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Even after passing BEYOND TOMORROW, three old gentlemen continue to guard their two young friends.Unfortunately rather obscure, this charming tiny film, bursting with the joy of life, brings a whimsicality as unexpected as finding a ten dollar bill on a snowy sidewalk.Texas rodeo cowboy Richard Carlson and children's clinic worker Jean Parker are the two lonely folks brought together on a cold Fresh York Town Christmas Eve by their fresh benefactors. They create a excellent couple, young & eager to embrace love - and every another - with launch arms. Their enthusiasm at finding relief from their loneliness is genuine and imparts a unique glow to the viewer.The generous trio, who look after their fresh companions like benevolent uncles, are the very heart of the film. Cheery Irishman Charles Winninger, stalwart English major Sir C. Aubrey Smith, and melancholy Oklahoman Harry Carey, although dealing with their own secret sorrows, share their largess with finished strangers (whom they meet by a most curious stratagem) in order to share the Christmas Spirit. Elderly Maria Ouspenskaya gives a sweetly poignant performance as their beloved housekeeper; this tiny, wizened actress positively radiates joy as she steals her each scene.Helen Vinson, as a singing temptress trying to corrupt Carlson, is the serpent in this garden. Silent Screen star Rod La Rocque, in one of his final films, gives help as Vinson's theatrical manager.This would create unbelievable Vacation viewing. In fact, one of the most delicious scenes in the movie details a spirited singing of Jingle Bells in English, Russian, German & Italian.
A crazy-quilt of drama and emotions, initially with a vacation theme, about three elderly Fresh York businessmen, workaholics who have unintentionally become hermits, finding themselves friendless on Christmas Eve; after throwing their wallets out into the street, they are greeted with two honest souls (a soft-spoken, singing cowboy and a kindergarten teacher) who eventually fall in love...and that's just the beginning of the story! The narrative takes on a bundle of various themes (unexpected death, youthful romance, the cause and result of success, after-life fantasy), yet the end effects are fairly smooth (although, after the forty-minute mark, the picture becomes almost a various film altogether). Perhaps it wouldn't work so well if not for Charles Winninger's lovely performance as the twinkling Irishman who brings the young people together. Winninger has a moment late in the proceedings, talking to the heavens, that is both blissfully serene and fraught with emotion--honest emotion, the type Hollywood sometimes has problem creating. The film's message is clear--if you give unto others, you're sure to receive--and if that strikes some viewers as corny, so be it. However, the filmmakers do wonders with few concepts which have since become old-hat, and the three codgers are fabulous characters who transcend some of the more obvious plot-developments. In fact, the film is such a surprise, I would imagine more TV-airings might turn it into a vacation perennial. *** from ****
This takes a easy concept and makes it work rather well, thanks to a nice cast and just enough feature to make an atmospheric setting. Director A. Edward Sutherland moves the action along at a slow, deliberate pace, yet most of the time this fits in well with the nature of the characters and the story. The slow pace allows you to think a tiny more about the characters, and it often gives you a possibility to anticipate what comes next, giving the storyline a feel of inevitability despite its more fanciful aspects.The film divides into two major sections. The first part is an upbeat series of vignettes, as the three elderly rich boys befriend and support the two young lovers. The second part forms an interesting contrast, as the spirits of the three mentors, from the afterlife, test to support their young mates through some difficulties and trials. The light and ever-hopeful tone of the first half gives method to serious and often anxious drama in the second part.The casting is a large part of making it work. As the older benefactors, Charles Winninger, C. Aubrey Smith, and Harry Carey form a nice trio, working together believably and making for an interesting contrast with one another. Winninger as the satisfied optimist, Smith as the mellow realist, and Carey as the anguished pessimist all do a nice job of bringing their characters to life. Likewise, Richard Carlson and Jean Arthur fill the roles of the young hopefuls sympathetically. Maria Ouspenskaya and Helen Vinson are also nice in their parts.For all that the storyline is openly sentimental, it generally avoids becoming moralistic or preachy. It just presents the characters for what they are, and allows the storyline and characters to speak for themselves. It's not one of the very greatest films of its kind, but it's not really that simple to create any storyline like this work without becoming cloying or saccharine. So this is a creditable movie, and one that probably deserves to be a tiny better known.
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