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Description: Toronto artist Sarah Keenlyside's re-creation of Ferris Bueller's bedroom at the Gladstone Hotel was one of the most buzzed-about art happenings of 2016. This brand-new documentary follows Keenlyside as she travels to Chicago to mount Ferris Bueller's Bedroom as part of celebrations for the 30th anniversary of John Hughes's classic comedy. Receive a glimpse of her process as she tracks down replicas of Ferris's prized possessions and works vs the clock to receive the installation ready in time for the large day. Along the way, she faces unexpected challenges, meets super fanatics who hold the spirit of Ferris Bueller's Day Off alive, and reveals how art (whether it's a nostalgic installation or a lighthearted film) brings us together.
Description: We Out Here: A LDN Storyline is a document of the folks and territories which have laid the foundations for London’s fertile jazz stage in 2018. It’s about the renaissance which jazz has experienced over the past several years. It’s also about friendship, community and the influences of the town that these musicians call home. The movie says the adventure of these young, gifted players, many of whom have trained and come up together, and whose sounds are actually becoming an integral part of London’s musical landscape – as well as representing the town around the UK and the rest of the world.
Description: This documentary follows the evolution of the British sketch comedy troupe that redefined humor and shaped an whole generation of American comics, focusing especially on their conquest of the American comedy scene,
Description: GANESH, BOY WONDER captures the remarkable storyline of Krishna and Jayamma, a working class Indian couple who prayed to the god Ganesh to bless them with a boy, never dreaming that their son would now look like his namesake, the elephant-headed deity. Years after giving up all hope of finding medical help, an accidental meeting with a reporter’s brother leads to a national tv storyline on Ganesh’s facial deformity. The resulting media sensation draws the interest of India’s rich and powerful, and a Canadian plastic surgeon, Dr. Sanjeev Kaila, who changes their lives forever. Acclaimed detail filmmaker Srinivas Krishna (Masala, Lulu) makes his documentary debut with this strong and moving storyline about love, faith and hope.
Description: In the summer of 1967, a hippie group named The Diggers - led by the cool and charismatic 23-year old David DePoe - wanted to turn the road where they resided, Yorkville Avenue in Toronto, into a car-free zone. Fed up with the noise and fumes from cars, DePoe staged a 3-day sit in where the Diggers peacefully occupied the road to petition the Toronto Town Council to receive what they wanted. To their surprise, the police were ordered to remove them by force by the town officials who wanted to hold the road launch as a important traffic artery. After being released from jail, DePoe and his group were invited by the fiercely conservative and patronizing Allan Lamport, a member of the Board of Control and former Mayor of the town to a meeting at Town Hall to show their case. The climactic war unfolded there between Lamport and DePoe, who was representing the Canadian Youth Council.
Description: The famed Coppola family of filmmakers and musicians descends from Agostino Coppola, a terrible immigrant from an impoverished village in Southern Italy. Interviews and archival footage portray how the family history has inspired these artists, and how they continue to renew their ties to the land of their origin.
Description: Toronto’s Clubland has become the most congested entertainment districts in North America. Yet many are not thrilled with the concept of cramming 50,000 fun-seekers into an zone 1.5 sq. kilometres in size. Politicians, police, and condo dwellers prepare themselves every weekend for the inevitable onslaught of partiers. Developers have hundreds of millions invested into the area, clubowners millions, and the fresh residents...their life savings. The city’s old “Garment District” has gone from sweatshops to sweat boxes in a generation and actually repeatedly makes the headlines asking the same question: what’s to be done? For the clubbers, their only question is “Where’s the party tonight?” This is Clubland.
Description: Documentary on the Thriller, Noir, Fantasy, Science Fiction genders in the Greek cinema for the last 50 years. It is a collage of authentic scenes and trailers of 50 movies as presented by 4 girls, bearing the name of the gender they represent. 50 years (1959-2009), 50 films, 45 directors, script writers, authors, critics, producers.
Description: “Data Mining the Deceased” prods the industry behind the exponential intensity in genealogy. What are the motivations of the key users and how are their ambitions affecting the millions of North Americans who are searching for answers?
Description: Shot in the US between November 1979 and September 1980 in Connecticut's South Norwalk region, this documentary focuses on the city's economic downturn and its collapse under such hard conditions. Through raising perplexing questions about the sustainability of the then relevant famous solutions for the prevalent conditions, the movie brings forward the conflicting perspectives of the local residents, former and actual shopkeepers, artists, politicians, environmentalists, urban planners, and developers.
Description: Lee Fields: The Movie about a soul singer’s dramatic rise, 40 years after soul melody faded from the national stage. His voice has been compared to James Brown, but Lee Fields is no knock-off – he’s the true thing. A soul singer from the 1970’s whose career has spanned 40 tumultuous years, Lee is suddenly making the greatest melody of his life with a group of talented young musicians in Brooklyn. We’re documenting this exciting moment in Lee's life and career, as he pushes his voice and body to the limit to deliver authentic soul melody to a fresh generation.
Description: Together filmmaker Nathalie and her mate Fabienne venture into a globe of memories and forgetting: Fabienne to prepare for her departure from life and Nathalie in order to face it.
Description: For every of us there comes a moment. A defining immediate in out lives when we are changed forever. This is that moment. Trust is a celebration. A labor of love four years in the making. A tribute to an wonderful bond formed between boy and a assassin whale. But it's even more than that. It's a testament to the connection that can take zone between two very various worlds. What can happen when, vs improbable odds, you trust in the impossible. The squad behind Trust dedicates this celebration to the spirit of wonder. And we encourage you to follow your heart - to dream, to achieve and to above all, BELIEVE.
Description: The documentary narrates the trajectory of Maranhão journalist, writer and writer José Louzeiro, through his own testimonies and of filmmakers such as Sérgio Rezende, José Joffily and Jorge Duran, his partners in screenplays of necessary movies for Brazilian cinema. At age 85, in terrible health, Louzeiro recounts her journeys as a police journalist, writer and screenwriter, and shows her impressions of controversial and marginalized characters she portrayed in film, journalism and literature.
Description: Yield is an ethnographic inquiry done over a period of five years, documenting the lives of nine kids living in dire Third Globe conditions. Stonecutters April, Ariel, and Rommel are siblings living off selling rocks they cheat off a menacing mountain. Jomar scours the ocean silt for gold. Edralen and Jason tend to and move agricultural products. With the addition of Alex and Glady Mae, both born with hydrocephalus; and Essam, a kid warrior-the definition of labor is expounded to contain other meaning: labor as part of the creation and eventual decline of life.
Description: Nei D'Ogum is African religion, is sex and is racial causes. He is love and contradiction. He is a warrior for civil rights for black people, gays and transsexuals. He is the very cause. He describes himself as 'Poor, n*gger, fagot'.
Description: Viewers go inside the fresh globe of futuristic conventional warfare and adventure through the modern development of the U.S. and worldwide arsenals, highlighting the critical technological turning points of the post-WWII age, the most fearsome weapons in circulation now, and the mind-blowing armaments in development that will later eclipse anything seen thus far.
Description: Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his tiny village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital town of the state of Paraná. The movie follows the complex transition between two very various worlds and the find for fresh horizons without abandoning his indigenous roots.
Description: The documentary captures Cassidy’s rising celebrity as a pop idol throughout the 1970s to his final months as he struggled with what was believed to be onset dementia. The movie also follows Cassidy into the studio where he works to record one final album dedicated to his late entertainer father, Jack Cassidy.
Description: OL' MAX EVANS - THE FIRST THOUSAND YEARS is a fast-paced ride though changing times and contains Maximum saying his stories of Hollywood, studio executives, ranching, publishing houses, brawls with Hollywood mates such as director Sam Peckinpah, spiritual encounters with animals, tales of the changing West and more.
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What a director frames out of his movie often illuminates the reasons for what is included. This Iranian documentary about a gang of young thieves is a basic situation in point. Director Hesam Eslami traces six years in the collective life of the thieves he met when they stole his car. Instead of turning them in he befriended them, won their confidence then turned them into the topics of his film. We come to it with a firm set of expectations of "Iran." You know Iran. It's the corrupt, renegade theocracy that funds international terrorism, plots to become a nuclear threat to the world, vows to destroy Tiny Satan Israel and Nice Satan America, oppresses its citizens, persecutes girls and gays, and suppresses any independence. Nothing of any of that appears in this film. There is no reference to religion, to theocratic or misogynous oppression, to sharia law, to anything specifically "Iran." Instead, the storyline of life on those roads ignores that national context entirely. The gang-life in this Iran should be set anywhere in the world. This movie averts the clash of cultures in which Iran is usually viewed and instead discovers the universality of the street-level life. Eslami confirms what I overheard an American tourist in Spain (around 1970) observe to her husband: "I say you Sam, wherever you go, anywhere in the world, folks are people." Simple to tell that, somewhat harder everytime to feel. The film's driving thesis is what the director does. Instead of punishing his offenders he wants to investigate their humanity. Instead of packing them off to jail he gets to know them. He keeps in touch with the ones who do receive jailed. He follows the gang's attempts to spring those. And in the situation of Ehsan, Eslami gently promotes the young gangster's shift into honest citizenship. If there is any religion in this movie it's the Muslim director's implicitly espousing the Judeo-Christian ethic of self-sacrifice, forgiveness and generosity towards the afflicted. The scarcity of this value in actual American Christianity only amplifies the power of this director's choice. Of course we can't ignore the forceful context of the film, even if it's not cited. Eslami's example - its hero and its albeit limited success - is an instructive alternative to our customary response to "Iran." Whatever the rhetoric and plotting conducted by our respective governments, their folks are not just our opponents but part of our common brotherhood of mankind. This is a counter to our bellicose governments but also a corrective to the citizenry perhaps too eager to purchase into their leaders' prejudices. In this light the film's features resonate meaning. The melody embodies the interface between traditional Iranian and global pop. So too the bonus placed on stolen vehicle stereos confirms the society's sire for cultural outreach. The movie opens and closes on Ehsan's fresh job, cutting and securing strips of veneer in construction. What's the veneer here and what the substance? Is Eslami's reminder of our brotherhood with Iranian gangsters a deceptive cover over our political gap, or is our leaders' antagonism the disguise of our shared humanity? The film's sentimental power helps the latter. When Ehsan's wife gives birth to a son she is surprised that Eslami would visit her. In her life, her husband's mate is still an outsider, a social superior, and she is surprised and flattered by his attention. Perhaps that catches the Iranian citizen's feeling of isolation from the populations their governments have forced upon them. As Willy Loman's wife reminded us, too late, "Attention gotta be paid."
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