See Berserk (1967) - Trailer.
See Berserk - Trailer.
See The "Freak Song" | &.
See BERSERK ! (1967) Clip Opening .
See Joan Crawford, Berserk 1967.
See Berserk! 1967 Clip Joan Crawf.
See Berserk (1967) - TCM Intro (Bu.
See Berserk! high wire walk.
See Berserk - Griffith's Knigh.
See Berserk! 1967 Clip.
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Joan Crawford is the lone notable hi-light in this highly ridiculous yet entertaining popcorn fluff where a psychopath infiltrates and wreaks havoc upon a traveling circus troupe in Europe.Joan Crawford portrays the owner and ring-master of the Circus, "The Nice Rivers Circus" - she is a gutsy, feisty no-holds-barred girl who is hell-bent on running her circus while a murderer terrorizes her employees by offing their victims in bizarre fashions. For example, one tight rope walker is hanged by his own tight-rope after it frays and snaps during a live performance - other boy has a pick driven through his head and a girl is literally 'sawed' in half in a hilarious stage that involves a buzz saw and two missing screws (!!).Meanwhile, Crawford tries to capitalize on the murders by cashing in on the general public and their morbid fascination with death by making sure that the 'show gotta go on'. Box office receipts have never been better after the murders start and the audience gotta wonder, is Crawford behind it all? Is this just some sick over-the-top publicity stunt?Further characters introduced into the storyline line contain a hot-shot tight-rope walker (Ty Hardin) who also plays her love interest and future business partner, a flirtatious blonde circus performer who tries to stir up problem among her colleagues by implying that Crawford is the murderer and an incredibly ludicrous case that allows the movie to introduce Angela, Crawford's mischief-making daughter who has just been expelled from an exclusive ladies college for her disruptive behavior. Any of these key users including all the circus folk should turn out to be the murderer, but which one is it?Crawford is perfectly cast in "BERSERK", in a highly camp role that should only have worked with no one else but her in it. Sporting a ridiculous blonde hairdo while wearing see-through night apparel and exposing her long legs while donning a ring master's outfit, she manages to nail down hilarious one liners such as, "That Matilda the Mouth!", and, "Just remember, I was the one who gave you all a home!" while at the same time, keeping a straight face. Her delivery of such is highly commendable.Besides Crawford's performance, many another highly camp scenes also take zone in the film - including a cat war stage that breaks out between two girls after one heckles at the other, "Don't fall down - you might harm your brain!", Crawford being stalked by a mysterious silhouette between a set of caravans(!), and the countless filler scenes involving current circus out-takes of dancing poodles and high-wire acrobats using a 'love rocket' apparatus(!!).The climatic conclusion of "BERSERK" is riotous. When the assassin is revealed, laughter will ensue as their motives for murdering its victims come to light, followed by a stage where they dash outside the circus tent only to be conveniently struck by lightning(!) Nothing in "BERSERK" quite makes sense, but it is now a rather amusing film. Crawford never looked better in her twilight years - although she would finally succumb to starring in nothing another than this type of trashy fare. Watching her being seduced by Ty Hardin is a notch below fully embarrassing, yet it is also at the same time fully hilarious. "BERSERK" is certainly among the dregs of misfired movie projects, but it isn't as terrible as tell a matinee showing on "MYSTERY SCIENCE THEATER 3000".Crawford fanatics could give "BERSERK" a gander - I think you will be pleasantly surprised! My Rating - 6 out of 10
Joan Crawford's fanatics will appreciate her foray into yet other horror show, this time as the feisty, hard-edged manager of a traveling circus present suddenly burdened with murders of few circus members. The attentive photography cannot hide the fact that Crawford has aged considerably--and consequently, although her figure is still trim, her scenes with hunky Ty Hardin have an unpleasant and wonderful quality about them.The plot is strictly standard fare--who is responsible for the series of gruesome murders? For awhile, it looks like Joan herself is probably the wicked one--and there are a several another red herrings to create you think you know who did it. When the ending is revealed, in a climactic thunderstorm, it comes as a distinct letdown although a surprise, the reason being the guilty one is given no substance in the plot. The killer's identity seems highly implausible which makes the ending seem as though it has been merely tacked on to deliever a final scene.As these sort of things go, BERSERK isn't a terrible method to pass the time on a low-budget mystery. The technicolor is good, Joan's costumes are fantastic, her shapely legs are on almost constant display and she uses her haughty manner to nice effect. The features of circus life are smoothly integrated into the storyline and some of the animal acts are amusing--but none of the characters have any depth. Ty Hardin makes a handsome and arrogant stud whose daredevil highwire act provides some high moments of suspense as he performs over a row of spikes below. Like Crawford, he's given ample occasions to present off his handsome physique.Diana Dors makes the most of her role as an outspoken tart and all of the helping performances are competent enough--Michael Gough, Judy Geeson and Robert Hardy. Certainly worth a view if you're a Crawford fan. The dialogue is ripe with campy one-liners.Trivia note: The plot is slightly reminiscent of Barbara Stanwyck's LADY OF BURLESQUE where a series of backstage murders takes zone with a slim plot involving a jealous performer.
Okay, I'll admit this film ain't Shakespeare nor is it likely to be confused with a Bergman or Fellini film! The movie, like many of Joan Crawford's soon films, is highly entertaining but also high on the camp factor--with lots of suspense but also lots of over-the-top action! It seems that after WHAT EVER HAPPENED TO BABY JANE? that Crawford cheerfully agreed the schlocky direction her career turned and played it to the hilt--starring in some wonderfully intelligent suspense movies like STRAIGHT-JACKET and BERSERK! All these movie are far from subtle and low-budget, but somehow in spite of their many shortcomings, they entertain! Snobs and sophisticates may not think much of them, but they deliver on the chills and action! This movie casts Joan in a very odd role as the owner of a tiny circus and ringmaster. During the course of few months, few performers die. At first, it might just be accidental, but when the business manager gets a tent spike driven through his head, you know it ain't suicide! In fact, for the kitsch movie lover, the many deaths in the movie are all rather entertaining and silly--a lady getting sawn in half, a boy being hung by a high wire rope, a guy getting a knife in the back and falling to his death on a bed of swords! I say you, it's never dull! It's also very reminiscent of the Dr. Phibes movies because of all the intelligent killings. In addition to a fun script and lots of shrill acting, the movie details some dandy true circus acts. I particularly loved the poodle act--it's a true hoot.About the only letdown is the very end. How the murderer is exposed seemed a tiny too simple but how they later died by accident shortly after this just seemed silly and anti-climactic. Another than the ending, the only another negatives are seeing Joan in tights (at 61) and her love affair with Ty Hardin who was significantly younger than her. I don't know if Ms. Crawford had anything to do with it, but in few of her newer movies she played characters method too old to be bedding such young boys (such as Hardin, Jack Palance and Jeff Chandler).By the way, for you "Pepsi Watchers" out there, note the child in the audience near the end of the movie drinking Pepsi from a bottle. This is sort of an inside joke, as Crawford was on the board of directors at Pepsi and insisted on sneaking a bottle into her movies as often as possible. In her soon films, it's much like trying to spot Hitchcock in his films--you know that if you look closely enough, it's bound to turn up somewhere.
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