See Jesús Franco.
See Les 3 PRINCIPES pour RÉUSSIR d.
See J. Krishnamurti and Huston Smi.
See Los principios del Kybalión y .
See Horizon - La France a peur: le.
See A civil response to violence (.
See Candy (1968) [HD] - Christian .
See Marat/Sade (1967) + subtitles.
See Ostrov 1080p Full HD - Το νησί.
See Fellini's Satyricon 1969 م.
Top movies like Hommes de joie pour femmes vicieuses complete list given below.
About: Line, annette's daughter, is about to marry a boy she's not in love with. At the engagement party three ghosts revisit their disastrous relationships with Annette and decide to take action to support Line.
About: A fishing boat comes back to the port. Fishermen are crestfallen, as they have caught only one very tiny fish. To save face, they fib they have 300 kilo of mackerel on board the boat. In their will to report a success, the port administration decides to pad out the weight. So, the very tiny fish is grossly exaggerated into variety of belted bonito, then into dolphin and ultimately, into a whale. W...
About: Three novels deal with the mentality of the children, their agitations, and the merry and sad things in their daily life. The film is created with a lot of humor, cheerfulness, and nice love for the kids.
About: A tenement house needs to have steam heating installed. The residents search the important workers to do it, sign the contract and pay them in advance. The workers present up and begin their job, but disappear immediately. Panic-stricken, the residents set up to find for them, only to search the workers in jail. Fully desperate, their only possibility is to come up with an ingenious plan how to br...
About: Life takes a strange turn when a group of outsiders come to the tiny city of Cholame, the famed website of James Dean's fatal vehicle crash. Cholame's only business, a diner owned by Maximum (John Mahoney), is overrun by this glamorous group while the diner's short order cook (Ian Gomez) and waitress (Virginia Madsen) receive caught up into this new, exciting world. Unknown to the rest, a magazine...
About: Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are mates with the even-temperred, almost saintly Maximum (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to adventure to the Alpine mountains near Switzerland and Italy, where they will support a fourth mate take care of...
About: Up and coming portrait artist Alan Road is employed by the owner of a Soho Swingers Club to paint the nude hostesses. Whilst Alan relishes his fresh job his pretty girlfriend is less than impressed.
About: Seemingly, Paul (Jacques Bonaffee) and Isabelle (Marie Brunel) have a wonderful, harmonious marriage. Yet Isabelle is not averse to having a tiny side action with other boy in the afternoon, and Paul is really getting into his romance with one of his ophthalmic patients, a young girl who pursues him more than he pursued her. Even those tiny affairs might not indicate that there is much wrong with ...
About: On the Eve of WW2, the royal government of Yugoslavia hid the national cash inside the cave around village of Ozrinići in Montenegro. The locals discovered the heaps of cash by accident, and later begun to build fresh houses and purchase the land. Unfortunately, the Italians occupied the country and burned their properties to ashes. Based on a real story.
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It is a truism that one often finds in 'lower', more despised forms of entertainment more truth or insight than is allowed in official or respectable culture. Take the sexploitation film, for instance. These are surely the most functional type of creativity there is, a car of recommendation for a particular release. The less plot, distracting production values or acting the better, never mind ideas. What better kind of movie to subvert, to slip in concepts the prospective customer never dreamed he was going to get.This extraordinary movie tells more about French society, sexual relations, race and existence than all the 'proper' movies being made at the same time. There is a genuine satiric daring and Genetesque sensibility here than one can't imagine any boy being self-unaware enough to take it for what it purports to be, a sexploitation film. Because onanistic desire is a finished abandoning of defences, leaving us at our most vulnerable, our most gratis from hypocrisy, we are also launch to another fears and desires we'd never admit in 'real' life, not even to ourselves.The movie opens with a married couple, nice loving bourgeoisie, young, hard-working, thrifty, dreaming, like all middle-class French couples, of one day purchasing a house in the country. The sun shines, they create love, they receive ready for work. So far, so normal, so respectable. Their work happens to be prostitution, both of them. Most of the movie takes zone in the man's work place, a formerly aristocratic city house turned brothel, where wealthy girls pay for quick, violent pleasure.This is extraordinary enough in a sexploitation movie - boys as the commercial objects in a sexual exchange; girls wielding economic, and hence social power. As in Genet, the brothel is both a rarefied zone apart from the true world, and a zone where the tacit tensions of that true globe are played out. This is very much a post-68 film, where masculinity is passive and ridiculous: the sex scenes are all played for laughs, disrupted by stylistic tricks, emphasising the men's inadequacy and ugliness.But there is a political charge extraordinary for its time, and unthinkable today. In the film's greatest scene, a black intellectual who plays gigolo for the money, adapts a tribal persona for a rich nymphomaniac. She fantasises being violated by a savage, and then goes home to repeat the experience with her eager, elderly husband. The simultaneous fear and fascination of the racial other, still poisonously prevalent in France today, has never been more compellingly expressed. An echoing stage has two female executives insisting on talking business throughout their session with a thoroughly humiliated john, who soon agrees to be kept by rich, contemptuous feminist. Sexploitation taboos such as male homosexuality are also explored.Allied to Genet is the film's sense of role-play, where the johns assume names and personae, and each session is ritualised, theatricalised. The result of this is that when the movie leaves the brothel, and enters other, more respectable bourgeois spaces, it's hard at first to say the difference, such is the similarity of decor, or the presence of servants. The mission is that there is nothing natural about the respectability of the middle class, that it is just as much of a fake as these sex sessions; that capitalism, as Godard was telling more austerely at the same time, is prostitution.The finale is an astonishing explosion of the carnivalesque, where the forces of the law become disruptive, fetishised sprites, forcing the 'deviants' to become 'normal' (one boy becomes a woman), eroding all moral boundaries when it could be asserting them.
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