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...à la campagne 1995
Description: In this French drama, an urban professional gives up his fast-track life in favor of the quiet of country life. Benoit actually lives as a toymaker who sells minigames at his chic Paris art gallery. The movie opens with young Lila as she is being released from prison. Immediately, she sets out to see her sister in Brionne, a small Normandy town. As later as he sees her, the rather quiet Benoit falls in love. Eventually, the emotionally scarred young girl falls in love with him too. Later they transport in together, and Lila gets to meet his ne'er-do-well friends. The couple are very satisfied for a while, but when Benoit's gallery goes belly-up, he starts acting strangely, leaving Lila feeling very unsure. Eventually she leaves him. Benoit then struggles to cope with his depression; after many drunken nights, a lost dog supports him search the peace he has been searching for.
Released: 05 Apr 1995 Director: Manuel Poirier Writers: Manuel Poirier Actors: Benoît Régent, Judith Henry, Sergi López, Jean-Jacques Vanier Genres: Comedy, Drama, Romance
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...à la campagne Reviews:

This effort from Manuel Poirier includes a several details typical from him, especially as far as the zone of the storyline is concerned. As its game indicates, "in the country" takes zone in the opposite side of the town and it is obviously a zone where Poirier feels deeply attached to and which he seems to know like the back of his hand. The Norman country is rendered with precision and precision. The description the director makes of the inhabitants' manners and customs would virtually be worth of an entomologist's.But where Poirier strikes is where he leads the spectator: to an unexpected progression. "In the country" has a surprising screenplay because it doesn't exactly obey a Cartesian logic and it doesn't submit to narratives conventions. Indeed, it changes storyline while keeping a homogeneous tone. In the beginning of the film, we trust that the film will essentially concentrate on Lila's journeys in the tiny city of Brionne and its surroundings. It's real in the first part of the movie: she meets Benoit, falls in love with him and decides to stay in his house. But in the middle of the movie, she leaves him without any explanation (however, before that, Lila had allow recommended in one sequence,in front of her sister that she didn't feel at home in Brionne and she wanted to leave). From then onwards, Lila disappears and Benoit becomes the main character. In spite of the help of his friends, he suffers from Lila's absence. Poirier chose this somewhat disconcerting structure for a better approach of his characters. By sketching them like Cédric Klapisch with irony and tenderness, the director listens closely to their issues whatever they are and I think the message he tries to convey is quite eloquent: the characters feel lonely deep inside them and find to take advantage as much as possible of precious positive things like love and friendship. Poirier demonstrates in a conclusive method that these two things are temporary but efficient cures vs loneliness and sadness. On other extent, even in sad situations, the film doesn't forget to contain comical moments (when all the animals come into Benoit's house, it nearly looks like Noah's ark).Overrall, this delicate and sensitive film finds itself half-way between a portrayal of the customs and a praise to love and friendship. If you have seen and been enthusiastic about the reviving "Western" (1997) from the same Manuel Poirier, you may wish to watch this film.



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