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Description: First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a several short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Everyday Telegraph of London as being ‘as close to the excellent dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the entire theatre is under a wonderful spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’
Description: Young Gloria's father and mother go out for the evening to see a tv broadcast (yes, there was tv in 1941!). Gloria's grandfather entertains her with stories about his days in vaudeville, and viewers see some of the musical numbers he performed with Gloria's grandmother those many years ago.
Description: 1 "Today" (Brenner, Harris, Hollis, Webb) – 3:30 2 "Have You Heard the News" (Hollis) – 5:04 3 "Talk Talk" (Hollis, Hollis) – 3:15 4 "My Foolish Friend" (Brenner, Hollis) – 3:18 5 "Such a Shame" Hollis) – 5:22 6 "Dum Dum Girl" (Friese-Greene, Hollis) – 4:02 7 "It's My Life" (Friese-Greene, Hollis) – 3:51 8 "Give It Up" (Friese-Greene, Hollis) – 5:19 9 "Living in Other World" (Friese-Greene, Hollis) – 7:00 10 "Life's What You Create It" (Friese-Greene, Hollis) – 4:25 11 "Happiness Is Easy" (Friese-Greene, Hollis) – 6:29 12 "I Trust in You" (Friese-Greene, Hollis) – 5:55 13 "Desire" (Friese-Greene, Hollis) – 6:56 14 "Life's What You Create It" [live from the Hammersmith Odeon] (Friese-Greene, Hollis) – 4:40 15 "Tomorrow Started" [live from the Hammersmith Odeon] (Hollis) – 7:45
Description: When a wealthy Turkish aristocrat arrives in a humble Italian town, the married girls roll their eyes in delight, their rival lovers lose out, and the husbands rage with jealousy. These may be silly clichés, but they are the topics of IL TURCO IN ITALIA and the composer plays with them – quite deliberately. He knows that he is putting archetypes of Italian comedy on scene with figures such as the exotic lady-killer Selim, the young girl Fiorilla, who is chained to the stove at home, but adventurous, and her husband Geronio, who is ridiculous because he is much too old – and relishes the ironic exaggeration. Franz Welser-Most conducts the Zurich Opera House Chorus and Orchestra in this performance of Rossini's opera buffa.
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Description: Joan Jett & The Blackhearts help I Love Rock 'n Roll with a 30-minute concert filmed in Dortmund, Germany in 1982 and aired on Rockpalast. Setlist: 01. Intro by Fritz Egner 02. (I'm Gonna) Run Away 03. Wooly Bully 04. Victim of Circumstance 05. I Love Rock 'N Roll 06. Nag 07. Crimson and Clover 08. Do You Wanna Touch Me 09. Scream
Description: During a career that stretches back to the mid-’80s, Matthew Sweet has never followed trends, though his landmark 1991 album "Girlfriend" was responsible for starting one — its bone-dry, caterwauling sonics opening up a wild and picturesque fresh terrain for restless singer/songwriters to inhabit and explore. On Tour is a melody and performance tool recorded live on zone at local venues in PA, NJ & DE
Description: Starting in the early nineties in Eastern Europe, an Asian fungus has gradually conquered the European continent, infecting almost all ash trees. The symptoms are very severe, many situations leading to the death of most trees. As a result, it is assumed that the ash tree in Europe will later be close to extinct. Choreographer and dancer Dagmar Dachauer was inspired by the sad faith of the European ash tree, and linked it to the private loss in her own life. Finis est cinis: Ash is what remains. Ash is a eulogy for the ash tree and for Prasthan Dachauer, who passed away in 2016.
Description: Ancestors of melody videos, YANKEE DOODLER, ROSIE THE RIVETER, and DEAR ARABELLA were made during Globe Fight II for coin-operated jukebox devices found in restaurants, bars and train stations. On built-in glass screens, they projected 16mm movies of artists performing famous tunes. These examples, although not in excellent condition, are time capsules of their era. William Frawley was a vaudevillian and musical comedy performer decades before he played Fred Mertz on I Love Lucy.
Description: Sorceress is the twelfth full-length studio album by the Swedish progressive death metal band Opeth. This premium DVD contains a 5.1 surround sound mix of the whole album.
Description: Pale Communion is the eleventh full-length studio album by the Swedish progressive death metal band Opeth. This blu-ray contains a 5.1 surround sound mix of the whole album.
Description: Damnation is the seventh full-length studio album by progressive metal and progressive rock band Opeth. The album was remixed and remastered and presented with a 5.1 surround sound mix of the whole album.
Description: Deliverance is the sixth full-length studio album by progressive metal and progressive rock band Opeth. The album was remixed and remastered and presented with a 5.1 surround sound mix of the whole album.
Description: 4 × DVD, The broadcast of the largest benefit concert in history, organized by Bob Geldof and Midge Ure to raise funds for Ethiopian famine relief. This entry is for the compilation box set released in 2004.
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Other slice of the time capsule is what 65 Revisited comes down to- a capsule from the 'Don't Look Back' documentary, where Pennebaker place his practically objective 16mm lens on Dylan and what might be considered his crossover period (I tell 'practically' since it's right before his electric switch, which may or may not had happened on the tour, it might've not, I can't tell yet till I listed to the commentary). What's so nice about Pennebaker's movies of Dylan- this shouldn't be considered any more or less than what DLB gave its audience which was unfiltered Zim up on the screen, is that he has the fly-on-the-wall approach. He's just there, and Dylan is just there (or is he?) and aside from the pretty acoustic performances given, we see a Dylan- even more in Revisited arguably- jovial and kidding around. A reporter asks him "What will you be doing in the future?" Dylan says, with a grin, "Sleeping, about 60 years." There are also the moments of downtime with Dylan and Joan Baez in a room improvising some folk tunes, or Baez just softly singing as Dylan goes feverish on the typewriter. The structure also goes a method to represent the structure, if there is any, to traveling on the road, one zone merging into the next, a long continuous chain. At one mission we see Dylan a tiny ambivalent with fans, but who's to tell if he'll meet the same fanatics when he comes to Birmingham, or Sheffield, or some another tiny town? Prophet? Probably not, but with something to tell and sing and play. It's relatively short, but you receive a very cool offering as an additional on the Don't Look Back DVD (or, if you had the chance, for one week only at the IFC in NYC), as there's just a tiny more added to the plate of Dylan-lore, and a look that strips down, if only a bit, the myth-making that surrounded Dylan in the 60s. It's raw documentary film-making at its best.
65 Revisited (2007) **** (out of 4) D.A. Pennebaker took outtake footage from his DON'T LOOK BACK to make this 65 minute documentary, which should be named a sequel to that landmark film.Most of the time when you hear outtakes you just think of material that wasn't nice enough to create it into the current film but that's certainly not the situation here and this film is right on the tag of the original. There's some really wonderful footage here, which contains items with Dylan off the stage. One of the highlights is a stage where Dylan and his buddies go shopping. Of course, if you're a die difficult Bob Dylan fanatic you're going to wish to hear the melody and there are few nice concert performances here. It's All Over Actually Baby Blue and It's Alright Ma (I'm Only Bleeding) are just two of the terrific performances captured here.65 REVISITED might as well have been named DON'T LOOK BACK PART TWO. If you're a fanatic of the original movie then this here is certainly a gotta see.
This collection of 65-minutes worth of outtakes and musical performances that weren't included in the classic Bob Dylan documentary "Don't Look Back" proves to be just as compelling and substantial as that landmark movie. Director D.A. Pennebaker's stark no-frills fly-on-the-wall approach evokes a bracing sense of raw intimacy and immediacy as we see Dylan and company travel around England, perform songs in concert, and chill out in hotel rooms in between gigs. The concert footage seriously smokes, with Dylan delivering spot-on passionate performances of such terrific songs as "It's All Over Actually Baby Blue" and "It's Alright Ma (I'm Only Bleeding)." Moreover, the scenes with Dylan either harmonizing with Joan Baez on an impromptu song or going shopping for clothes with his entourage present Dylan at his most laidback and likeable. Perfect stuff.
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