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About: Ten years ago, my brother Bernard got married for the second time. We all went to the wedding in Boston, where he lives. It felt as if we were four tiny kids again with our mom and dad. I had brought along a tiny camera, which I began to test to movie our family. I've continued to this day...
About: There is no movement, just the Statue of Liberty, right profile. No people, no flags rippling in the wind, no seagulls flapping past to mar the unmoving photo of the Statue of Liberty.
About: A tiny woman sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table.
About: “This is a fresh negative showing the whole trip from Brooklyn to Fresh York, in which the immense turrets stand out clear and distinct vs the sky. Positively the greatest picture of the Brooklyn Bridge yet secured.” (Edison movie catalog)
About: "This is a very remarkable picture, showing Union Square, Fresh York City, during the nice March blizzard of 1899. The camera was stationed at the corner of Broadway and Fourteenth Street, and was swept in almost a finished circle, showing the tremendous drifts of snow and the blockade at 'Dead Man's Curve' in Fourteenth Street. This picture was taken during the busiest time of the day, and shows ...
About: One of the earliest movies to be shot in India The movie apparently shows the Kolkata (Calcutta) ghats as seen from the perspective of a boat travelling along the Hooghly river, a tributary of the Ganges. However, although the film's game states that this is Calcutta, the footage was in fact shot in the holy town of Varanasi (also on the Ganges).
About: Three young girls with dark, curly hair stand on a scene with a black background and patterned carpet or tile underfoot. They wear tights, ballet shoes, and frilly dresses to the knee with multiple petticoats and ruffled drawers. They start by raising their right legs up by their heads, and then perform a dance with a tons of kicks and leg movements, their hands either in the air or pulling up the...
About: A close view of an eighty-footer, schooner rigged, trim as a personal yacht, skimming over the waters of the harbor, near Robins' Reef, which picturesque light house is seen in the near background. A steamer decked with bunting also passed by at close range.
About: A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the huge nursery home, and leave by the close left to the camera. A several toddlers also follow in the same orderly line, along their nurses.
About: Newcastle United Season Review 2011/12. Watch the highlights from a season in which the Magpies gained European Qualifiction. Spectacular Targets From Demba Ba. Hatem Ben Arfa. Yohan Cabaye And Of Course Papiss Cisse Are All Here. Play The Home Victories Over Manchester United And Liverpool As Well As Away Victories Vs Chelsea And Local Rivals Sunderland Among Many More. Barclays And Lma Manager O...
About: A panoramic shot, making a full circle, at the 1900 Paris Exposition. It starts and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Boys and girls walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boate...
About: James White, the Edison Company's main filmmaker at the time, realized a explode of creativity during his visit to the 1900 Paris Exposition. It's uncertain who his cameraman was for this journey, but historian Charles Musser suggests that it might've been Alfred C. Abadie. In their Paris Exposition films, they introduced tilting (see 'Panorama of Eiffel Tower') and, although panning and panoramas...
About: “Showing the whole height of this unbelievable structure from the base of the dome and return, with the nice Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison movie historian Charles Musser, this movie details the first camera tilt among the company's surviving oeuvre.
About: Taken from an automobile. This picture was taken during the fashionable driving hour, making a finished circle of the Zone de la Concorde, passing hundreds of carriages and busses. The beginning of the picture shows the historical church of the Madeleine in the background, the picture ending by approaching and running under the main entrance to the Paris Exposition.
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