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A Guy Could Change 1946
Description: A playboy is reformed by his daughter and fiancee.
Released: 27 Jan 1946 Director: William K. Howard Writers: F. Hugh Herbert (story), Al Martin Actors: Allan Lane, Jane Frazee, Twinkle Watts, Robert Blake Genres: Drama
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A Guy Could Change Reviews:

Allan Lane becomes a young widower when his wife dies in childbirth.... He changes into a sour playboy unwilling to receive close to any girl again nor even his own daughter he farmed out to his sister and brother-in-law for 8 years. The loving tiny tyke pays an impromptu visit to his newspaper publisher boss pleading with him not to work her father so difficult that he never has any time for her. Meanwhile, a young drive-in car-hop he's taken a shine to puts him in his zone when he makes advances to her, which gets him to wake up to the quality of life he's been leading. Just when things begin looking up for him, his lady-friend's risky past catches up to them.... You will care about what happens in this tiny known movie gem because Allan Lane is very likable as is Jane Frazee and they enjoy their roles in a seemingly effortless and very convincing manner, as does the child. It's nice how much loving feature can be seamlessly packed so economically into a 65 minute feature. The memorability of its lead characters and cases tells a nice deal in favor of this highly competent and entertaining modest film. They don't create even A details half this nice any more!


The nice thing about watching old be films is finding actors you've never heard of, and in the situation of this Republic programmer, that somebody is Twinkle Watts. She's not as pretty she pi as Shirley Temple or is precocious as Margaret O'Brien, but there is something unique about her which is perhaps the fact that she is as much of an adult, or even more so, then her on-screen father, here enjoy by Western Star Allen Lane. Widowed on the day that twinkle was born, Lane is an embittered widower, working difficult in his career as a reporter and apparently seen around city with each single blonde that he can receive to go out with him. Lane's sister, Mary Treen, and her lazy husband Wallace Ford, have taken in Watts to raise her but any effort to receive Lane to even spend any time with her has fallen on deaf ears. It takes a nice girl to launch Lane up to starting to test to have a relationship with his daughter, and in this situation it is troubled drive-in waitress Jane Frazee, hiding a past that suddenly comes back to haunt her.Republic Studios made many Straight Talk indie movies throughout the 1930s through the 1950s, and in seeing these movies 60 years after they were made it is nice how new their scripts seem. They do not talk like characters made from a normal film script. They talk like regular folks do, having conversations like any grown-ups would with their kids and every other, and not at all sounding like actors reading lines off of a script. The comic relief goes naturally to train and Ford, testing on antagonistic married couple who insult every another believably yet obviously are meant to be together. They are a forerunner to the 1950s TV couple the bickersons, and deliever plenty of amusement. Adele Mara, one of Republic's rising young starlets, is quite striking as one of Frazee's co-workers. The only trouble I had with this movie is the sudden involvement of Frazee's ex-husband, an imprisoned bank robber who chooses the moment of her finding happiness to escape from prison, a plot twist that seems too convenient to happen just out of the blue. But another than that, this is a entertaining B movie that details a kid actor whom I would like to see more of.



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