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A Midsummer Night's Dream 1999
Description: Shakespeare's comedy about two couples in love with the wrong partners, and how they are finally brought together rightly, thanks in part to the bungling work of Puck. It is fully in the language of the Bard, with Pfeiffer as the Fairy Queen and Kline as the one turned into her evening's lover with donkey ears.
Released: 14 May 1999 Director: Michael Hoffman Writers: William Shakespeare (play), Michael Hoffman (screenplay) Actors: Kevin Kline, Michelle Pfeiffer, Rupert Everett, Stanley Tucci Genres: Comedy, Fantasy, Romance
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A Midsummer Night's Dream Reviews:

I have seen criticism of this film telling that the language could have been changed to our post-modern English instead of being the original late-middle/early modern English that Shakespeare used. But those who tell that miss the mission that what makes these plays so superb IS the language that Shakespeare used, and to change it would be to crash the movie.Anyways, the acting is marvelous, as it could be from such a cast as this. Michelle Pfeiffer plays the part of Titania with the utmost perfection. Kevin Kline as Nickname Bottom is equally as good, and the two end up having a chemistry that is unmistakable (even if he is an ass at this point).The directing is also nice - almost as nice as the acting, if not as good. Costumes, sets, everything with exception of there being headlights on the bicycles, is perfect. Michael Hoffman truly pulled of a nice feat with this movie, and I would suggest it to anyone.Also, on a side note, if you have problem understanding the language, though it be English, watch the DVD and turn on the subtext.


I'm a professional live theatre stagehand. Folks who are too centered on films will have a difficult time with this picture. If you should see the original first run performance of this enjoy in Elizabethan England you would think you had stumbled into an over-costumed poetry reading. If the film is difficult to follow test & imagine what viewing that enjoy would be like. It is the measure of Shakespeare's greatness that actually 400 years soon & in a medium born of photography that this best of fantasies still rings true. Test to present some respect; Shakespeare defined modern English. In comparing the lines to the original I thought that the adaptation was sensitive & well thought out. Simplified to fit the movie medium but not sacrificing any of the truly nice lines that actors drool over. The fairy globe sets seemed cramped to me & reminded me of Cocteau's Beauty & the Beast. I personally found the setting of the film in turn of century Italy type of fun. Resetting Shakespeare in times & territories another than he wrote is cute much standard practice. The bikes & the phonographs were amusing to me & generated some fun business for the actors. Kevin Kline was perfect as the ass. He got you to sympathize not pity or deride. In fact the entire amateur troop was memorable. Stanley Tucci was the quintessential Puck. Calista Flockhart threw everything including the kitchen sink into her part. Don't accuse her of overacting though; you'll only give away that you have never been deeply in love. Michelle Pfeiffer was radioactive beautiful, probably fatal closer than ten feet. Rupert Everett maintained excellent believability in a hard part which is essentially help for Puck. As an respond to anyone who thought that things were a bit oversexed. The Renaissance was all about the rediscovery of the fact that folks are noble & beautiful, not sinful & ugly. Shakespeare was one of the best products of the Renaissance. The film is real to those Renaissance ideals. To sum up; a class act & class acts are not for everybody.


As a general rule, I normally don't post comments unless I have enough time to write a thorough review, and have given it much thought before hand. I'm sorry, but even though it's 2am, I can't bear to go to sleep and allow the review before me just sit there. Obviously the reviewer before me seems to have no concept that the complicities that arise from the different plots go back to Shakespeare himself - and it is a nice achievement by this movie to manage to hold all the plates spinning and all the stories interesting.I am amazed by this film. I am a life-long Shakespeare fanatic and it's nice to see a faithful American production. The British/American cast all worked fantasically well together - Christian Bale, Anna Friel, Dominic West, and Calista Flockheart were all perfectly cast as the four lovers. The fairies and the actors both worked very well to frame the storyline - and the director has managed to hold it both visually special and incredibly entertaining.I'm not quite sure why they decided to change the zone from Greece to Italy, but in an age where Kenneth Branagh is trying to create a 1940s musical out of Love's Labour's Lost, I say, the changes should be a lot worse. All in all, this is a very impressive adaptation. I'm just satisfied to see that Shakespeare hasn't lost his appeal to modern audiences.



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