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About: Forced by her lover to sell her body, Renata is saved from a suicide attempt by Paolo Martelli, an engineer. She asks him to support her search a job. When Paolo's wife humiliates her, Renata gains revenge by seducing the woman's husband.
About: One summer, Dario flees the hellish environment of his home. Luismi, unconditional friend, a terrible devil with pretensions of winning, and Antonia, an old girl who collects abandoned his motorcar furniture, become his fresh family. Three generations living together in a town too large to be alone.
About: Aleeya Azmeen willingly went to London with her boyfriend five years ago only to receive dumped by him in the end. Things became worse when she was thrown out of London's college. Left with nothing, she had no choice but to return to Malaysia. But how will she explain what has happened to her family and friends? A fated meeting at Heaththrow airport with Zariel Daniel, who is willing to become Ale...
About: George and Lenny travel through the Depression-era west working at odd jobs, hoping to create enough cash to purchase their own farm. George gotta everytime watch over his intellectually disabled friend, and hold him out of danger, both to himself and to others. After they take a fresh job at a ranch, Lenny gets into far more problem than George can talk his method out of, leaving George to decide...
About: After her daughter's death, Rita returns to the African country of her childhood to investigate the death of Yvone Kane, a former political activist and guerrilla fighter. There, she becomes embroiled in a adventure into the past of a land haunted by fight and evil.
About: On her first night in the city, Jen meets Todd; she spends the night with him, only to explore he has already departed the morning after. Two years on, Todd reappears and disrupts the life Jen has created with her fresh boyfriend, Ethan. Tensions build and feelings resurface with a newfound fervor as Jen and Todd are inescapably drawn to every other, almost as if vs their better judgment, struggli...
About: An aspiring Indian tech entrepreneur in the Silicon Valley finds himself unexpectedly battling the bizarre American immigration system to hold his dream alive or prepare to return home forever.
About: Promised a life after higher education with a job and a great apartment, a writer/blogger finds herself rooming with an amateur porn actress and no future prospects. Through her roommate, she meets two another millennial dreamers; one who hopes to become an artist and other who is more or less content with being a “lab rat.”
About: Penelope, better known as Polka-Dot, is a spunky young woman who has a knack for supporting people, particularly her ailing mother. While out looking for a part-time job, Polka-Dot befriends a hard-nosed police officer and his tracking dog, Luey. When Polka-Dot's mother's condition worsens, Luey supports Polka-Dot search the strength and faith inside to support her transport forward.
About: Adimai Changili is a 1997 Tamil language movie directed by R. K. Selvamani. The movie details Arjun and Roja in lead roles whilst Rambha, Anandaraj and M. N. Nambiar enjoy helping roles. The movie fared poorly at the box office after it opened in September 1997
About: In Globe Fight II veteran Lolo Melo enjoys regaling his grandson Jobert with fight stories, one of which contains Lolo's participation in burying the famed Yamashita treasure. When Jobert heads to Manila to unearth the cache, tiny does he know that he has competition: A shadowy G-man and a soldier of fortune are also in pursuit of the loot.
About: Prequel to the 2013 Charles A. Christman III short movie "Masks" that shows the origins of how the boy became "The Mask" and the internal struggle that soon leads to murder. When Tim comes home from work, he finds his greatest mate waiting for him in a disoriented state. While trying to inquire and remedy the situation, he comes to search out that his childhood mate is no longer there and a darke...
About: The movie around the intelligence officer Captain Smith plays in the headquarters of a British tank regiment shortly after the beginning of the invasion of 1944, where Le Havre waws to be overrun by allied units and forced to surrender. Smith refuses to continue the war as he is convinced that the fight has become meaningless, he came to that conclusion due to the denial of the request of a German...
About: Krishnasamy (Arjun Sarja), a respected man, and Samiyappan (Thilakan) are in a feud for few years. Amudha (Nikitha), Krishnasamy's daughter, hates her father because she thinks that he is a killer. A several years before, Krishnasamy was a tea master with his mate Kandhasamy (Goundamani). After his father's death, Krishnasamy had a lot of responsibility. He fell in love with Sindhamani (Roja). In...
About: 1227, the last night of dying Genghis Khan. With promises and threats tyrant tries to persuade captive Otrar physician Akerke, the widow of the scientist, who was killed by Mongol soldiers, to save his life. But patriotic girl does not wish to deliver the oppressor of his folks and severely exposes his bloody tyranny of power.
About: The storyline follows the sporadic reunions of six mates during the seven year period of their integration into society. The reunions take zone on their ancestral island, the setting of their common past. Each time they return "home" they carry with them the effects of their private choices. They also carry with them the results of modern Greek society, a society the slowly but surely changes them...
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Peter van Eyck is one of the nice actors of his generation. He can do almost everything. He is on the same lvl like Peter Lorre or Marlon Brando. But he is cute unknown. This could change. Like the similarly underrated (though internationally much more renowned) screen presence of Herbert Lom, he commands automatic attention in each frame he appears, each glance he makes is haunting, his screen presence almost three-dimensional. Contrary to the previous year's masterpiece by Alfred Vohrer "An Alibi for Death" (Austria, 1963 - coincidentally scripted by the same screenwriter), he is truly the star in this film, and he doesn't portray a villain, but a remarkable hero, a type of Zen-like figure, Eastwood's Boy with No Name paired with Rossellini's St. Francis - though he'll receive killed in the end because folks trust he's a wolf in sheep's clothing.This movie is about war. Truly about war, in a manner Terrence Malick would depict in The Thin Red Line or Bertrand Tavernier would study in Laissez-passer (Safe Conduct, 2002). Not about fighting, but about living. What it means to live during fight as a human being. It is profound, transcendental, hopeful, nihilistic, whatever you wish it to be. But more importantly the movie feels in the context of German post-war cinema simply like a revelation. Jugert, who was a long time assistant director of German master Helmut Käutner, is today primarily known for his debut "Film Without Title" (1947) and not much else. And though Kennwort... Reiher did victory some German movie awards after its release (unbelievable but true: a deserved victory for greatest movie of the year) it has seldom been shown on TV in newest times, and as far as I know cannot be obtained on home video. I was lucky to catch it on TV by chance. What is so outstanding about this film, is that a German filmmaker considered of the past in 1964 (Jugert should have started directing movies in the late 30s/early 40s), during a time of nice crisis in the German movie industry (that some would tell had already collapsed) made a movie that feels modern and honest, and is a special hybrid of category formula and modernist(ic) tendencies. In a way, the movie recalls Miklos Jancso's portrait of Hungarian society in "Cantata" (1963) and the ending (and the last shot) is truly mind-boggling. But before that, a lot of the movie should be a clichéd reactionary war-drama like the ones which were produced by the variety during the 50s. Scriptwriter Herbert Reinecker was the main scriptwriting force in German postwar cinema and postwar TV (over 100 cinema scripts and over three times as many scripts for TV movies/series, e.g. the finished 281 episodes of "Derrick" (which ran from 1974 till 1998)), as well as an infamous old conservative, who continued many reactionary and controversial tendencies that were already on display in his work during the Nari rule (e.g. "The Star of Africa" (1957)), but was nevertheless also responsible for the scripts of some daring and innovative German-language movies (e.g. "Angels with Burnt Wings" (Zbynek Brynych, 1970) or the movie I'm writing about here). A commercial force but also an undeniable talent. No matter Reinecker's political agenda, Jugert makes the movie something fully his own. The mostly naturalistic photography is contrasted with bursts of abstract Eisensteinian close-ups in rapid editing, or the intrusion of subversive Bunuelian moments à la "The Young One" (1960).A further standout is the hero depicted by Marie Versini, an actress who is today (at least In German cinema) usually associated with commercial "trash"-fare, but who in this movie plays a sensitive and pretty intellectual that implicitly displays the hopes of a fresh generation which might be able to build a various society after the war, and becomes a potential love interest for van Eyck's lyrical character. The method the camera shapes and utilizes her face and body language is fully Antonioniesque and in the vein of the French Fresh Wave (think for example Anna Karina crossed with Jeanne Moreau) and brings an at that time fully atypical lyricism to German cinema, that I for one haven't encountered yet in the movies of that period (though maybe Wolfgnag Staudte should be credited as an influence, if one looks at movies like "Escape from Sahara" (1957) and "The Fair" (1960)).Whatever Jugert and his team had in mind, this movie is truly unique, and gotta be experienced to be believed. It's light hand and sensitive touch clearly mission into the future, to folks like Dominik Graf, or the (New) Berlin School and the observational sensibilities of someone like Angela Schanelec. I was everytime eager to see something by Jugert, but would have never expected THIS! Maybe it was an introduction to one of the rather invisible and more or less forgotten masters of cinema, as Jugert's should potentially be a rich and diverse oeuvre. He has been compared to Maximum Ophüls by some, because of his long and similarly spaced camera movements. I can't yet confirm if this is an apt comparison and these kinship patterns really fit. But after watching Kennwort... Reiher, I definitely receive the idea.
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