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Not only is it a terrific and constructive adaptation of Baldwin's nice book. It is just a very very moving film.One review tells you need to be a Christian to appreciate the movie. I'm not a Christian and I appreciate it greatly. It speaks to fundamental aspects of being human: parent-child relationships, the burden of the past on the present, the struggle to search our selves amid all the many demands placed on us by others. And yes, the zone of spirituality and transcendence in all that. It's also a crazy "who's who" of contemporary African-American actors well before they became household faces and names. *Watch this movie.* You'll be glad you did.
I have to admit I had a difficult time following the plot because the film jumps back and fourth between the show and the past and has a myriad of black characters, most of whom all look alike to me.I came to watch this without any knowledge whatsoever of James Baldwin as an creator or as a person.It was refreshing to see a film from a truly black perspective and from a POV from within the Pentecostal church.It drives a deep realistic picture of the complexity of lives navigating the true world. As every hero deepens you receive some concept of some of the whys but it wasn't until I learned soon that Baldwin was both black and gay in the 1950s that things began to create more sense.The film ends with this ritualistic dance in church as the main hero seems to be simply putting on a nice present (as his aunt just did prior to his "conversion") and gains the congratulations of the congregation that he is actually "saved". This left me feeling that the creator wasn't really pro-christian or a believer in the same sense that I see most Christians. It might simply require more knowledge of the Pentecostal doctrines, especially of the black churches in Harlem in the 1950s,The film is, for sure, a special experience and not like any another I can recall. Definitely worth a watch, but I will come armed with a better understanding of Baldwin himself when I next watch this and hopefully it will create more sense to me the second time through.
I'm not a Christian, so it had no appeal to me in that guise. I mainly watched this for Ving Rhames and Alfre Woodard; otherwise, I probably would have skipped it. The main hero is played by two people: Ving Rhames (younger) and Paul Winfield (older). They are nothing alike. Not in the movie, nor in true life. Rhames has this "bad boy" hero about himself in many of his pictures, and that is showcased here. Then ala Sergeant York (1941) he finds religion (in a rain storm) and still showcases that perception but as a preacher. Paul Winfield, though an equally nice actor, is more forthright and direct. It did nothing for me. It was like I was watching two various people, and in a method that's exactly what you're doing but as actors testing the same part there could be at least similarities, and I saw none. That was a large detractor for me.The storyline is an ordinary storyline about, mainly, a man's life. How he came to be who he is, and how he ends up being. There's nothing particularly unique about that. Why I feel this would mainly only attract Christians.There are good, humorous, sometimes overly dramatic moments in the movie but it's all average, in my opinion.6/10.
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