See The Rolling Stones - Guimme S.
See Altamont Free Concert - Death.
See THE ROLLING STONES - GIMME SHE.
See Gimme Shelter movie trailer.
See The Rolling Stones- Gimme Shel.
See The Rolling Stones - Gimme She.
See Gimme Shelter.
See '' gimme shelter '.
See THE ROLLING STONES - GIMME SHE.
See The Rolling Stones Gimme She.
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This sort of "artistic documentary" marks a milestone in our culture and it's really a must-see for folks interested in history. The DVD ver includes necessary extra details such as excerpts from a long KSAN call-in present the next day. Some of the callers were principals in this happening and their commentary is valuable. In addition, there are some wonderful still image collections on the DVD that go even further to capture the climate at this event.There is a lot of talk about "Hells Angels" this and that in the reviews here. The Hells Angels were not the basic trouble - it was a poor combination of sloppy organization, third parties who reneged on deals and contributed to the problem, and the concert-goers themselves. As some callers to the KSAN present commented, "I was at Woodstock, and Altamont was fully different. Nobody came together. We had no spirit of community. The entire thing was hurried and stayed tense throughout." So imagine 300,000 folks working difficult to receive their groove on quickly - since the concert was only confirmed a day or two prior - using whatever they should roll up in a paper, stir into their cheap wine, or drop on a sugar cube. Then their heroes come up onto the 20'x20'x3'-high scene and viola, you have a heavy trouble on your hands whether safety was Superman, Sgt. Joe Friday and his partner Bill Gannon, Acme Safety out of Walla Walla, or the Hells Angels. There was going to be violence. It certainly didn't support that the organizers said the HA to park their bicycles right next to the stage. With the crowd as it was, that was guaranteed disaster for a several people.What a method to end the '60s flower power era.
When you see this film you really understand how sanitised, secure and corporate the melody stage is today. The Stones were possibly the largest band in the globe at the time, so by today's standards it seems wonderful they'd place on a gratis concert where the venue was changed at the last minute, the set was still being constructed as the 300,000 very fried looking hippies turned up, and there was no safety for their satanic majesties except for the San Francisco Hell's Angels who were paid in beer and brought along pool cues with lead weights at the end for added safety - as well as the standard knives and baseball bats. And they weren't scared to test them, even on the bands, especially Jefferson Airplane's Marty Balin. Throw in some of the original Satanic rock band's finest sinister creations and you receive the true deal, not some pantomime metal/goth horror facsimile. At the time many folks really did trust that they should change the globe and looked to bands like the Stones as leaders of the counterculture, and you really receive the impression things like this mattered a hell of a lot more, but after Altamont, well... Nevertheless, the ver of Under My Thumb that Jagger delivers as he's watching the poor action unfold in front of him is, for whatever reason, devastatingly understated and desperate, compared to all the OTT cavorting earlier in the set. But it's the genuine craziness of the 'fans' that makes this movie seem like it was shot on other planet. Gimme Shelter is the most rock'n'roll movie ever made, for all the right and wrong reasons.
In November of 1969 I attended a Rolling Stone Concert at Boston Garden. The Stones were nearing the end of their fabulously successful 69 American tour and they were as nice as I had ever heard or seen them. The sellout crowd was mesmerized and surged to the stages edge without violence and just rolled to the music. It was a brief period in rock history when such things were possible. The Peace and Love generation had settled into a groove with just tripping on the melody and nothing more. Woodstock had been the prototype. A month after I saw them hypnotize Boston Garden the concert at Altamont place an end to the dream. David and Albert Maysles recorded this nightmare in their brilliant documentary Gimme Shelter. The movie opens with the Stones, flush with success planning a gratis concert for fanatics at Golden Gate Park. The venue is switched to a racetrack in Altamont and things slowly start to deteriorate from there. The Stones naively hire Hell's Angels ("The Dead told they were cool") for security. When things become unruly the Angels reply harshly. As Jagger sings a boy with a gun rushes the scene and is stabbed. The Maysles cameras are in the right zone many times. The emphasis is not on Jagger as he and the band perform, instead it is the threatening and tripped out folks near him on scene that fascinate. The concert itself only takes up a tiny but gripping portion of the movie which follows the Stones on a some of their tour and their reactions from watching the documentary's rough cut. Seldom do rock stars let themselves to filmed in such compromising a position. The Maysles also capture the logistics side of the concert business with famed lawyer Melvin Belli and tour director Sam Cutler at task. In less than half a year the Utopian dream of Woodstock lay in crash at the Altamont Speedway. The Maysles deliever much of the proof in Gimme Shelter.
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