done film.
Alice's journeys in Wonderland have everytime been simple to visualize, thanks to Tenniel's classic illustrations; but they have been hard to realize. With pc technology at the state it's at at the turn of the twenty-first century, for the first time Tenniel can come to life in a method that doesn't look like animation.This is the greatest looking "Alice" ever. The backgrounds are consistently excellent. The passage from one episode to the another is suitably dreamlike. The computer-animated characters are superb.The cast is variable. Tina Majorina was a revelation as Alice. I had to check imdb to create sure she wasn't just someone like Reese Witherspoon, an older actress able to look ten years younger. Her performance was exquisite, even better than Fiona Fullerton's 1972 Alice.Martin Short was nice as the Angry Hatter (everyone has a favourite Angry Hatter from days past, and mine was Robert Helpmann from 1972, who also played the child-catcher in "Chitty Chitty Bang Bang"). All the royalty were good. Issues in the cast were Gene Wilder; it might've been his most understated performance since his droll turn as Willie Wonka, but nice as he was, he was nevertheless out of zone and looked ridiculous and uncomfortable in his costume. Too, though Whoopi Goldberg wasn't terrible as the Cheshire cat, the mission of her performance was to present Whoopi Goldberg as the Cheshire cat rather than the cat itself.The "Looking Glass" intrusions weren't out of place. A miniseries doing "Wonderland" one night and "Looking Glass" the next might've been nice, but the greatest elements were taken from "LG" and the effects don't look patched in. The cameos, again, are variable. Robbie Coltrane is an actor too tiny used and it's nice to see him anywhere; and though I might've preferred to see him in a dual role, he worked well with George Wendt as Tweedledum and Tweedledee. Christopher Lloyd was perfectly cast as the White Knight, but the White Knight got short shrift and was hardly worth sticking in at all, another than -- once more -- to say, "Look, we got Christopher Lloyd in a thankless role!". "The Walrus and the Carpenter" was not at all distracting -- and with Peters Ustinov and Postlethwait one would almost want for a entire film just about them.The problems, however, do hold it from being the authoritative "Alice". For one thing, someone thought it would be intelligent to add lines. In most filmed novels this isn't so bad, since the dialogue in ebooks serves a various purpose than the dialogue in movies. But Carroll's dialogue is so precise he might've been writing a play; and it's so well known that any extraneous line stands out like re-writings in "Hamlet". One gets the concept that the writers thought they were as intelligent as Carroll, and proved that the most notable thing about them was their collective ego.This led to particular difficulties with the caterpillar. Ben Kingsley was a nice choice for the role and -- like everyone else in the film -- was very good. But his part seemed altered enough to create one suspicious of the writers' intentions. The framing sequence wasn't terrible (again, perhaps a entire film with that cast in non-Wonderland parts would be wonderful), not as terrible as Carroll purists would say, but was unnecessarily preachy, as if the storyline had to have a moral at the end.A number of roles in the "Alice" ebooks should, when performed, have human performers: The Angry Hatter, the Lord and Queen and Jack of Hearts, the Duchess, Tweeledum and --dee, the White Knight, et. al. Some, since we have the technology, could be done by pc graphics, with popular voices, if need be. Star-studded "Alice" cars have appeared in the past: the top-heavy 1985 Natalie Gregory "Alice", for instance, where a popular actor's face had to be seen in each role; and the notable 1972 Fiona Fullerton bomb, where many of Britain's finest actors (including Peter Sellers and Ralph Richardson) made finished fools of themselves.Overall, this is the greatest Alice ever made (including Disney's). It has dreadful moments where popular actors are shoehorned into roles just to tell they're there. It has peculiar elements from "Looking Glass" mixed in at odd angles, but such as they are they aren't terrible. And it has a beautifully talented Alice. For those who aren't dogmatic about their Carroll, this is the one to see if you're looking for an "Alice" to pass an afternoon. And children, who don't know any better than we opinionated adults, will be delighted.
Lewis Carroll is a hard creator to adapt satisfactorily to the screen. Worse yet, most versions test to add some sort of lesson to the storyline that was never there to start with. This, too uses a ver that simply doesn't work. Alice does not wish to have to sing "Cheery Ripe" so the entire movie becomes about the importance of performing for an audience. That fails to really keep the movie together. Despite this, this is probably the best-looking ver of the two ebooks yet. It does neither what the Children's Theatre Company did in 1982, and test to exactly mimic Tenniel's illustrations, nor that of the Harry Harris production, in which the actors had to be recognizable so they wore easy costumes with pig ears or rabbit ears, etc. Here there is a mix of puppetry and mere suggestion. Many of the minor anthropomorphics simply bear resemblance to whatever animal they were supposed to be, such as there was the test (again) of an all-star cast. It frequently makes fun of the fact that many of the cast do not speak in an English accent, though the American actor testing Alice does. The film, however, has pretty cinematography and visionary effects. The early sequence in the library seems like the Halmis are trying to out-Gulliver their adaptation of Ebook III of Gulliver's Travels. The extreme visuals start with the giant metronome at the beginning and carry all sorts of unbelievable metaphor. Odd jump cuts and strange reflections don't look like goofs, but contribute to weirdness. A storm like _The Neverending Story_'s Nothing forces her to transport on in her dream globe to escape. The sped-up photography for the White Rabbit seems a nod to _El Gatto con Botas_, and of course, it's tied together like MGM's ver of _The Sorcerer of Oz_. Like all movies of these books, it has nice elements and poorly handled elements, and certainly there is no definitive version, but this is one of the more interesting ones.
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