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If Tomorrow Comes is an unusual film, distinguished by surprisingly powerful performances from an perfect cast. The movie is low-budget and some of the technical aspects are quite poor. I often got the feeling that the movie had not been fully complete or had faced issues in post-production. Nevertheless, If Tomorrow Comes is worth watching as a showcase for the many fine actors involved.The movie starts with a jumble of poorly filmed flashback sequences. Adam (Dave Buzzotta) appears to have suffered some type of sexual abuse as a child. The exact case remains unclear but the lasting results of Adam's childhood trauma should not be any more apparent. Adam is lost soul, who consoles himself by listening to answering machine messages from his estranged father. Adam's greatest mate since childhood, Devin (James Franco) is equally damaged. His life revolves around caring for his disabled brother, pulling needles out of his junkie step-mother and avoiding his abusive father. The movie works exceedingly well when it is content to examine Adam and Devin's unusual friendship. If Tomorrow Comes shows male relationships in a fresh light. The handling of their love for the same girl, Kobe, is gratis from all the usual clichés and alpha male stereotypes. Unfortunately, the movie is far less successful when it pursues a ridiculous gangster subplot.It's a shame that the writer/director, Gerrit Steenhagen, decided to spice up what should have been an intriguing hero study with ludicrous action elements and an even more bizarre porn subplot. Apparently, Adam has been coerced into making pornos by Devin's father in the past. Devin's dad demands that Adam partake in other skin flick or repay him $37,000 in one week. The penalty of not complying is death. This subplot opens up a Pandora's Box of loose ends and wonderful events. There is the highly coincidental choice of Serena as Adam's proposed porn partner, Adam's fully illogical behaviour, the misplaced comedic relief from the heavies sent to threaten Adam, Devin's duel role as Adam's bodyguard/proposed executioner and Devin's father's fully unexplained obsession with getting Adam in front of the camera. Basically, this whole subplot is on the nose. Apart from not making any sense, this detour into "Boogie Nights"/Quentin Tarantino zone is marred by poorly filmed action sequences, confused plotting and poor dialogue. It's difficult to trust this section of the movie was written by the same boy responsible for Devin's genuinely touching scenes with his brother. Their incredibly depressing Easter egg hunt packages far more punch than all the gangster scenes place together.The glue that holds this disjointed movie together is the consistently perfect quality of the acting. Dave Buzzotta is perfectly globe weary as Adam. His apathy is as palpable as his affection for Devin and Kobe. However, the true revelation is James Franco. I had basically written him off as the terrible man's Freddie Prinze Jr (harsh, I know) after watching his terrible performances in the likes of "Spiderman" and "Sonny". This is by far his greatest role since "Freaks and Geeks". If Tomorrow Comes would have been filmed at around the same time. Hopefully, he can regain some of this form because his performance as Devin is fantastic. The same can be told of James Madio, who plays Devin's brother, and Helene Udy, who makes Serena so much more than the typical "hooker with a heart of gold".You should drive a semi-trailer through some of the holes in "If Tomorrow Comes". The direction is primary and the film sometimes looks like it was filmed on a cheap android phone. Despite these faults, If Tomorrow Comes manages to be an insightful and memorable hero study. This is definitely worth searching out.
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