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A Woman's a Helluva Thing 2001
Description: After the death of his estranged mother, a womanizer discovers that they had a lot in common.
Released: 13 Jun 2001 Director: Karen Leigh Hopkins Writers: Karen Leigh Hopkins Actors: Angus Macfadyen, Penelope Ann Miller, Ann-Margret, Kathryn Harrold Genres: Comedy, Drama, Romance
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A Woman's a Helluva Thing Reviews:

The most frustrating movie in the globe is one that has a nice cast, nice story, and nice production values -- but never quite clicks. That's this film.Angus MacFadyen plays Houston, a Coloradan who owns and edits a "Maxim"-like men's magazine that focuses on beer, cigars, breasts and fart-jokes. He's got girls coming out his ears -- a hot blonde who is a model, a hot blonde with a son who sees him as husband-material, etc. When Houston's mother -- a girl he hasn't seen in seven years and hasn't even talked to in five -- dies, Houston heads to the funeral. He meets up with Zane (Penelope Ann Miller), his ex-girlfriend from ten years ago. But later Houston finds out that Zane has been called executor of his mother's estate. Worse, Zane has been his mother's secret lesbian lover for the last three years.The movie follows Houston's emotional evolution as he comes to term with his mother, his dead father, his family history, and Zane.In some ways, however, the movie hacks just a tiny too much. Houston is supposedly a ladies' boy (although MacFadyen is a tiny too chubby and too average-looking to be believable in this), an outright misogynist who thinks girls could be barefoot and pregnant. Houston is set up almost as a caricature: He blames his mother for his parents' divorce, he idolizes his father, he believes his father's tall tale about shooting a grizzly bear six times on the family ranch-land, he is a homophobe, he holds his family's land in the sort of awe only in the method that folks who've never cared about land can do.All of Houston's come-uppances are similarly a tiny too pat. Houston is traumatized by Zane's admission of lesbianism, and yet soon Houston sleeps with twins who engage in lesbian sex in front of him -- to his utter horror. Houston hauls the stuffed grizzly bear around -- only to search out that it was fake and made in Mexico. Houston believes his father was a god-fearing, honest, decent boy -- only to search out he was a wife-beating adulterer who cheated and lied his method through life.MacFadyen tries valiantly to rescue the hero of Houston by humanizing him, making him less of a creature than the script calls for. But he's not a powerful enough actor to quite pull it off, and the script fails him time and time again. There is a stage where Houston triumphantly holds a wet t-shirt contest on his family's land, offending Zane and her liberal sensibilities. Houston kisses the winner, a buxom brunette. But of course, "she" is a transsexual, and Houston can't trust he just "kissed a guy." Although somewhat funny, the stage destroys the credibility of the storyline. And MacFadyen simply can't create the hero seem believable or honest with such material. The movie tries to create Houston more honest by giving him a love of "the land," a love for historic territories (he's anti-development), and a strong feeling for his family history and roots. But vs the background of the rest of the character, these feelings come off as specious.Penelope Ann Miller, however, is just outstanding as Zane, the rejected lover who becomes a lesbian. She has just the right amount of gravitas for the hero without turning preachy or heavy. In the key scene, where Zane explains why she became the mother's lover, Miller plays the role with such sensitivity and sincerely that you, too, feel the surprise and innocence of Zane's decision -- just as Zane did. Zane is no closeted lesbian or confused college student who sleeps with the mother out of spite or jealousy. This is someone who found a true mate in the mother during the relationship with Houston, continued that after the break-up, and then unwittingly fell in love (to her own surprise).Ann-Margret is largely wasted as Houston's step-mother, Claire, a greedy Fresh Age bitch who can only see land development deals and cash as she manipulates Houston into seizing control of the land from Zane. You also receive the feeling that a lot of her scenes are missing from the final cut. There are odd references in the dialogue that seem to refer to scenes that aren't in the movie. Much of the legal war in the final 45 mins of the movie revolves around conversations we've never seen. Indeed, this hurts the development of both the Houston and Claire characters. The exposition and plot development that could have been there is missing, making the characters leap from action to action and emotion to emotion seemingly at random or without much reason.Indeed, this is a trouble with the whole film. The tiny inconsistencies turn what should have been a truly outstanding movie into one that has all jets burning -- but never leaves the ground. It has wings, but never flies. An improved soundtrack (it's so nondescript, you would swear there isn't one), better editing, a better writing would have greatly helped.It is pleasant enough. But go to a matinee, not the full-price evening show.


The sound in this film is a nightmare. That is the greatest I can tell for this movie. Any possibility of a nice storyline is lost once this movies starts. The premise of the movie sounds good. A playboy who comes to terms with the folks around him. The plot is predictable and very dull. The wet T-Shirt contest may be the worst stage I've ever watched and is almost worth watching in a Mystery Science kind of deal. The sound is at times difficult to hear and the main actor seems to not know how to speak clearly. His accent makes him very difficult to understand. The only bright sport is the acting of Penelope Ann Miller. Her role is underdeveloped but she plays it well. In short, do not waste your time.


Topics matter: Worthwhile Acting: Fair (some of it) Plot: Ridiculous Details: Sound goes from screechingly high to nearly inaudible; melody is not altogether terrible (but mostly is); dialog and characterization are laughable; the main character's process of discovery is blindingly obvious to everyone but himself (and the writer, apparently); animal scenes are just plain stupid (singing "Moon River" in an off-key, forgotten-lyrics, silly duet to a "herd" of wild boars for hours, as one example). Finally, the "wet t-shirt" contest is so over-the-top silly that it has to be seen to be disbelieved. (Hint: The 'girl' who wins is not a ... well, I'm not giving that away.)



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