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Description: Based on a famous scene musical comedy by Károly Bakonyi and Andor Gábor, the movie says the storyline of a young engineer who tries to construct a railway in his hometown, helped by the Count's daughter, Marcsa (Lili Berky).
Description: For many years the old Waller worked as a railwayman. After Waller is informed that "his" track will be closed down and that he will be retired, he walks the route for one last time and begins to remember his life along the way: Beginning in his childhood in the 1920s, he commemorates the death of his nice love as well as he recalls the legal war with his illegitimate daughter.
Description: A contemporary offbeat portrayal of a mixed lot of provincial folks before during and after a baptism, a funeral and a wedding ceremony. At the centre of theses happenings is a girl with unfulfilled ambitions, a questioning rebel of a man and an unconventional minister. Although seen through the eyes of a boy, this is a movie for adults, about adults.
Description: Loosely based on Diégo Brosset’s novel, set in the Sahara at the beginning of the twentieth century. A boy of the desert is adopted by some hunters and becomes a highly respected tutorial while trying to escape colonization.
Description: The life of Katherine of Alexandria. Constantine joins the Roman units to search his missing childhood friend. Once alerted to his friend's whereabouts, he prepares for an all out fight between the East and the West. Includes the last movie role of Peter O'Toole, who died before the movie was released.
Description: A group of young folks is in a bar to drink, and they are trying to select a storyline for the film they are decided to make, but their characters are not very pleased with the effects of it.
Description: Nico and Leo are getting married. Their whole family and both their exes are in attendance. Some of these are performing musical numbers on stage. But memories of the fight and the fact that Leo's mother died in a concentration camp keeps coming to the forefront.
Description: When seventeen-year-old Hannah stumbles upon a site about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the website founder, ButterflyAna. By the time Hannah's family realizes what is event and receive Hannah the support she needs, the illness has totally taken keep and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?
Description: A single bachelor, an oddly pretty neighbor and a famous women's magazine are the ingredients of this delightful romance that pays homage to classic Bollywood cinema while spinning a special modern love story.
Description: An Arab boy, Abdullah, loves his donkey, Bim, but other boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to slash his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud test to rescue Bim from the butcher, but robbers receive there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud scene one last rescue attempt with all of their mates to test to save Bim.
Description: This 1914 drama set in the WWI-era relates a heroic act carried out by a fight nurse for the Red Cross (Dora Tschitorina) who has witnessed the death of her husband (Ivan Mozzhukhin).
Description: A Professional sniper, Ryo has executed so many missions with his partner, Narushima. But Ryo is caught in between a multitude of emotions, when he realizes that his recent goal will be an old acquaintance of his.
Description: The Orinoko: main hero in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.
Description: Prantabh and Anand, associated with a news channel in Delhi, are in find of a large scam to prove a mission to their senior. A dead body accidentally lands up in their car.
Description: A girl disguises herself as a boy to avoid prosecution for murdering her lover fifteen years ago. She is the last living member of a wealthy Vienna family, and has spent the years after the murder traveling Europe with her female servant. Her travels deliever her with an anonymous cloak that allows her freedom of movement but tiny peace of mind. Nearing middle age, the guilt and weariness of an empty life has her contemplating suicide as the only method out of her dilemma.
Description: Paula and Edmund are peacefully married until she meets Nicanor, a composer who happens to be their neighbor. Edmund feels troubled after seeing Paula seeing interest in Nicanor. Should it be that Nicanor is the boy who will destroy their lives?
Description: Rudolf is imprisoned for a crime he did not commit. He attempted to escape many times but was unsuccessfull, he realizes that he is in for the long haul and decides that his wife Sandra could remarry for the sake of their kids Music and Tag who have been made to trust anyway that he is already dead. Many years has been passed he was informed that the true culprit has been caught and he is being released. However, instead of being happy, he is saddened by the fact that he cannot go back to his family anymore. Nevertheless he pretends to be a piano tuner so that he can visit his children.
Description: A washed up Hollywood director is trapped in a remote castle by his own fears until the comeback of a mysterious girl offers him possible salvation. Inspired by Dostoevsky's 'Notes from the Underground', Johnny Walker attempts to respond the burning question: Is living a long life vulgar, immoral or just plain terrible manners?
Description: It's cold up on Mount Manjaca. "In the winter it snows, there's nowhere to go," tells the central figure in Celebration. "We have to wait until someone comes to clear the road. Sometimes they come, and sometimes they don't." He diligently ploughs the knee-high snowdrifts as the wind howls at his ears.
Description: A magical realist storyline of the legendary Okinawan character Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.
Description: Peter and Chloe, a young married couple from Fresh York, decide on impulse to take a belated honeymoon on-board a research vessel en route to the icy wastes of Antarctica. Not long into the journey, Chloe starts to feel neglected and betrayed by Peter, who is focused on gathering notification for an article he plans to publish on their return about the work of one of their fellow passengers, the whale biologist Roger Payne. After an unforgivable betrayal of believe by Peter, Chloe turns their fledgling marriage upside down by moving into her own room and staking out her independence onboard the ship. Drawing attention to the poles within every of us, the impressionistic storyline oscillates between the super-confined interiors of the ship and the vast launch territories of Antarctica. In the end, it's not until Chloe and Peter are lost - perhaps literally, perhaps metaphorically - in the Antarctic ice that they explore how essential one is to the other.
Description: Ivan is Russian, his neighbor Assan is Kazakh. They live in a tiny village in Kazakhstan. When Ivan's wife gets pregnant and gives birth to a brown boy, he suspects that she has been cheating on him with Assan. Half a year later, Assan's wife gives birth to a ginger boy. Whom betrayed whom? A conflict is sparked that won't totally rest for 15 years.
Description: A female firefighter joins the all male team of Blue Watch, Blackwall Fire Station East London in the Jack Rosenthal penned movie that launched the long running TV series.
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It's basically the storyline of a girl who tries to begin a fresh life when the past comes to her in person and haunts her till she has to fake her own death. It sheds light on girls trapped in relationships that they cannot escape from, especially in the Indian society. If you are into bollywood movies, this film is a gotta see. The songs are decent but can be skipped. In today's globe where the name "Bollywood" reminds us of half-clad helpless actresses whose only purpose in the film is to yell for support while the macho actor comes from nowhere and rescues her, this film gives Bollywood viewers yet other reason to be patient and wait for films such as these. Even though there are moments in this film where the main actor rescues the actress from her "past", there is definitely a plot! Manisha Koirala and Nana Patekar especially give us a stunning performance and the rest of the cast do a decent job too.
Hollywood film - Sleeping with the Opponent (1991) starring Julia Roberts, Patrick Bergin and Kevin Anderson presented the storyline of a runaway wife who has to run away because of her abusive husband and then she finds her soulmate in the form of another, better boy who does not take his love to absurd possessiveness culminating in abuse of his spouse. This storyline concept impressed Bollywood filmmakers so much that within a several years, many Bollywood adaptations of this storyline came on the Indian screen viz. Yaaraana (1995) featuring Raj Babbar as the villain, Agni Saakshi (1996) featuring Nana Paatekar as the villain, Daraar (1996) featuring Arbaaz Khan as the villain, Koi Mere Dil Se Poochhe (2002) featuring Sanjay Kapoor as the villain etc. Among all these, Agni Saakshi emerged as the greatest adaptation of the Hollywood film and therefore, it proved to be a box office grosser whereas the another ones flopped. I watched it twice in the theatre.Agni Saakshi (the sacred fire as the witness) says the storyline of Shubhaangi (Manisha Koiraala) who is now a runaway bride with her true name being Madhu. She was married to Vishwanaath (Nana Paatekar) who though loved his wife was overpossessive about her and there was a sadistic abnormality in his personality. Madhu actually rechristened as Shubhaangi comes into contact with Suraj (Jackie Shroff) who immediately falls in love with her and marries her. However the marital bliss of Shubhaangi aka Madhu proves to be short-lived when Vishwanaath who was made to trust that Madhu was dead, finds her and then demands her back from Suraj on the ground of himself still being the legal husband of Madhu. After many dramatic and thrilling incidents in the narrative, Shubhaangi aka Madhu gets rid of him to spend her life happily as Suraj's wife.Writer Ranbir Pushp and director Partho Ghosh have handled the storyline very well and after devoting some footage to the romantic track of Shubhaangi and Suraj as well as that of Shubhaangi's mate Urmila (Divya Dutta) and Suraj's younger brother Ravi (Ravi Behl), does not let the audience to yawn even for a moment. The breathtaking narrative keeps the audience thoroughly engrossed for the major part of the movie. This 142 mins long film is highly entertaining, there's tiny doubt about it.The largest USP of this film is unarguably Nana Paatekar who is a natural actor and is able to infuse life into any role assigned to him. He has brought the overpossessive abusive husband Vishwanaath alive on the screen and turned this film into an extra-ordinary one which cannot be categorized with the run-of-the-mill items made in plenty in Bollywood. His scenes and dialogs have been written with care and attention and his mesmerizing performance has made each stage featuring him a highly impressive one. If not for anything else, this film can be watched at least or his sake.The director has exasperated the sadistic love of Vishwanaath for his wife with finesse. The audience wants to hate the abusive husband but cannot because this sadism includes an indirect element of comedy also. Despite feeling sympathetic for the aggrieved wife, the audience cannot support but laugh at the mannerisms of the husband who is apparently the villain of the story.Other than Nana also, the director has been able to extract natural performances from his cast. The second greatest performer is Manisha Koiraala who has excelled in the role of the aggrieved wife who has no option but to run away from her abusive husband and adopt a second identity to live the remaining part of her life peacefully. She loves her second husband from the core of her heart but is very much concerned for his well-being and security which is in danger because of her first husband's chasing her. Manisha was very pretty in her twenties and her performance in this film is one of the greatest performances of her career. Jackie Shroff is fine as the character though his tragedy is that the villain has got a higher profile than him in the movie.Nadeem Shravan have composed nice melody for Sameer's lyrics. Jaana O Jaan-e-Tamanna Tu Meri Gulfaam Hai, O Piya O Piya, O Yaara Dil Lagaana, Waada Karo Dil Se Kabhi Door Nahin Jaaoge Tum, Mujhko Dildaar Yaar Aisa Chaahiye, Ab Aankhen Band Karo etc. are all reasonably nice to listen and enjoy.Summing up, Agni Saakshi is the greatest Indian ver of Sleeping with the Opponent which is damn entertaining and likable by all genres of audiences. I suggest this thoroughly entertaining thriller film to not only the fanatics of Nana Paatekar but the film buffs in general also.
'Agni Sakshi' is the second clone of the Hollywood hit 'Sleeping with the Enemy' after 'Yaraana' and surprisingly this one is far better than the previous clone.The plot is just the same as the original but honestly, the plot is nowhere near the original. 'Agni Sakshi' is packed with lots of twists and turns which would surely engross the audience.Coming back to the plot, it says the storyline of a girl named Shivangi who tries to forget her past and begin her life anew by marrying a type and rich guy called Suraj. But Shivangi's past comes to haunt her back as her abusive husband (whom she marries before marrying Suraj) comes back from nowhere to claim his possession. Will he succeed in taking her back or will she war back? As for the production department, this film is absolutely well-handled with a great screenplay and brilliant direction. Partho Ghosh could be applauded for his attempt in remaking a Hollywood thriller without ripping it off scene-by-scene and dialogue-to-dialogue.Acting is nice of almost all the actors. But amongst them, Nana Patekar and Manisha Koirala steal the present with their natural acting talent. Nana is absolutely convincing as the violently possessive husband. Manisha plays her part with diligence. Jackie Shroff is good. Ravi Behl and Divya Dutta have nothing to do.Music is brilliant. 'O Yaara Dil Lagana' is my favourite song in the movie. Editing is up to the mark. Cinematography is perfect and standard. But the choreography and costume designing department in the film were a letdown.Despite a several drawbacks, this film is a gotta watch. It's a nice time-pass flick that should be enjoyed with family.
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