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Adolphe 2002
Description: In the nineteenth century, Adolphe, a young boy of twenty four carefree years, plans to receive favors Ellenore, a pretty girl of thirty years, much more vulnerable. This yields to his advances and he disclaims all. But already, Adolphe loves less. Yet the concept of ​​the pain is unbearable.
Released: 30 Oct 2002 Director: Benoît Jacquot Writers: Benjamin Constant (novel), Benoît Jacquot, Fabrice Roger-Lacan Actors: Isabelle Adjani, Stanislas Merhar, Jean Yanne, Romain Duris Genres: Drama
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Adolphe Reviews:

This film has not been released yet in the U.S. and who knows if it ever will be. Fortunately, I have a multi-region DVD user so I ordered the DVD from amazon.fr. I enjoyed "Adolphe" very much. The storyline is quite sad (A young boy pursues a pretty older woman. She in turn becomes obsessed with him, even leaving her own kids for this doomed affair.) but engaging and difficult to forget. Isabelle Adjani shines as the tragic Ellenore. Ms. Adjani hasn't been in the public eye since the mid-90s (except for 2001's "La Repentie") and I'm thrilled to see my favourite actress back in such a challenging role. The film itself comes across more like theater than movie - its very minimalist. Such technique, keeps one focused on the storyline but may come across as boring to viewers used to big-budget productions. The attention to feature in the costumes and another peroid informations is very good. Hopefully this movie will eventually be shown outside France for the rest of the globe to enjoy. Until then, if you have a multi- region DVD user or a pc than can view region 2 DVDs, you can order it from amazon.fr. If you're a fanatic of Isabelle Adjani and her work in such movies as "L'historie d'Adele H, Camille Claudel and La Reine Margot, you wont be disappointed.


Perhaps I am to blame my unfamiliarity with the original novel by Benjamin Constant (1816), but this film turned out to be one of the most boring games that have graced my eyes. As a fanatic of French cinema in general, and Adjani in particular, I was eager to watch this `movie about nice tragic love' (as I was said by folks who suggested it). As I watched this movie, I realized that I've been tricked, misinformed: there's no such thing as `love' in this movie, just appalling lust. Basically, to sum it up, this is a shot at the time-old storyline of a boy who falls for a woman; girl sleeps with the man; boy stops caring about the girl yet sticks with her `out of principle'. Meanwhile, the viewer is forced to sit though a nice hour and half of Adjani's lamentations (which got tiring after the first 20 mins of the movie) and with the male lead that `floats' around mumbling quasi-meaningless clichéd observations while being about as expressive as a log. Nothing really happens in the film (which should have been easy shortened two-folds), and when the credits finally begin to roll the only thing that redeems this piece of cinematic work is the fact that it finally came to an end. Ultimately, the storyline as it is presented by this disappointment of a film feels like a distasteful ver of Eugene Onegin (even though Adolphe was written slightly before Pushkin's chef-d'oeuvre), minus the parts that made Onegin exciting and thrilling.1/10


receives a 1, instead of a -0- due to the quality of the actors. the amazingly pretty Isabelle Adjani as Ellenore, an incredibly boring, one-dimensional, stupid woman. Stanislas Merhar, who delivers an incredibly un-nuanced performance as the moronic "Adolphe". the usually everytime unbelievable Jean Yanne in a wasted performance as The Count. Romain Duris, as usual, an perfect performance as the effeminate D'Efeuil; and the fabulous Jacquot muse, Islid Le Besco as a wasted bit player, La Lingerie. i spend time on the actors because of the incredibly UNtalented directorship of M. Jacquot! where his reputation comes from is a large question mark? however, he does have the special talent of both choosing very unteresting topics, then making every of his films very very boring, droll, and worst of all, he simply does NOT know how to say a storyline in a method that "doesn't" place the viewer to sleep; OR, he thinks of himself as a genius and selects subjects, (only) he believes, will be of interest to the viewer. after having seen, now wasting time, 3 of his films at a Benoit Jacquot festival at Lincoln Center, NYC June-July 2006, i can unequvically say, he may be the worst director, or the most boring, of the last 35 yrs!!! it's a shame, so many fine actors have been gulled to appear in his odious interpretations, & hopefully, he will retire, left to watch his own boring work, which could easy place even him to sleep, as most of the audience in attendance at this "Festival" were?!



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