See Camille (1936) Official Traile.
See I'll Beg, I'll Borrow,.
See Greta Garbo in colorized ".
See Camille (1936) - The Most Insi.
See Greta Garbo in colorized ".
See [Camille 1936] Come What May.
See Robert Taylor & Greta Garb.
See CAMILLE FULL MOVIE.
See Greta Garbo in colorized ".
See escena final de la dama de las.
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About: A boy wanders out of the desert not knowing who he is. His brother finds him, and supports to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
About: Oskar is born in Germany in 1924 with an advanced intellect. Repulsed by the hypocrisy of adults and the irresponsibility of society, he refuses to grow older after his third birthday.
About: Folks in the future live in a totalitarian society. A technician called THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to create puppets out of people. As THX is without drugs for the first time he has feelings for a girl and they begin a secret relationship.
About: An endearing light comedy about a girl who spontaneously becomes a resident of Venice after her family left her begin. While enjoying the unbelievable folks she meets she achieves a fresh life and the first time independent of her family.
About: Near the end of Globe Fight II, Maria marries Hermann, who is instantly sent off to battle. When the fight concludes, Maria believes that Hermann is dead. She begins working at an Allied bar, where she meets American soldier Bill. They begin a relationship that is interrupted when Hermann returns alive. During a scuffle between the men, Maria accidentally kills Bill. Hermann takes the blame and go...
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About: Contact is a science fiction movie about an encounter with alien intelligence. Based on the novel by Carl Sagan the movie starred Jodie Foster as the one selected scientist who gotta create some hard decisions between her beliefs, the truth, and reality.
About: Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, CA. He is dating local woman Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark globe he had tried to escape.
About: Gus Van Sant says the storyline of a young African American boy called Jamal who confronts his talents while living on the roads of the Bronx. He accidentally runs into an old writer called Forrester who discovers his passion for writing. With support from his fresh mentor Jamal receives a scholarship to a personal school.
About: Based on the novel by the same name from Nicholas Evans, the talented Robert Redford presents this meditative family drama set in the country side. Redford not only directs but also stars in the roll of a cowboy with a magical talent for healing.
About: From the moment she glimpses her idol at the scene door, Eve Harrington is determined to take the reins of power away from the nice actress Margo Channing. Eve maneuvers her method into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and ...
About: Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune named Together. Living in this leftist commune Elisabeth learns that the globe can be viewed from various perspectives.
About: A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just other peasant worker in the People's Republic.
About: After a long voyage from Scotland, pianist Ada McGrath and her young daughter, Flora, are left with all their belongings, including a piano, on a Fresh Zealand beach. Ada, who has been mute since childhood, has been sold into marriage to a local boy called Alisdair Stewart. Making tiny attempt to warm up to Alisdair, Ada later becomes intrigued by his Maori-friendly acquaintance, George Baines, le...
About: Miss Marple believes she’s seen a murder in a passing by train yet when the police search no evidence she decides to investigate it on her own. Her inquisitions lead her to a mountain top. The first of four movies starring Margaret Rutherford as Miss Marple that all achieved cult status.
About: Miss Marple and Mr Stringer are witness to the death of the very old and rich Mr. Enderby by heart attack. Yet they have their doubts about what happened. The police don’t trust them thus leading Miss Marple to yet again investigate by herself. A cult movie starring Margaret Rutherford.
About: During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final movie from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.
About: Middle-aged suburban husband Richard abruptly says his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the city with her mates and meets a younger man. As the couple and those around them confront a seemingly futile find for what they've lost -- love, excitement, passion -- this classic American independent movie explores themes of aging and ...
About: A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she starts her own investigation. The third Miss Marple movie starring Margaret Rutherford as the quirky amateur detective.
About: The spoiled daughter of a well-to-do plantation owner is forced to test each means at her disposal to claw her method out of poverty, following Maj. Gen. William Sherman's destructive "March to the Sea,” during the American Civil War.
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"Perhaps it ill be better if I live in your heart, where the globe can't see me. If I'm dead, there will be no staying of our love." The novel/play by Alexandre Dumas Fils LA DAME AUX CAMELIAS has attracted a lot of artists. Verdi wrote his opera LA TRAVIATA basing its content on this play. The movie industry have also made a lot of adaptations of the enjoy from the period of silent era up till modern times. However, if one hears a film game CAMILLE, what usually comes to one's mind is the movie by George Cukor with Greta Garbo and Robert Taylor. Why? There is something magical about this ver that made it stand a use of time, something that helped it be appreciated for almost seven decades. Is it performances, cinematography, or Garbo's presence that create it so enchanting to watch? The respond is not so simple because the film is a masterpiece of beauty at multiple levels.The performances are absolutely outstanding. It is hard to tell if Garbo gives her greatest performance in CAMILLE or GRAND HOTEL. I think that it is more a matter of private preferences. One thing is sure - she does something more than acting. She fully feels the role, each movement, each gesture is extremely natural as if you were watching reality not a movie. As a result, Garbo achieves something really outstanding in CAMILLE, some type of the ultimate masterpiece of performance. Robert Taylor very well fits to the role of Armand Duvall. He manages to stress the most necessary detail of his role - delicacy and sincerity. Henry Daniell is a excellent choice for Baron De Varville - cruel, unemotional, cynical, and very selfish. I shall never forget the stage when Marguerite plays a lyrical piece on the piano expecting Armand's visit. However, it is Baron who comes unexpectedly. While Armand is trying to receive to the house, Baron plays the piano and Marguerite has to behave as if she wasn't expecting anyone. The stage ends with hysterical laughter of them both and a superb acting. Laura Hope Teams also gives a lovely performance as Prudence Duvernoy stressing her frivolity and extravagance. Consider her performance at the party at the mansion. Yet, Lionel Barrymore, though not given much time on screen, is memorable, particularly in the stage of his meeting with Marguerite. What a lovely presentation of two various globe views! Not a better or a worse view but DIFFERENT views - Marguerite attached to love and emotions and Monsieur Duval to social ties and reputation.The cinematography is superb. Almost every stage has a "soul" which makes watching the film a true admiration of beauty. The most memorable decorations are in the stage in a candle-lit boudoir filled with delicate lighting and shadows. Marguerite is looking at her reflection in the mirror and suddenly notices Armand from behind. A delicate classic musical piece is being played in the background. UNFORGETTABLE! The film's superb imagery is a very powerful mission for the movie. Perhaps, you will wonder why I praise this film so much. But if you asked me if I can ever forget CAMILLE, my respond would be "never" because the imagery of this film and the result it has on a viewer is endless. How is it possible to forget a pretty stage of Marguerite's first meeting with Armand? Is it also possible to skip a lovely idyllic pastoral sequence with sheep and flowering trees? How to forget a touching moment when Gaston, Marguerite's real friend, is putting a pretty bunch of camellias at her side while she is lying ill in bed? Finally, the touching final shot and Marguerite's pretty words that I entailed at the beginning of my review. These words, which purely refer to spiritual love, are the last words that Marguerite says. Yes, CAMILLE is a masterpiece, one of the very several films that promotes true beauty. It is not only a tearjerker. It is not only a storyline of love. It is a film that teaches high respect for precious values in life. 10/10!
Maybe it supports to be a romantic. But for my money, this is the best romance that was ever place on film. It has the excellent stars. Greta Garbo was the star of the age--any age--still pretty and absolutely created to act in films. Even in silent films, her acting is measured and understated. She never falls prey to exaggeration nor pretense. I think that is the secret to her effectiveness. Let me an example: after accepting cash from Baron de Varville for a disguised outing with her lover Armand (which the Baron already suspects), she kisses him gently on the cheek only to be reviled with a harsh slap from the baron, who then departs. The camera moves in on that incomparable face. The head slowly lowers, the lips slightly part, a weak moan expresses the guilt, shame and humiliation which momentarily consume her. Then she spies the cash clutched tightly in her hand. Recognizing she actually has the means to escape with her lover, a slight smile emerges reflecting her change of mood and restored joy. It is a stage like no other.As for her co-star, Robert Taylor was castigated as being too callow for the role. In fact, most critics today realize he was exactly what Dumas intended: young, impressionable--and certainly irresistibly superb in his dewy youth. That beauty often caused the young Taylor undeserved venom from the critics. He was a very capable actor and probably set the standard for the contemporary romantic leading boy we see even today. Rumors that Garbo dismissed him as unimportant are not true. She liked him very much and was greatly impressed after he sent her mother flowers when they all attended the premiere of CAMILLE in Stockholm.CAMILLE? A nice film with a nice cast, including the marvelous Henry Daniell, whose Baron de Varville is very Jekyll and Hyde. I encourage anyone to see it. It is one of the finest movies of the 20th Century.
When you think of the lavish 30s movies of MGM, Camille is near the top of the list. Nice storyline and flawless production here boasting perhaps the most shimmering of Greta Garbo's ethereal performances as Marguerita Gautier (Camille). Familiar and much filmed story, this is nevertheless the greatest of them all. Matching Garbor is the hopelessly romantic Robert Taylor in his greatest 30s role. Also nice are Lionel Barrymore, Henry Daniell, and Jessie Ralph as the maid. Nice comic relief is provided by Laura Hope Teams (Prudence)and Lenore Ulric (Olympe)--what a pair of vultures! But the center of this superb movie is Garbo. She is so frail looking, her voice so soft. Garbo plays Marguerite as a frailty incarnate. She never overacts the part as most do with the unlimited coughing and fainting. One of George Cukor's triumphs. Rex O'Malley and Elizabeth Allan are dull but have tiny parts. I also spotted Eily Malyon and Zeffie Tilbury, and Joan Leslie is listed in the credits. I think this is Garbo's greatest performance, but she lost the Oscar to Luise Rainer for The Nice Earth. Also nominated that year: Irene Dunne (The Terrible Truth), Barbara Stanwyck (Stella Dallas), and Janet Gaynor (A Star Is Born). Wow----how should you select just one?
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