See 49 UP.
See 56 up 2012 dvdrip xvid wide cd.
See Up Series BBC.
See 42 up 1998.
See 49 Up - Meet Neil.
See 49 up clip.
See POV - 49 Up . Trailer | PBS.
See 35 up 1991.
See 21 Teams Pass on Aaron Rodgers.
See Biography 2005/ 49 Up.
Description: “The question is not what we receive out of nature, but what can we give back to nature.” The Path of Grey Owl is a fresh movie by Goh Iromoto. It follows world-renowned woodsman Ray Mears through the wilderness of Temagami, Canada as he explores the path of acclaimed creator and conservationist Grey Owl (also known as Archibald Belaney). While reflecting on the landscape that shaped Grey Owl into the person that he was, Ray further delves into Grey Owl’s message about protecting our wilderness, and explains why this is still so relevant and necessary in our show day.
Description: Shows the detailed steps important to achieve a high standard of cleanliness in a public restroom and presents the opinions, attitudes and private feelings of the boys who do the job, giving voice in particular to a janitor in a university building. Director: James W. Hall. Janitor: Hance Nelson.
Description: Jazz and its milieu. Klaus Wildenhahn movies the Jimmy Smith Trio in Fresh York. With the addition of a white guitarist, Kenny Burrell, the band is in the studio recording the Rolling Stones actual hit “Satisfaction”, as a tribute to the successful British Beat musicians, who were themselves inspired by blues and jazz.
Description: The film’s subtitle identifies it as a “study of the creative discontent of a composer”. It is a portrait of the pugnacious musician Paul Dessau (1894 – 1979), who was controversial in East Germany, as a teacher. It follows the composer as he rehearses the “Bach Variations” with the Berlin state opera orchestra, as well during classes at the Polytechnic School I in Zeuthen, where he strives to teach the students a critical attitude. In an interview, Dessau bemoans the simplification of artistic media and elucidates the meaning and necessity of “hard sounds in an era that is not soft”. As we see when he works, “pleasure requires effort” … “art is never comfortable. Building socialism is not comfortable at all. That’s why I’m in favour of the uncomfortable”.
Description: The central song and dance ensemble of the Soviet military stationed in East Germany goes on a tour of the country. The dancers and musicians talk about their experiences in East Germany and their admiration for German classical music, which contains not only Richard Wagner, but also newer talents such as Arthur Honegger and Paul Hindemith.
Description: A civil fight has been smouldering for decades in Myanmar’s Kokang region, which is home to the Ta’ang folks (also known as the Palaung). When their lives are once again in danger in spring 2015, it’s mostly the girls and kids who flee over the border to China. Wang Bing accompanies a several of these communities thrown together by fate, at once modern and almost mythical and archaic. They wander the remote mountains with several possessions, camp in makeshift compounds and can sometimes earn a several yuan during the sugarcane harvest. Or they transport on to the next zone – which is never any better. Sometimes, around the evening campfire, they talk about what they’ve experienced – until someone tells that it’d be better not to talk at all, it’s too painful.
Description: The Berlin Wall has run through West Berlin’s Bernauer road since 1961. The bricked up facades on the another side of the road are in the East. A tenant who has lived here for 28 years talks about her everyday impressions. The camera captures East German police and guard dogs on patrol and – on the West side – tourists gawking at the Wall.
Description: In the mid-1950s, with a grant from the U.S. Fish and Wildlife Department, wild bird trainer Ed Durden and his eighteen-year-old son, Kent Durden, capture a young golden eagle on a mountain near Santa Barbara, California. They name her “Lady” and house her in a specially constructed mountaintop aerie.
Description: If you love John Deere, you'll love the all-new, wall-to-wall action of this DVD. We compare tracks tractors with wheel tractors, present how sugar is harvested, check out john Deere's fresh cotton picker - the 7760, and visit Keenland Horse Race Track in Lexingston, KY where the legendary green and yellow John Deere support receive the track ready for race day. We talk about few models of John Deere tractors and present them doing lots of various jobs, Plus five snappy songs by our favourite singer/songwriter James Coffey. Children will learn, laugh, and wish more. You will too.
Description: Marco ‘Curumim’ Archer’s life changed abruptly when police at Jakarta airport seize 13.5 kilogrammes of cocaine hidden in his hang-glider. At first he manages to escape, hiding out in Indonesia for sixteen days before being arrested and sentenced to death. Eleven years later, on 17 January 2015, he was executed for drug dealing.
Description: Not just a colourful record of the making of a mural in Chicago's Pilsen community led by Ray Patlán, this movie traces the mural movement of the mid-1970's back to murals in Mexico. Various folks view the mural and reflect on its meaning for themselves as Latinos.
Description: Winnie, the daughter of a steel worker and a teacher, lives in Gage Park, a Chicago neighborhood that is changing from white to black. Her family struggles with racism, inflation and a threatened strike, as Winnie learns what it means to grow up white, working class, and female.
Description: This final part takes us through the dramatic happenings when Wellington’s Anglo-Dutch Units aided by Blucher’s Prussians conquer Napoleon. The French units was outfought and Napoleon was out-generaled by Wellington. At Wavre Grouchy beat the Prussian rearguard before retreating to France. Meanwhile, the Anglo-Dutch units counted the bloody cost of the previous days fighting while Wellington wrote his controversial Waterloo Dispatch and the vengeful Prussians pursued the French towards Paris, leading to Napoleon's abdication and the occupation of the town by the Allies.
Description: A provocative and rare glimpse at the most iconic luxury jeweler in the world. From past to present, discovering the behind the scenes creation to those beholden to its charm, Tiffany & Co. is unveiled like never before.
Description: It’s not uncommon for a movie to have a moving love storyline at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both necessary representatives of post-war German-language poetry. The storyline of the relationship between the Austrian and the Jew from Czernowitz is said through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young girl and a young boy reading from their letters in a studio in Vienna’s venerable Funkhaus.
Description: Rudolf Thome’s idiosyncratic oeuvre was created with a continuity rare in German cinema – he has directed 28 feature-length movies over more than four decades since 1968. The writing of the script for movie no. 29 and the parallel efforts to safe financing form the thread that runs through this cinematic portrait, which consists wholly of conversations and observations around Thome’s home, a converted farm in Brandenburg. The filmmaker is nothing if not forthcoming, and the viewer has the occasion to experience him in different another roles: as a gardener, a father, a cyclist, and a performer of his own persona.
Description: This detail documentary provides a gripping retrospective of United States-Canada relationships through a study of successive presidents and prime ministers. Using archival movie footage, it demonstrates that Canadian prime ministers, from John A. Macdonald down, all began their tenures by making overtures to their American counterparts. Attitudes and outcomes have varied widely. The almost comic antipathy between Kennedy and Diefenbaker, for instance, is as palpable here as is the folksy camaraderie of Reagan and Mulroney.
Description: Jakub, The Old Believers, and Piemule are three documentaries about forgotten folks by director Jana Sevciková. All three are distributed on the same DVD under the name Old Believers.
Description: In the decade since the film's release, Europe has witnessed the rise in prominence of Far Right politics, the increasing marginalisation of minorities and the growth of religious fundamentalism. Following the 2005 riots across France, 'La haine' is actually more relevant than ever in a continent which has finally woken up.
Description: Pescenica is an old industrial suburb of Zagreb. As a satirical depiction of Croatia's newest politics, it has been declared independent republic. What's it like there today? Over a year, the movie team was combing streets, avenues, parks and backyards, focusing on the lives of four Pescenica inhabitants: its self-proclaimed president, a teacher in a Roma school, a cleaning lady in a movie distribution company and a young scene director. All that in order to portray Pescenopolis, the film's protagonist that floats between mud and clouds.
Description: A documentary history of lesbianism in North American and Europe, with historic references, archival material, movie clips, interviews with many girls - popular and not-famous witnesses and users - who clearly remember a difficult, painful, and often downright risky past.
Description: This movie shows the kit and equipment that the 42nd of Foot, The Black Watch wore and used at Waterloo. The Battalion was in 9 Bde of Picton's 5th Division and fought at Quatre Bras and Waterloo. The 8 British Battalions in Picton's Division were all Peninsula Battalions and most probably the most relaible in Wellington's Army. Hence their test at Quatre Bras and their position at Waterloo. The Division lost 43% of its boys as casualties at Waterloo including Picton himself, Wellington's best fighting general.
Description: Set vs the backdrop of one of Africa's most stunning territories – the Samburu National Reserve in northern Kenya – this compelling series follows the remarkable stories of wild elephants. From the first faltering steps of Breeze, a fresh born, to the experiences of elderly matriarch Harmattan, this series explores behaviour and relationships revealing elephants to be caring and compassionate beings.
Description: The first movie in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited boy as he treks back and forth across a sandy desert to fill an oversized barrel using a woefully tiny tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is inspected and taunted by a young couple that frolics around the barrel.
Description: This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made few influential avant-garde films, such as Meshes of the Afternoon (1943). Photos from this and her another work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.
Description: Made by Kartemquin and a rank-and-file steel workers caucus, the movie documents the opposition of the rank-and-file to the no-strike agreement between Steelworkers President I.W. Abel and the ten major steel companies, made without a vote by the membership of the union. Featuring Staughton Lynd.
Description: Fight is a compelling stimulus to the imagination, creating some of our richest and most strong artistic inspiration. Oscar-winning actor Eddie Redmayne takes an intensely emotional journey, visiting artists’ studios, museums and travelling to battlefield territories to shine a strong light into the abyss of warfare, where Fight Artists have left a special legacy.
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It is not quite a 50th Birthday invitation, but as most of the original cast of the landmark documentary 7 Up, approach the large 5-0, we are invited back into their lives to celebrate their most newest trials and tribulations in Michael Apted's 49 Up. It was the Up series that launched Apted's career, and he actually has some thirty games under his belt, including James Bond: The Globe Is Not Enough and Gorilla's in the Midst.The Up series began in 1964 as a sociological experiment. Apted, armed with a video camera, set out see if life was pre ordained for kids by the class they were born into. To use this concept, 14 kids of the same age, but born into varying social strata's were filmed interacting together at a zoo. The Up series is credited with paving the method for another historically necessary screen documentaries. It is remarkable in itself that Apted has managed to hold track of the original, and willing Up participants. As her revisits them each 7 years, the footage from these lengthy interviews is what makes up the series. By 49 Up, the 'class outcomes' are place to bed.Apted could be credited for moving beyond the class wars, and selecting to focus on adventure and private growth of his participants as the best tag of achievement. This was summed up beautifully by a UK film buff: "in a true sense, all are successful, when we define success as finding fulfillment in where you are and in what you do." The best success storyline and Apted's own private favorite is the storyline of Neil. After learning of Neil's stints of homelessness, and war with mental illness, fellow Up participant Bruce, threw him a life line 7 years ago by offering Neil a zone to stay and then went about supporting him receive on his feet. Now, Neil lives independently with a fixed address and is running for city mayor.Most participants have something inspiring and surprising in their stories. Even John Brisby, who details in 49 Up as a prominent lawyer, has lived his life very much like her predicted when he was a child. When we meet John at age 7, he was apparently reading the Financial Times, was most concerned about schools becoming free, fearing they would become 'terribly crowded.' He had aspirations of attending Cambridge and becoming a lawyer. So in 49 Up it was a touch ironic that he had committed a huge portion of his life to building gratis schools in Bulgaria and working to improve the medical system. His reasoning to appear in 49 Up was to 'raise awareness on a greater platform'.The tearful admission of tough but lovable Lyn Johnson about her loosing war to stabilize funding for her work she does with disabled kids will touch all, and hopefully mobilize the relevant agencies to do something about it. What is also surprising is how media savvy both Lyn and John have become to test the series to further their own causes. On a lighter note, tiny Tony, the knockabout child from the east end who wanted to be a jockey, is actually Tony the owner driver of a cab, grandfather and , has a villa in Spain as well as his home in London. He has done some acting work thanks to the Up series, and his honest and welcoming acc of his last 7 years is a highlight. However, my favourite is still Bruce, for no prolific reason. You'll have a favorite by the end too. 49 Up intended to be a fly on the wall documentary, but you can't support to wonder if their lives are a product of the experiences presented to them, because of the Up documentaries. It is a phenomenal series, and its format has been copied in another countries and it is used as an education aid in VCE psychology classes, yet, after 42 years, they participants are still bewildered by our interest in their 'ordinary' lives. John offers us his insight about our fascination: " It's like watching Large brother except the viewer gets the added premium of watching us all grow old and receive fat."For all the differences in their back grounds, the participants are seem to have a related trait- optimism and resilience, and it is satisfying to watch. Yes the once wide eyed 7 year old are actually plumper, greyer, and more precocious then ever, yet there is a tiny bit of all of them in us, and that is why we will eagerly await 56 Up in 2013.
I have recently watched all of the Up series, finishing with 49 Up this evening. While I have enjoyed the series and been fascinated by the folks involved, I did accept with John somewhat that it's a bit like Large Brother or some another reality series. Upon talking it over with my husband, however, I search that I have misjudged it. The series does have a lasting value that is not show in entertainment based reality TV shows. What does the series teach us? Tolerance and acceptance of our own fallible judgments. We see these folks at 7 and we decide what they will be doing at 21 or 35. Inevitably we're wrong on some necessary level. What this shows us is that we can never truly know someone, especially someone we don't have an intimate family relationship with, because we never receive more than a glimpse into their inner life. At 7 I didn't like Tony. At 21 I didn't like Suzie. The only person I have admired from the beginning is Bruce. Now, at 49, I search them all interesting, individual folks and I have a nice deal of respect for every of them. They have made their lives something to be proud of. They bring value into the lives of their families and communities, but also to those of us who only see a small portion of their lives each 7 years. This isn't reality TV. This is reality- this is life being lived by true people. I hope they will continue to do the program, despite the intrusion. I hope they will understand that they do bring something more into our lives than a couple hours entertainment.
In 1964, English filmmakers including director Michael Apted assembled a group of fourteen British kids from different economic and social backgrounds, all age 7, and made a documentary about them named 7 Up. Each seven years afterward, Apted revisited the same kids and made other documentary about them, chronicling their lives at the ages of 7, 14, 21, 28, 35, 42 and actually 49. The first installment that I watched, 28 Up, made me fall in love with these films. Much has been told about the series depicting the rigidity of the English class system, but as decades go by, the human element, the nature and personalities of the individuals being profiled, seems to be almost as necessary in affecting how their lives turned out. After seeing 28 Up and 35 Up, I remember feeling very terrible for one child who grew up coping with mental health issues and eventually wound up homeless, and thought leaving the theater that he wouldn't be alive for 42 Up. But by then he had moved to London and involved himself in local politics, a rewarding turn of happenings for him, and for the audience as well. The children from the upper crust backgrounds have predictably had more affluent lives, and turned out to be the least forthcoming and most guarded on camera as adults, and less simple to warm up to. Some children had deep seated feelings of shyness and insecurity that stayed with them as adults, and very publicly evaluating their failures and achievements each few years has been very hard and uncomfortable for them. But even though some seem to resent the filmmakers' intrusion in their lives, they generally seem to understand the larger value of the series and twelve of the original fourteen children continue to participate, even though they have misgivings or regrets about it. It's interesting to watch marriages and relationships suddenly start and end, and usually folks quickly remarry or search other relationship, often to someone more compatible and attractive. I identified most with the kids who grew up to be teachers and academics, highly likable, clever folks who realize that they aren't the most socially or economically successful but in many methods seem to be the most satisfied and fulfilled ones of the bunch. Despite their ambivalence, the participants deserve a large round of applause for letting us grow up and old along with them.
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