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About: Kevin Bloody Wilson - Allow Loose Live In Ireland was captured at The Vicar St Theatre in Dublin at the completion of a 60 date tour over nearly 4 months throughout The UK, Wales, Scotland, Canada and Ireland. This performance sees him take his special brand of Australiana to the world, performing sell-out concerts as part of the DILLIGAF Globe Tour. It details a catalogue of self penned bawdy bal...
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About: Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the movie the action stops, and a moderator appears on scene to ask the audience to select between two scenes; following an audience vote, the selected stage is played.
About: Nerdy Jewish Nelly Sue Edelmeister, daughter of a Fresh York mother and Berlin musician in Berlin gets straight A's, except for gym. When she hears her dream prince, current royal Edouard, a fellow astronomy buff who studies in Luxemburg, patronizes the basketball competition hosted there by a European school she wants to join her school's women team.
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The movie opens with an incongruous and comic rodeo in the tiny Swedish city of Lafors - Swedish rodeo???? (one of Lafors' dying industries is tanning leather). Here we receive glimpses of some of the characters whom we will receive to know better as the movie progresses. In the hopes of luring a large German supermarket (Superbilly) to Lafors, the city council decides to create a marketing movie to showcase some of the charms of this city beset with a couple of dying industries. However, without a budget, one of the council members, Musse (Frederick Dahl), a Tamil immigrant who has assimilated so fully he cannot speak Tamil to his demented mother who has forgotten her Swedish, comes up with the concept of asking the secondary school children to create videos of their town. The effects are 'personal', as their teacher tells (and quite funny), and in desperation the council gets funding from a local construction company to hire a professional. But two immigrant women who have made one of the 'personal' movies decide to hold filming. As the professional and the amateurs create their videos, different tensions in the city are slowly unveiled. "Amateurs' has a double meaning in the movie - almost all the actors are now amateurs as well, including the talented and charismatic women (Aida played by Zahraa Aldoujaili and Dana played by Yara Aliadotter) and the equally talented Musse (trying to figure out a word to describe him, I kept coming up with 'lovable'). The movie is beautifully sequenced. We come to see well-meaning Swedes grappling with cases where some subtle prejudices are uncovered, and the women uncovering reasons why a large supermarket coming to city is not the balm it seems.The relationship between the immigrant women is wonderful, and gorgeously acted and directed. Gabriela Pichler, the director, told they searched for a year to search the actors, and then spent nine months getting them ready to film, and the care taken shows, as well as the talents of the leads. Aida is tough and uncompromising, Dana soft and sweet. Musse's amiability is tried dearly as he sees he is not as agreed as he had thought. As the three interact with their families and the folks of the town, the movie transitions from light and funny to deep and bittersweet. We explore an nice friendship and insights into the tensions folks of various backgrounds make and reply to as they interact. In addition to the perfect acting from both the principals and the helping actors, the movie is beautifully shot and the drama and comedy are superb. It is probably my favourite movie of the year.
I loved this film. You'll type of live in Sweden with those children while watching it. The film has a very nice storyline schemed into an daily plot. The bond between the women just melted my heart. Everyone has played their part really well. I suggest this film to everyone!
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