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Mack Sennett and star Mabel Normand co-produced this 1918 silent comedy/melodrama which, surely, pleased the era's moviegoers. Normand, a natural comedienne, plays "Mickey," an orphan raised by a rough and grizzled down-on-his-luck miner abetted by a corpulent, exasperated but loving woman-of-all-chores.Back East, Fresh York to be exact, Mickey's aunt, as impecunious as she is extravagant, skirts with crash as she hopes her daughter will victory the affections of The Decent Man. Scheming mom and grasping daughter hope an engagement will bring them true solvency.Not too difficult to guess what happens. As the piano melody goes on - and on and on and on - the character goes West to handle a mine boundary issue. He meets the sparkling Mickey and her menagerie before she leaves for the East with her miner guardian. But the seeds of love have been planted.Mickey's been cordially invited to live with auntie under that harridan's very mistaken and later to be blown belief that the young woman is the key to a rich mine's bounty. Finding that to be very wrong, Mickey is ordered into domestic service by nasty auntie. Yep, Cinderella story, sort of. And we all know - as did the Nice Fight audiences - how such stories MUST end. A satisfied Mickey and her guy.Sennett was a master at comedies that entertained without surprising. No dazzling or innovative cinematography here, just a guaranteed nice hour and a half at the theater (or, now, in front of a TV).Normand strayed off the reservation of both respectability and sobriety not that many years after "Mickey" when she was at the height of famous acclaim with a Goldwyn contract. Stars didn't have the bounce-back capability many seem to play today and her close association with two lurid murders, neither of which she was implicated in, hastened a downward spiral already in freefall.She died fairly young of tuberculosis, her career practically ended. But she remains alive in movies that present the depth of comedic ability of a talented actress who should create audiences laugh without their ever hearing her utter a syllable. "Mickey" is one of her greatest efforts.In 1970, Bernadette Peters, who just opened in a well-received Broadway revival of "Gypsy," played Mabel in "Maude and Mack," a musical about the director/star duo. The enjoy didn't do well on the Nice White Method but it's become something of a staple for amateur theatrical groups. Normand would have appreciated that.Well worth renting or buying.8/10.
The journeys of a gold miner's daughter, Mickey stars Mabel Normand, who was one of the largest movie stars of the teens and 20s. In a series of episodes that are loosely connected, Normand plays a Cinderella-like hero who goes to live with a relative (Laura La Varnie) but when it's discovered the gold mine is a bust, she is made a maid in the household. But she catches the eye of the old lady's daughter (Minta Durfee) and is eventually sent back to the country just as the mine strikes it big. The suitor (Wheeler Oakman) follows her. The plot seems to stray here and there without much narrative thread. At one point, a lecher (Lewis Cody) is chasing Mabel around a mansion, and then we're off to the horse races. But while the episodes are tacked together, Mabel Normand holds the viewer's attention throughout the 90 minutes.This movie was co-produced by Normand and Mack Sennett. George Nichols, Minnie Devereaux, Tom Kennedy, and Edgar Kennedy co-star. And yes Minta Durfee was popular for being the wife of Roscoe "Fatty" Arbuckle, a popular co-star with Normand in many short films. And the melody by Neil Moret (who died in 1943) is absolutely great. I hummed the songs for days and learned to enjoy them on the piano.
'Mickey', as all Mabel Normand films, has her at the centre of attention from the beginning till the end. The camera, the action, the whole plot, are all attracted to her like magnets. And Normand is perfect in this film, establishing her status as silent era's first lady of comedy.And we do have a nice comedy. Full of suspense, 'Mickey' is never tiring, never boring. We are to witness the journeys of a mine-owner young girl, who cares for mining as much as donkeys care for belts being pushed down their throats. She is a mischievous kid who, even when she is brought in the rich household of her aunt in the East, never tires to be a child. Yet it is remarkable what love can do.The helping cast is all first rate, with Wheeler Oakman, George Nichols, Minnie Devereaux or Laura La Varnie, all delivering some nice comedic performances that seem to be untouched by the axe of time. But they are all there for Normand, who does everything from jumping nude into the water to riding horses and some impressive high altitude stunts. She was one of a kind, and 'Mickey' is there to prove it.
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